I have held off on reviewing the Staedtler Noris for over a year. It is not officially available in the United States. But, if our traffic statistics do not lie, then a large portion of our readers read from Western European Outposts. Add the number of sellers on eBay who will ship packs of these German Beauties to our shores, and this pencil is far from a stranger to our little community – at least potentially. My daughter loves this pencil (see handicraft piece), and, finally, Staedtler sent some (as result of that piece) to HQ last month. It has become semi-ridiculous to have not reviewed this pencil by now.
I am fortunate enough to have great Pencil Friends like Matthias and Gunther, both of whom have sent me wonderful Noris gear. The beautiful vintage Noris pencils in the photos are from Gunther. Matthias sent the sharpener (which is the envy of my peers who pass through Pencil Revolution HQ) and multi-grade Noris packs. I would be foolishly remiss not to mention that Comrades interested in the Noris (or pencils in general!) would do well to visit the wonderful posts about and photos of Noris pencils at Bleistift and Lexikaliker.
I will be confining myself to the red-capped HB version of the Noris for now. This hexagonal pencil features two black sides and four yellow, with a black stripe running the length of the yellow sides’ intersections. The effect is striking. The ends are dipped in white lacquer and then (in the case of the HB) into red lacquer, resulting in a layered cap that further sets this pencil apart. The gold stamping is as fine as the haloed Mars Lumograph, though the texture and quality of the Noris’s paint job is certainly not as smooth or glossy as the top-tiered Lumograph. But that is neither the market nor the price-range of this pencil. Every Noris I have seen comes pre-sharpened and ready for action.
A note on the print. Some of the German Norises I have on hand say:
MADE IN GERMANY [Mars logo] STAEDTLER Noris HB [boxed 2]
while others say:
MADE IN GERMANT [Mar slogo] STAEDTLER Noris school pencil [boxed HB]
I do not discern any quality differences between the two, though the former’s lead seems somewhat more waxy. I assume that the difference is in marketing, since the Noris (unlike the Lumograph) is billed as a writing pencil, not an art pencil. (Please, Comrades, do amend any mistakes I am making here, honestly.)
I cannot tell what kind of wood this pencil is made of. I have read of the Noris being made of cedar and of jelutong. But none of mine smell like cedar or look like jelutong. (Perhaps this article by the always excellent Pencil Talk could be helpful.) The pencil’s wood is light-weight and is treated to sharpen very well. Despite not having the incensed aroma, whatever wood it is of which these pencils are constituted performs well as a pencil casing.
I like the core/lead very much, especially for what I understand is currently (?) a budget pencil in some markets. What it lacks in the smoothness of its Blue and Black Cousin, it more than makes up for in darkness. This core exhibits a nice balance of smear-resistance and erasability. Often a mark’s resistance to smearing makes erasing difficult, and, at other times, pencils whose marks are easier to erase make a smeary mess of a notebook. Point retention is average at best, and I find myself sharpening this pencil more often than any other German pencil I use in the HB grade. So my Noris pencils do not retrain their original measurements for long. Perhaps I was inspired by this photo of Gunther’s. But this is a pencil that looks good short! As I finally have more than a few stashed away in The Archive, I find myself reaching for this pencil, no matter how stubby the current one gets. To be sure, there is a very short Noris in my NaNoWriMo pencil box this year.
I heartily recommend the Noris, especially to American Comrades who might not be familiar with this pencil. It is available via a few eBay sellers who will ship overseas, some of whom even have reasonable shipping rates. I get a lot of comments when I use this pencil, whereupon I tell folks that it is commonplace, in, say, England – which I still find surprising — with a little jealousy that the common pencil depicted in our country is certainly not this distinctive.