About two months ago, Sarah of City of Industry was kind enough to send us three pencil pins, with an eye to a giveaway. As usual, they disappeared already, and I think someone stole mindefrom my hoodie. These pins are totally adorable:
If you’re an illustrator, designer, or letter writer, you’re probably always looking for a pencil. Keep this one close at hand: It works just as well pinned to your shirt pocket as it does to your backpack.
I wore mine long enough without a post about it going up that I fear Karma might have take my pin away. My better half runs a public school; she was an obvious suspect (and, in fact, took one). I got a lot of compliments and hopefully sold a few for CoI while I dallied about a blog post.
They sell a lot of other really cute stuff, including an airmail pin that I really want. This is a solo operation by Sarah, and I suspect pins like this would render those flimsy one-inch buttons a quaint little effort at coolness. Thanks, Sarah!
So this is another “Your life would be better if you lived in Baltimore” post. With apologies for the bad photo pics, the newly-reopened wings of the Baltimore Museum of Art include a hunt for the BMA’s chairs, one of which is made of 50 dozen Dixon Ticonderoga pencils (from back when they were made in the USA, 2005, which was really at the end of domestic production). Some of the construction involves removing the erasers and sticking the pencils end-to-end into the ferrules. Artist Jeremy Alden made this chair using 600 pencils and glue (and awesomeness).
The BMA currently prints a field guide to its chair collection, which is very nice for curious kids. Charlotte kept hers. More information about this chair that you really have to see in person can be found here.
We used to post much more about readers’ art, and I am glad we can do it again today. Wendy sent this wonderful image recently, and I think it would make a great Pencil Revolution T-shirt one day, if she was willing.
I discovered this excellent blog a few months ago and, on a recent archive binge, I found your post on the Staedtler Norica. Now, being the art hobbyist that I am, I was immediately struck by how dark the line looked compared to other “writing” pencils. And, being the pen and pencil addict that I am, I went to Staples and got myself two whole packs.
This is probably the most economical impulse buy I have ever made. “Art” pencils are usually a step up in quality compared to their “writing” cousins, but they are also several steps up in price. The Staedtler Norica is just as good as you said – and for a very good value. I’m in the business of making art, not Art, so I’m happy with having a single hard pencil paired up with a soft pencil for shadows. The Norica is an excellent pseudo-B to have on hand, and it doesn’t scream, “Art in progress, peek over my shoulder!”
Thank you so much for writing about this pencil, and everything else on your blog. I am slightly poorer but very grateful!
Many thanks to Wendy for sharing her art! Please click to see the embiggened version.
Remember when we used digital cameras and uploaded the photos to Flickr? We had to plug them in or use a card reader. Remember when you didn’t have the entire Internet in your pocket all of the time? I remember when we had to write down blog posts on paper if we were away from a computer. Now I can just literally talk to an app, and it will post for me (I never do that though).
At any rate, you might enjoy the Pencil Revolution Flickr group, founded in 2005 and still going strong. It is almost entirely pencil art these days, and some of it is really excellent work.
I miss using Flickr, though I supposed Instagram is the new Flickr?
It is an unexpected delight to be asked to write about my hand sharpening of wooden pencils. I have been reaching for a blade over regular sharpeners for more than two decades. My method is now automatic, and I admit that I spend a little bit more time getting the point I need than most other people I know. This is mostly due to my training in art. Almost every artist who has had a hand in my education has encouraged the use of a blade in sharpening. I clearly remember being told to throw away my sharpener by one of the better artists I have had the privilege to be intimidated by. There is no better way to shape a pencil point into a mark-making tool than with the blade of a super sharp knife. Most of my pencils are the shape they are to accomplish particular tasks. The point is for working in detail, and the length is for shading techniques. Many artists will have a variety of pencils that have been sharpened differently for set tasks. However I have been able to use the one style of point for all purposes. I do not like to swap pencils as I work.
For many years I used a click utility knife as they were cheap and easy to buy, but I was disappointed with them in the end. This was for two reasons. The first was how quickly the blades became blunt. I found this could be as little as a few days. The ones I used were the snap-off variety which were designed to be disposable. I do not like generating needless waste, so the click utility knife was not ideal. Secondly, the plastic handles would break, or the plastic end that assisted with snapping off the blade would go missing. I wanted a better option. I tried a number of cheap folding blade pocket knives, but found them to not be sufficiently sharp. I attempted to hone them but I never got this quite right. Many times it felt as though I was trying to sharpen pencils with a butter knife. Quite a few pencils looked as though they had been chewed by some small animal.
After much trial and error I came across the French Opinel Carbon Steel knife. This is a wonderful tool! The Opinel is not a fancy knife, and comes in a range of sizes. My pick is the No 6, which only costs $12AU. It has a very basic twist lock and a rounded raw wooden handle. Most importantly, it is very, very sharp. It cuts into cedar with ease and it can be sharpened easily with a small diamond hone (these are common in most hardware stores). This knife has yet to fail me, and it is a must on my list. It lives permanently in my pocket.
I really do not think there is much to the way I sharpen. It is but a matter of practice. I use both thumbs to push assist on the back of the blade. I also tend to move the pencil back and forth, not the blade. A short video I have taken (see below) will show this clearly. Unlike Mr. Rees, I cut the wood and the graphite at the same time. I think that this works better, as the wood and graphite become a more uniform shape. I work by turning the pencil in a circle, as is the usual method. The graphite receives its final shape by being scraped with the blade lightly whilst turning the pencil. I will then fuss a bit with the shape of the wood, cutting very small slithers off. This is just for aesthetics. The result I want is a very long point that tapers to a very sharp point. It seems that the longer the taper is, the less likely it will break in use. A metal cap will be needed to carry the pencil around though. I have put holes in clothing and fingers in the past.
(This is my technique, please excuse the painters’ hands. Years of solvents have taken their toll.)
Pencils have become more of an interest over the past few years, and as most who read this blog, I have collected some fine specimens both modern and vintage. But my hand sharpening has been with me for a very long time. This may be the result of all the nasty plastic novelty sharpeners that have eaten pencils in my childhood. I admit that there are days I will use my baby blue Carl Angel-5 hand crank sharpener, but a machine will always produce a machine-like result that is devoid of personality. At this point I am tempted to get poetic and talk about working with the texture of the wood and allowing the natural wood grain to dictate the stroke of the knife, but that would be an over embellishment. I do believe a little of this, but not enough to make a point out of it (no pun intended). I draw almost every day, and 95% of the time I will draw in graphite. I will not use the eraser for anything other than adding light to reflective surfaces of drawings. Hand sharpening is part of my preparation and helps me focus on what I am about to use a pencil for.
Writing about the ‘Hows’ and ‘Whys’ has been fun as I usually just ‘do’. If you have never pointed your pencil with a blade, I personally would recommend it. You may create your own favorite point and possibly even work on your skill to the stage where your sharpeners become pretty decorations collecting dust on a shelf.
(Many thanks to Luke, whose technique I am practicing presently!_
This came to HQ last weekend. Power Pencils are magical pencils (!) with magical powers — though the magic happens only by certain practices and under the auspices of certain rules. These are some rules of the Dragon Pencil, for instance:
The pencils are marked via Lazer Beam, burnt into the wood with pleasing effects. The Pencil of Desire:
And the Dragon Pencil:
You will notice that the pencils are dyed differently, shaped differently and have different erasers and ferrules. I don’t know why, but I enjoy this fact. These are not factory-stamped pencils churned out massively.
How do they write? I don’t know yet. I have not gathered the correct circumstances in/with which to work their magic. So they remain virginal and latent currently. This will change soon, and I hope to report back.
In the meantime, you can buy your own singly, or as a subscription via the Etsy store. Shipping is $2.50 for the $5 single pencils and $15 for the subscription. I really like the subscription model, echoing the Field Notes we all know and so many of us love. This would be a great gift, and the two samples we received for free have been hidden because of the advances of certain Magic Thieves in this HQ.
This essay is from Wayne H. W. Wolfson. It is a detailed musing on writing and drawing kits that will surely facilitate the formulation of Kits for Comrades everywhere. I, for one, am rethinking the use and contents of my vintage (it was my Dad’s) US Army Map Case…
I groped for the idea from last night which I planned on using for a story. Like a fisherman who spots something just below the surface of the water, its shape making it seem worthwhile to go after while still not revealing exactly what it is. Usually I have my trusty pad next to me in which I could have quickly jotted it down. But having gotten in late last night and somewhat whammied by jetlag, I had not unpacked my book bag. It would come back to me, its temporary absence spurring me on to unpack.
To varying degrees all artists are pagans in that we all seem to create little rituals which superstitions then attach themselves to. If I feel a story percolating but not quite there yet or I am unsure of what I want to draw next — If I then go out without a (sketch/note) pad then I know inspiration will hit or I will encounter subject matter whose presence is fleeting and cannot necessarily be returned to the next day, when better equipped. As inconvenient as this may sound, it can actually be worked to one’s advantage too, knowing the cause and effect, choosing to go out unequipped, so as to bring things to the surface.
For the most part though, I always have some manner of pad and pencil on me. What I am equipped with depends upon where I am. [Read more…]
These turned out awesomely! Head over to Andy’s blog for more info on the genesis of these great vectors and information on how to get your hands on them.
Recently, we received a message from Jaina Bee, who lives in a house in San Francisco that is covered with pencils! There are 185,252 pencils here, all installed between 1997 and 2002 by Jason Mecier. I seriously doubt I have ever laid eyes on that many pencils in my nearly 35 years on earth. Check out more about the pencil house here, complete with photos that made me wonder how to do this to the stairway in the 1900 rowhouse that is HQ.