Metal Shop Timber Twist Review, by Harry Marks.


[I kidded Mr. Harry Marks after he sent a review to my Very Good Comrade Andy at Woodclinched, and we’re lucky enough to publish his review of a piece of Pencil Gear that I own by never talk about: the Timber Twist from Metal Shop CT. Many thanks to Harry!]

When a pencil has been worn to where its ferrule touches the thumb, it is known as the “Steinbeck stage,” so named for John Steinbeck, who discarded his pencils once they reached such a length. It sounds wasteful—even odd. A pencil at half-length still has plenty of words left in it, plenty of sketching left to do.

However, there comes a time when a pencil becomes too cumbersome to hold. When fingers scrunch and contort like commuters on a packed subway car just to eke out a few more strokes before the tool is tossed away and the finish is being sheared away on a fresh stick. What happens to those stubs? Like good little soldiers they do their tours of duty and get retired, but we can’t bear to part with them. They’ve served us well. We drop them into desk drawers and mason jars in the hopes a child might come along and use one to scratch out a wobbly, hesitant letter A. That child never comes. Those remnants are relegated to “desk duty.” Forgotten.

I had tried to assuage my guilt about discarding stubby pencils by purchasing an extender from CW Pencil Enterprise. More akin to a Roaring ‘20s cigarette holder, the little wooden stick had a metal opening to slip the stub into with a ring that would slide down and clamp the pencil in place. It performed as expected, but I didn’t love it. The unprotected tip of the pencil often snapped off in my bag and the dyed wood made marks on the page. It was too long and the uneven metal hurt my fingers after extensive writing sessions. I needed something better, more compact, and easier to carry.

I’d been familiar with Metal Shop’s original bullet pencils for a while, but the aesthetic hadn’t appealed to my tastes. Made out of copper, aluminum, brass, and other materials, their original lineup seemed too cold despite the presence of a piece of wood sticking out of one side. Perhaps it had been the shape. Vintage bullet pencils had been made of plastic and metal and covered in advertisements for vacuum cleaner repair shops and insurance companies. They resembled their namesake, but without the deadly connotations. Metal Shop’s offerings, however, seemed to take the “bullet” part of the name more seriously. They were intimidating, meant for “rugged” types who photographed the contents of their rucksacks for tactical “EDC” websites. I stayed away.

Then Metal Shop’s owner, Jon Fontane, mentioned he was looking for the perfect name for a new bullet pencil—one made out of wood. The Timber Twist, as it had come to be called, carried the same form factor as its metal forefather in a less threatening wooden body. This was it, I thought. This would replace the pencil holder chomping on a 1-inch Blackwing stub in my bag, but that $46 price tag gave me pause. Twenty-five dollars on a box of Blackwings had been my limit. Twelve pencils would last me a long time before I’d need to replenish my stock, but $46 for a tiny cylinder of wood and aluminum? I waited.

Months went by before the urge grew too strong to ignore. One night while perusing Metal Shop’s website, I realized I’d been thinking about this all wrong. I wasn’t paying $46 for one pencil. I was paying $46 for a lifetime of pencils. It wasn’t that there was anything wrong with the cheap pencil holder, but I wanted more. I wanted an accessory that would last a long time, maybe forever, a piece of me for my son to carry long after I’d gone.

The day it arrived, I pulled the flat cardboard box from the envelope and cursed at its weightlessness. I was prepared to write an angry letter to Metal Shop inquiring about the expensive accessory they’d forgotten to include inside. Then I pried the lid off and saw it sitting there, pinned like a butterfly to be examined with two extra Blackwing 602 stubs and a few erasers rattling around it. Save for the polished aluminum end piece and the bright Pepto-Bismol eraser at the top, this looked like an antique. Metal Shop had done something truly unique: they’d paid homage to a vintage object by making something new that looked like a vintage object.

As I slipped it from its box, I marveled at how light it felt. It had been constructed of mahogany and aluminum. I expected something more substantial. I wanted my pocket to sag under its heft. I wanted the paper to gasp with each stroke, as though I was tattooing my words on its skin. This would not do. This didn’t feel worth the luxury price.

I unscrewed the cap and flipped it over, exposing the 602 stub that had been fastened to the other side, and screwed it in. I now held an almost full-length pencil in my hand and began writing. The weight—or absence of it—suddenly made sense. My hand wouldn’t cramp. I wouldn’t tire as easily as if the Timber Twist had been made of a solid block of wood. I’d exhaust the stub, pull out what was left, attach a new one, and keep going. This bullet pencil seemed to have been made with writers in mind.

The eraser didn’t get much more out of me than a shrug. Its hardness left behind a lot of residue. Traces of the pencil remained on the page. For future buyers, I suggest either not worrying about erasing or carrying a better eraser in your bag. Of course, one doesn’t buy a Timber Twist for the eraser. They buy it for its looks—and what a looker it is.

I purchased the mahogany version with the aluminum trim. The silver of the “bullet” part of the pencil amplifies wood’s cherry tones. Carrying it in my pocket and my bag daily for the past few weeks has put a nice patina on the metal. The wood still looks new, though it won’t be long before it, too, comes down with a case of wabi-sabi. The Timber Twist already had an heirloom feel out of the box. I can’t imagine how good it will look with a couple of handwritten novels behind it.

That’s why we gravitate toward analog tools like these, right? The beauty of such objects is not in how pristine we can keep them, but how much of ourselves we’re able to pour into them. We refer to paperbacks with worn spines and dog-eared pages as “well-loved.” In a few months, the glisten on the finish of my Timber Twist will dull. Fingerprints will cloud the aluminum and the other objects in my bag will scar the grain. It will go through hell and come out changed, not unlike the remains at the bottoms of those desk drawers.

Except this little soldier will enlist the others. No more desk duty for those forgotten stubs. They will slog through short stories and to-do lists, novels and notes, marching along until they’ve taken their last strokes and can truly rest. And the Timber Twist will keep marching, marching along…

 

A Box of REAL Blackwing MMX Pencils.


I’d been having a stressful few weeks, with school being back in session, a death in the family, my son starting his first day of pre-school, someone damaging my new Subaru (and then getting the windshield cracked on the way home from getting an estimate! yay!), sickness descending on the family early this year. I came home to a box from CW Pencil Enterprise. I’d ordered something, but my package had already come. This was a surprise.

So I hurried to open the box and found a wrapped package with a gift tag. Inside I found a box of Blackwings, the ones I am a crusade to get renamed the MMX. Someone had written “MMX” in gold on the box, but I still wasn’t ready for what I found inside.

My friend Lenore had ordered a box of Blackwings with “MMX” stamped on them with the Kingsly machine at the pencil shop by Alyx. I sat in my dining room chuckling for a long time before dropping Lenore a message to thank her, whereupon I sharpened one immediately.

We talk a lot on Erasable about how great the community that’s sprung up around Pencil Life is. So I feel silly repeating it maybe. But because of these activities, I have made a lot of wonderful friends, one of whom would order some Blackwings made just for me with “MMX” on them — the only REAL MMX BLACKWINGS in existence. Thanks again, Lenore!

Thoreau Pencil by Analog Supply Co.


Two weeks ago, I was looking at what do get for my next tattoo, and my search turned to Thoreau and pencils. Somehow, the existence of these has escaped me for what appears to be two years. Analog Supply Co. sells Thoreau pencils!

I jumped right to order them, but since this company has been so under the radar, I wondered if they were fulfillling orders currently and kept quiet about it. I ordered on Saturday morning and had these in my hands early the next week. They run $7.50 for 9 pencils, but shipping was only $1 (less than it cost them to send it). This is a fair deal. Here is what Analog says about their pencils:

Raw, unfinished natural wood pencils that feel great in hand. The core is #2/HB for writing and drawing.  Writes with a dark line. Made in the U.S.A.

Named for American author Henry David Thoreau who worked in his family’s pencil factory prior to writing Walden among other famous works.

The pencil, the tool of doodlers, stands for thinking and creativity…Yet the pencil’s graphite is also the ephemeral medium of thinkers, planners, drafters, architects, and engineers, the medium to be erased, revised, smudged, obliterated, lost…

The packaging of this pencil echoes the way that Write Notepads sold their pencils until they started making their own custom boxes — though Write included a little KUM Wedge to fill in the space.

These are raw and made in the USA. That and the sharp hex point right to Musgrave’s custom pencil finishing, which we all know is a mixed bag. The design itself is lovely. We love a raw pencil, and the black ferrule and eraser look sharp. The white text is a nice touch on this light wood and is crisp. I wish that the Thoreau part were larger and further from the business end of the pencil. Before hitting the Steinbeck Stage, all mentions of Thoreau are gone. The branding overshadows the Thoreau part, unless you are really looking for it. It’s lovely, but the focus is clearly more on the brand than on Mr. Henry.

The wood is not cedar, and the smell points me away from basswood even — though I can’t verify that right away. It’s rough for gripping and sharpens well. Whatever it is, the wood smell is very strong, and I enjoyed that. After all, historical Thoreau pencils were never made of the incense cedar of a modern pencil anyway. I like the woodsy and raw vibe of this pencil.

About half of mine had cores that were at least a little off-center, but they averaged better than most Musgrave pencils these days, since 5 of 9 were at least pretty well-centered, and the other four are still perfectly usable.

The core is reasonably dark and almost Semi-Smooth ™, with average Point Durability for an HB. Line Stability (post forthcoming) is quite good, with this pencil making marks that resist smearing and ghosting surprisingly well for the level of darkness achieved, even on smooth paper (such as Write or Field Notes). The rawness of the pencil itself might fool Comrades at first, but this is no Rough Writer.

Still, this pencil wants to be outside. For outdoor writing (read: wet and dirty hands), I enjoy a pencil like this. And, of course, they look amazing with the Write Notepads & Co. Walden notebook.

The eraser, being (I assume) a Musgrave job, is terrible. However, I’m not one to avoid a pencil for having a bad eraser. I don’t use them much anyway. For what it’s worth, it’s attractive and well-attached. But since it brings to mind the General’s Cedar Pointe (which has a great eraser) and then proceeds to disappoint, it really is a blemish on this otherwise nice pencil.

Honestly, any pencil that says Thoreau on it and works reasonably well would win me over anyway. But these stand up on their own as Musgrave pencils with well-designed specs. If you like natural pencils, sharp-hex pencils, or are a Thoreau aficionado, get yourself a pack of these pencils. Get me another pack too.

 

In Praise of Moleskines.


I’ve been working on (and off) a review of the Moleskine Voyageur travel journal, and my thoughts about Moleskines in general kept slowing me down.

I turned the later into their own essay, and the good folks at The Cramped published it last week.

“I am writing to praise what’s become — to my mind — the humble Moleskine. The brand seems to be flourishing these days. There are always more licensed editions to buy, more planner options, more colors, more accessories. There is even a Moleskine café, and I will marry whomever whisks me away there. While I feel like Civilians are as into Moleskines as ever, within the fancy stationery community (and especially the stationery blogger community), Moleskine can be a dirty word. I might even be guilty of writing them off, but — for me — it all started with a Moleskine.”

Read more, and thanks again to Patrick and Shawn!

Hemingway Hemingway Hemingway.

If we lived in the magical world of Beetlejuice, this could conjure Papa. While scholarly and popular interest in Hemingway both seem to rise and fall rapidly, at PRevo HQ, we’re big Hemingway fans. One of our first posts was one quoting Mr. Hemingway:

“When you start to write you get all the kick and the reader gets none. So you might as well use a typewriter because it is much easier and you enjoy it that much more. After you learn to write your whole object is to convey everything, every sensation, sight, feeling, place and emotion to the reader. To do this you have to work over what you write. If you write with a pencil you get three different sights at it to see if the reader is getting what you want him to. First when you read it over; then when it is typed you get another chance to improve it, and again in the proof. Writing it first in pencil gives you one-third more chance to improve it. That is .333 which is a damned good average for a hitter. It also keeps it fluid longer so that you can better it easier.”
Hemingway on Writing, pg. 51 (exerted from By-Line: Ernest Hemingway, pg. 216).

I have often wondered what Papa might make of a pencil blog, a pencil podcast, seasonal Blackwings, artisanal sharpening. Would he tell us we’re wasting time that we should spend writing or living? Maybe he’d point out that, while he fetishized certain objects and mentioned brands of items, drinks, guns, etc., he never tells us what kind of pencil that he liked. He just wrote with them. I have trouble imagining that someone with such a penchant for ritual would not have a favorite kind/brand/model of pencil. I’ve tried mightily to ascertain what Hemingway wrote with. If you can’t actually use the same notebook for some spell or charm, maybe a pencil would do the trick?

Past Hemingway goodness featured on Pencil Revolution.

Happy 200th Birthday to Thoreau!


On this day in 1817, one of my heroes was born. He made his family’s pencils into the greatest in the land and wrote millions of words in his lifetime. Most of all, he lived. Today, we honor Pencil Hero, Henry David Thoreau.

In Defense of Doodling.

[This wonderful post is both written and illustrated by Pencil Hero Vivian Wagner. Many thanks to Vivian for allowing us to publish this fantastic piece!]

I doodle. I admit it. I doodle a lot. In fact, around a third of what fills my notebooks when I’m presumably writing is actually doodling. Drawing circles, squares, wine bottles, flowers, scribbles, bird silhouettes, random buildings, peculiar faces. Sometimes I just use whatever I’m writing with – often, lately, a pencil – to fill in an area with cross-hatching. It’s what I do. I can’t imagine writing longhand without doodling.

What I’m finding is that though doodling might seem secondary to the work of writing, it’s actually central to my process. It gives my brain a chance to pull away from whatever I’m focusing on, become a little daydreamy. And in that liminal, relaxed, seemingly unfocused space, I make connections. I have new thoughts. I imagine different directions. And I return to my writing refreshed, calm, and ready to think about it anew. Doodling is like a little vacation, but without all the hassle.

I’m realizing, too, that my affection for doodling is one of the main reasons I like to write longhand. Sure, there are ways to doodle on a screen. There are apps for that, and I’ve experimented with them, especially on my iPad. But there’s something vital about the visceral laying down of graphite, ink, or pigment. This, too, is part of the process. The physicality of writing and doodling on paper keeps me grounded and helps me remember that I inhabit a body, that I live on a planet. My hand’s movements across the page link me to the electricity firing in my brain, to the sound of rain and wind, to the feel of my chair sliding on the floor.

Usually, even when I’m composing on my MacBook Air – which I’m doing with this essay, in fact – I’ll have an open notebook next to my keyboard, along with a few sharpened graphite and colored pencils and pens. Every few minutes, I’ll stop typing, turn to my notebook – in this case Baron Fig’s Metamorphosis, which, by the way, has wonderful paper for both doodling and writing – and absentmindedly scratch out a few lines and shadings. Sometimes, too, I’ll flip back to earlier doodles in my notebook, looking for pencil drawings that I can fill in with color. In this way, my doodles become my own self-created, anxiety-relieving coloring pages.

I usually don’t show anyone my doodles. They’re not art, really. They’re not meant for any outside audience, any more than my unedited handwritten pages are. But they’re a record of a mind at work, and an integral part of my creative process. Nothing that I write and publish is ever done without the shadow world of my doodles behind it, and I’m grateful for all the analog tools that allow me to experiment, to assay my way through my thoughts and world.

Probably most people doodle, secretly, on the corners of to-do lists or the backs of envelopes. I’d like to just give all of us permission and encouragement to keep doodling. Keep making marks. Doodling is like doing yoga, meditating, vacationing, brainstorming, improvising, daydreaming, and even sleeping. It’s not secondary to our real work. It is our real work.

And, besides, it’s fun.


Vivian Wagner writes and doodles in New Concord, Ohio, where she teaches English at Muskingum University. She’s the author of a memoir, Fiddle: One Woman, Four Strings, and 8,000 Miles of Music (Citadel-Kensington), and a poetry collection, The Village (Kelsay Books). Visit her website at www.vivianwagner.net.

Blackwing Diversity.

BW_div
At Andy’s suggestion, here’s another list of potential Blackwing Volumes editions dedicated to women and people of color. I’ll repeat what Andy said: I am not accusing Blackwing of being racist or sexist or anything of the sort. I imagine they didn’t realize that the first five…look like this. And for all we know, we’ll be pleasantly surprised by the fall edition.

EDIT: One might do well to read closely before sending me nasty messages or leaving comments with fake email addresses accusing me of something I didn’t say or even imply. That says more about, well, you, than it does about me. Snark is not even wit, and wit is certainly not wisdom.

EDIT 2: Were I or we interesting in shaming Palomino or accusing them of ill-will, that would have been easy enough to do, using the same keyboard I used to clearly indicate that we are *not* accusing them of anything. The continued charges that this blog and other pencil blogs have been on some social crusade (and I’m not talking really talking about comments here – largely this has come through Facebook and poorly-constructed and cowardly emails from burner accounts) smells like the “reactionary” “bullshit” of which we’ve been accused.

Check out Andy’s list, which is Amazing! And Less’s list! And Dee’s!

Virginia Woolf: Volume 59, her age at her death by suicide in 1941.

Hermione Granger: Volume 919, her birthday. The pencil would be burgundy, with gold accents and a custom burgundy eraser — a nod to House Gryffindor.

Simone de Beauvoir: Volume 1949/49, publication of The Second Sex.

Emily Dickinson: Volume 1,800, the estimated number of poems written by her. This pencil would be matte white, with a black ferrule and eraser.

Frederick Douglass: Volume 1845, the year of the publication of his Autobiography.

Betsy Ross: Volume 15, the number of states in the union when the British attacked Fort McHenry in their attempt to take our country back (sorry, Brits). This pencil, of course, needs to be red with a blue ferrule and white eraser. The Rockets’ Red Glare edition.

Barack Obama: Volume 2008, obviously. This pencil is left-handed, though, and comes in the blue of the ties he used to wear.

Emma Goldman: Volume 22, the prison term she received for her attempt, with Berkman, to assassinate Frick. This pencil is black with a red ferrule and black eraser. Either the MMX core on a newer, darker core. It doesn’t @#$% around.

Mother Teresa: Volume 2016/16, for the year of her canonisation (Sept 4th, good time for it). Pencil is white, with a blue ferrule and white eraser.

Marie Curie: Volume 0311, the years she won the Nobel Prize in Physics (1903) and the prize in Chemistry (1911).

Anne Frank: Volume 1947/47, the publication of her diary (not the English edition).

Nelson Mandela: Volume 27, the number of years he spent in prison.

Maya Angelou: Volume 1993/93, the year in which she read “On the Pulse of Morning” at Clinton’s inauguration.

W.E.B. Du Bois: Volume 1909/09, the year he helped found the NAACP.

Thurgood Marshall: Volume 1954/54, the Brown v. Board of Education decision that changed American history.

Eleanor Roosevelt: Volume 1946/46, the year in which, while serving as the first chair of the UN Commission on Human Rights, she oversaw the first draft of the Universal Declaration of Human Rights.

Serena Williams: Volume 4, the number of her Olympic gold medals.

Blackwing 24: Holy Grail or Piltdown Man?

This review is by the The Watts, who present version 5.0 of their amazing pencil review series. (The other subtitle involved the word “final”, but I’m not including that because this can’t be final!)

My son Hunter and I shared our last pencil review in September 2015. We’ve since reviewed a few pencil sharpeners but only some earthshaking event could have lured me into another pencil comparison.

Palomino has released the fourth special-edition Palomino Blackwing, and it is most unlike the others. The first three Volumes used existing Palomino cores, but the Volume 24 edition Blackwings have a brand-new core that is supposed to be hard enough to resist the need for continual sharpening while retaining a dark line. Palomino’s description:

“The Blackwing 24 pays tribute to Pulitzer Prize winning author John Steinbeck. Designed under the guidance of his son Thomas Steinbeck, Blackwing has created what they believe would have been John’s ideal pencil. Thom was adamant that his father would want it to be black, from barrel to eraser. It would also need to sharpen to a firm point without sacrificing much if any darkness. The Blackwing 24 is just that – an all-black pencil with the brand-new graphite formulation perfect for extended writing.”

Although John Steinbeck was quoted as liking the Blaisdell Calculator 600 and Mongol Round 2 3/8 F, the pencil he mentioned most was the Eberhard Faber Blackwing 602. Palomino created its own version of the Blackwing 602 that comes remarkably close in both appearance and performance, but even this extraordinarily well-done recreation of the original suffers from the same Law of Pencils as every other pencil on the market: Line darkness is inversely proportional to point retention.

In other words, a dark line typically means a softer graphite formulation requiring frequent sharpening.

The qualities many of us seek in our pencils can be contradictory:

1. Point retention
2. Dark line
3. Smoothness, also described as a “buttery” feel . . . per Blackwing’s glorious motto, “Half the Pressure, Twice the Speed”

It’s difficult to improve upon one characteristic without compromising at least one of the others. Although a smoother writing experience isn’t called out in Palomino’s marketing of the Blackwing 24, should it go without saying that any pencil bearing the “Blackwing” name has a responsibility to live up to the “Half the Pressure, Twice the Speed” legend? Did Palomino pull off the impossible? And is this the really the “. . . graphite formulation perfect for extended writing?”

In a series of reviews, Hunter and I shared the results of our search for the “perfect pencil.” Our reviews initially focused on the second and third qualities in the list above: line darkness and a smooth feel across the paper. After gaining experience with our favorites, we created top five lists of currently available pencils that factor in point retention and aesthetics.

Now, with the arrival of the Blackwing 24, have we found the Holy Grail . . . a pencil that lays down a line as dark as the 602 yet retains its point much longer while retaining that buttery smoothness that makes the Eberhard Faber and Palomino Blackwing 602s so enjoyable to use? Or is this Pencildom’s version of the Piltdown Man, a pencil with a hard and scratchy core encased in the form of a Blackwing and presented to us as The One? We had to find out.

We immediately agreed that line darkness was not an issue. The Blackwing 24 did just as well as the other pencils and was close enough in some instances that it was impossible to tell the difference.

BW24

Next, we tried to prove or disprove the claim of greater point retention. I devised a test that seemed – in my head – foolproof. We would each draw a continuous string of “e’s” until we reached the point at which we would sharpen the pencil. We’d conduct this test with the Eberhard Faber Blackwing 602 (EF602), Palomino Blackwing 602 (P602), Blaisdell Calculator 600 (BC600) and the Blackwing 24 (BW24). The Blaisdell was thrown into the test because in a previous review we noted it was almost as smooth as the Eberhard Faber Blackwing 602 but seemed to have greater point retention . . . which might make it the greatest pencil in the history of Earth, although it has sadly gone the way of the dinosaurs.

BC600

The test seemed foolproof, but in practice was problematic. Writing page after page of “e’s” while maintaining the same pressure on the paper and size of the letters is difficult even with an 18-year-old hand but it quickly becomes painful when the older tester is suffering from lingering nerve damage. I tend to apply more pressure than Hunter; so I wore through my pencils faster, giving me enough time to try a second type of endurance test. I wrote the sentence, “Now is the time for all good men to come to the aid of their country,” repeatedly until I reached the time I would have sharpened, and then I counted the number of completed sentences for each. This gave us three point retention test results which are shown below in order of greatest point retention and number of lines or sentences.

E’s
Stephen
BC600 (13)
EF602 (12)
BW24 (10)
P602 (10)

Hunter
BC600 (71)
BW24 (42)
P602 (38)
EF602 (34)

Good Men Sentence – Stephen
BC600 (7)
BW24 (7)
P602 (6)
EF602 (5)

PBW602

We learned one thing for sure: Testing point retention manually is subjective as heck. We focused on commonalities, though, and agreed to this ranking, shown from longest to shortest point retention:

1. Blaisdell Calculator 600
2. Palomino Blackwing 24
3. Palomino Blackwing 602
4. Eberhard Faber Blackwing 602

Neither of us felt the Blackwing 24 outlasted the Blaisdell Calculator 600, and we agreed it outdid both the Palomino and Eberhard Faber Blackwings. Line darkness: check. Point retention: check. So far, no evidence of a hoax. What about smoothness?

EFBW602

Pairing them off for side-by-side tests and working our way through each pair, Hunter and I settled on this ranking for how smoothly the pencil moved across the paper:

1. Eberhard Faber Blackwing 602
2. Blaisdell Calculator 600
3. Palomino Blackwing 602
4. Palomino Blackwing 24

When I compared the Palomino Blackwings 602 and 24, moving to the 24 felt like I was suddenly trying to write in quicksand. The difference was clear and noticeable but it was also an odd sensation as there was no scratchiness to the experience; it was just “slower.” It seemed to take more effort to push the 24 along in comparison to the 602. Hunter didn’t notice this great of an effect which could have been due to his much lighter hand, but he did agree the 24 wasn’t as smooth as the 602.

4 Pencils

We decided to add in another category, a version of aesthetics we’ll refer to here as the Coolness Quotient: Casting aside historical significance, rarity and overall quality, which was the spiffiest-looking pencil? Hunter and I quickly arrived at the following ranking:

1. Blackwing 24
2. Eberhard Faber Blackwing 602
3. Palomino Blackwing 602
4. Blaisdell Calculator 600

Back to the question posed in the title: Is the Palomino Blackwing 24 the Holy Grail or the Piltdown Man? Palomino advertised a dark line and firm core for extended writing. In comparison to our other three pencils, this one more than holds up its end of the bargain. It is at the bottom of the list in terms of smoothness, but where in Palomino’s advertising do they claim it’s as smooth as the Blackwing 602?

“The Blackwing 24 features a new extra-firm graphite great for extended writing. You won’t find this graphite in any of our other Blackwing models. It’s slightly firmer than the graphite found in the Blackwing 602, without sacrificing much in the way of darkness. It also features a distraction-free black barrel, black imprint, black ferrule and black eraser.”

Clearly, this is no Piltdown Man. But is it the Holy Grail of pencils?

For me, nothing comes closer to the Holy Grail than the extinct Blaisdell Calculator 600. It scores on all three major counts: Point retention, dark line and smoothness. Until something comes along that equals or bests the Blaisdell Calculator, I’ll remain on the hunt for a currently-manufactured Holy Grail. There is another item that knocks the Blackwing 24 down a peg or two for me: the barrel is slippery. I notice a clear difference between how well my fingers adhere to the barrel of the other three pencils vs. the Blackwing 24. I had a similar issue with the natural finish (clear lacquer) Blackwing 211 . . . I had to regularly readjust my fingers. Apparently, my career as a tree frog is over before it began, but from what I’ve seen, this doesn’t seem to be an issue experienced by many others.

Hunter really likes the Blackwing 24. He writes with a lighter touch; so the smoothness isn’t an issue for him. His fingers don’t slip on the barrel like mine. This pencil has better point retention than the others, and it’s just as dark. And its looks are . . . stunning. For Hunter, at least for now, this is his Holy Grail.

My answer to the question “Is this the Holy Grail?” is an unhelpful “Maybe.”

Let’s look at where this falls into our rankings. Hunter and I have been playing around with the newly popular Apsara Absolute and thought we might as well slot it into the list.

Apsara

Our last full ranking of 27 pencils was in order of quality of the line and smoothness of the writing experience:

1. Mitsubishi Hi Uni 2B
2. Tombow Mono 100 2B
3. Eberhard Faber Blackwing 602
4. Blaisdell Calculator 600
5. Palomino Blackwing 602
6. Caran d’Ache Swiss Wood 348 HB
7. Palomino Blue Eraser-Tipped HB
8. Tombow 2558 HB
9. Mitsubishi 9850 HB
10. Staedtler Noris 122 HB
11. Eberhard Faber Mongol 482 – 2 3/8 F
12. Staedtler Norica HB 2
13. Palomino ForestChoice #2
14. Mitsubishi 9000 HB
15. Faber-Castell 9000 2B
16. Staedtler Mars Lumograph HB
17. Staedtler 123 60 2 HB
18. General’s Cedar Pointe #333 – 1
19. Palomino Blue Golden Bear #2
20. Field Notes No. 2
21. Dixon Ticonderoga HB 2
22. Dixon Ticonderoga Renew HB
23. General’s Semi-Hex 498-2 HB
24. General’s Cedar Pointe #333 – 2 HB
25. General’s Test Scoring 580
26. Musgrave Test Scoring 100
27. U.S.A. Gold Natural 2 HB

Factoring in aesthetics, point retention and all-around likability, my last top five list was as follows:

1. Palomino Blackwing 602
2. Caran d’Ache Swiss Wood 348 HB
3. Palomino Blue Eraser-Tipped HB
4. Mitsubishi 9850 HB
5. General’s Cedar Pointe #333-1

If I were marooned on a deserted island and could have only one type of pencil, my choice was the Palomino Blackwing 602.

Hunter’s top five:

1. Caran d’Ache Swiss Wood 348 HB
2. Mitsubishi 9850 HB
3. Palomino Blackwing 602
4. Palomino Blue Eraser-Tipped HB
5. Mitsubishi Hi Uni 2B

Hunter’s choice for the deserted island was the Caran d’Ache Swiss Wood 348 HB.

Here is our new list of 29 . . . yes, OCD sufferers, 29. Not 30.

1. Mitsubishi Hi Uni 2B
2. Tombow Mono 100 2B
3. Eberhard Faber Blackwing 602
4. Blaisdell Calculator 600
5. Palomino Blackwing 602
6. Caran d’Ache Swiss Wood 348 HB
7. Palomino Blackwing 24
8. Palomino Blue Eraser-Tipped HB
9. Tombow 2558 HB
10. Mitsubishi 9850 HB
11. Apsara Absolute
12. Staedtler Noris 122 HB
13. Eberhard Faber Mongol 482 – 2 3/8 F
14. Staedtler Norica HB 2
15. Palomino ForestChoice #2
16. Mitsubishi 9000 HB
17. Faber-Castell 9000 2B
18. Staedtler Mars Lumograph HB
19. Staedtler 123 60 2 HB
20. General’s Cedar Pointe #333 – 1
21. Palomino Blue Golden Bear #2
22. Field Notes No. 2
23. Dixon Ticonderoga HB 2
24. Dixon Ticonderoga Renew HB
25. General’s Semi-Hex 498-2 HB
26. General’s Cedar Pointe #333 – 2 HB
27. General’s Test Scoring 580
28. Musgrave Test Scoring 100
29. U.S.A. Gold Natural 2 HB

Counting only currently available pencils, my new top five has shifted and the Blackwing 24 has displaced a long-time placeholder:

1. Palomino Blackwing 602
2. General’s Cedar Pointe #333-1
3. Palomino Blackwing 24
4. Mitsubishi 9850 HB
5. Caran d’Ache Swiss Wood 348 HB

My choice for a deserted island pencil remains unchanged: Palomino Blackwing 602.

Hunter’s new top five:

1. Caran d’Ache Swiss Wood 348 HB
2. Mitsubishi 9850 HB
3. Palomino Blackwing 24
4. Palomino Blackwing 602
5. Palomino Blue Eraser-Tipped HB

Hunter’s choice for the deserted island is now the Palomino Blackwing 24, although he believes this is partly due to the current hype and may change over the next few months.

Summary thoughts:

Hunter: Point retention is much more subjective than we expected.
Hunter: The Palomino Blackwing 24 has really shaken things up.
Stephen: The Blackwing 24 is just slippery enough to be a little less comfortable to use.
Stephen: The Blackwing motto “Half the Pressure, Twice the Speed” is not part of the equation with the 24, which still writes with “Half the Pressure,” but not at “Twice the Speed.” To be clear, the manufacturer has not implied the motto applies to this pencil.
Stephen: The Blackwing 24 came out higher overall than expected. For people who don’t notice the “slippery” effect and don’t mind a “slower speed,” the point retention, line quality and sheer beauty may help this pencil qualify as their Holy Grail.

I’ve seen a number of nicknames for this pencil, all playing off the name Blackwing, but one I haven’t yet read pays homage to its basic black design and the newly released Batman v Superman movie. I dub thee:

BATWING!

***

Previous reviews:

All Hat No Cattle? – – Mythbusting Double Header Part 2

Frankenstein’s Sharpener! – Mythbusting Double Header Part 1

Eberhard Faber Microtomic vs Eberhard Faber Blackwing 602, MythBusters Edition: “Confirm” or “Bust?”

Pencil Sharpener Review Redux (Viewable Only to Erasable Facebook Community Members – Text is Contained in the Comments Section of “Pencil Sharpener Shootout” Below)

Father and Son Pencil Review VI (aka Hell Freezes Over Twice! aka Final Review v4.0)

Pencil Sharpener Shootout

Father and Son Pencil Review V (aka Final Review v3.0)

My Journey to Pencil Sharpener Satisfaction

Father and Son Pencil Review IV: What? IV?

Father and Son Pencil Review III: The Final Chapter

Father and Son Pencil Review II

Father and Son Pencil Review I