Pencil Dust Finger Painting.


(This post is from Comrade Logan, in Kentucky.)

For several months, whenever I’ve been too lazy to use my wall mounted sharpener, I’ve been sharpening my drawing and list-making pencils into a small glass on the coffee table. I’ve used grades from H to 9B, as well as Ebony, Layout, carpenter’s and water soluble pencils.

Over that time I developed a habit of rapping the glass against the table a time or two to send the graphite dust down through the shavings before leaving my sharpener and eraser on top. It started as a way to keep things clean, but as the layer of graphite grew at the bottom of the glass, I started thinking there had to be something I could do with it.

Eventually I scooped out the wood shavings and ended up with more than a 1/4″ layer of gritty black shards, fine dust and larger lead pieces. While pure graphite powder makes a great dry lubricant for things like sticky door locks, this was anything but pure. It contained all manner of fine wood shavings, paint chips, and who knows what else. I could have tried filtering it somehow, but it still would have enough clay, wax and other additives mixed in that I wouldn’t want to use it as a lubricant.

In the end I decided I would try reusing the mix for its original intended purpose, marking on paper. That translated into an experiment in graphite fingerpainting, the results of which you can see below.

 

Some tips if you try this yourself:

1 – Use loose leaf paper. I didn’t and it was very difficult to funnel the leftover graphite dust back into the cup without making a mess.

2 – Be sure there aren’t any unwanted indentations in the paper…because they’ll be highlighted by the graphite rub. I’d drawn a stick figure on the previous page of my sketchbook and its head was clearly visible on this page.

3 – Try making a shaded field and using an eraser to subtract an image from it. Tell people you did this on purpose, not that you made a big gray mess with an accidental circle in it and the eraser was the only way to make it look like anything recognizable.

4 – Think about how you’re going to clean your fingers off before you start. This way you won’t end up with black marks all over the bathroom door knob and light switch.

(Text and images, L.L.  Used with kind permission.)

August 3, 2011 | Editor | Tags: , , , | 6 Comments »

Drill Bit Pencil Sharpener.

[Today's post comes from Comrade Logan.  Thanks to Logan for a great post about an....interesting product.]

When I first saw the drill powered pencil sharpener on Notcot I was vaguely disturbed by it, but I wasn’t sure why.  On the practical side, if you regularly find yourself with an unsharpened round or hex pencil in one hand and a drill in the other, this gizmo will effectively sharpen your pencil in about 5 seconds.

Lets look at the pro’s and con’s:

Pro – low effort; makes big cool shavings; you get to use a drill; bright color so it won’t get lost easily; cheap ($4 for 1 sharpener & 15 pencils at Lowe’s); useable without the drill for resharpening; could sharpen a dozens of pencils in no time without the overheating problems most inexpensive electric sharpeners have.

Con – doesn’t work with carpenter’s pencils; round so it would roll off a table or roof easily; could be awkward to use with larger drills; construction site folks don’t usually need a finely pointed round pencil.

Upon further reflection, I think my issue with the drill sharpener is that I really enjoy using a hand crank sharpener for initial sharpening, and a blade sharpener for resharpening. But what do I know? I’m not the target market for the product.

That in mind, I asked two friends about it. One is a former construction worker; the other restores furniture professionally. Thumbs down from both. The construction worker only used carpenter’s pencils, and only sharpened with a utility knife: “I bought a square pencil sharpener once, used it one time and never bothered again. Finding it in my tool box and using it was slower than just carving a point with my utility knife, which I always had on me. It would take even longer to find this thing, take out the bit that was in the drill, put it in the chuck, use it, then replace the other bit. Besides, you don’t need a sharp pencil for marking boards.” The furniture restorer wasn’t any hotter on the idea. He uses finely pointed pencils for his detailed woodworking, but always works in a shop, so he has an electric sharpener on his workbench.

Not that it isn’t an interesting sharpener. In fact, I’d probably pick one up next time I was at Lowe’s if it didn’t come bundled with 15 generic HB pencils that would just take up space in my already overflowing pencil drawer. Hopefully there’s some other application it is perfect for that I haven’t thought of.

Suggestions?

[Text, L.L. Used with kind permission.]

April 8, 2011 | Editor | 3 Comments »

Excellent Vintage Pencils Ads.


From Comrade Brian in Portland Oregon, we have some great scans of vintage pencil ads. Unlike usual, these expand when you click them! Brian writes:

“I found a bunch of pencil adds in some old “Industrial Arts and Vocational Education” magazines from 1951, and thought you might find them interesting, so I scanned some for you. I thought that it was interesting to see these ads, and know that there was once a time and forum for the art of the pencil in its different amalgamations and uses.”

Many thanks to Brian for always being on the lookout for great pencil stuff!

March 17, 2011 | Editor | Tags: , , , | 4 Comments »

Review of General’s Layout Pencil.


[This review comes courtesy of Speculator, from the excellent blog La Vie Graphite. Many thanks to our Comrade in Maine!]

Today’s product review salutes the remarkable Layout pencil, made in the U.S.A. by General’s. Here is a look at a hardworking pencil that defies the traditional grading system, making a pronouncedly bold and dark mark while retaining a sharp point. From the General’s factory in Jersey City, the Layout pencil earns its keep in my arsenal as a sturdy companion in writing and bookbinding.

The Layout of the Land:
Wood casing: Sustained-yield California incense cedar wood.
Shape: Round.
Finish: Gloss black, with white embossed titling.
Titling / Inscription: USA Since 1889 ; GENERAL’S Layout ; Extra Black ; No 555.
Core: Extra Black Graphite, ungraded.
Note: The General’s Layout pencils are untipped (without eraser), pre-sharpened, and made in U.S.A.
Availability: May be purchased singly, blister-packed pairs, or in boxes of a dozen, at art supply stores such as Utrecht Art, Blick Art Materials, Jerry’s Artarama, as examples. (My source is Utrecht Art, in Cambridge, Massachusetts.)

Perhaps due to its dark-marking, shape, and absence of an eraser, the Layout is billed as an “art” pencil. The manufacturer’s description cites the “extra smooth, extra black graphite,” which is “ideal for outlining and sketching,” and “used by animators since the 1930s.” The retailer Utrecht Art Supply cites the “soft and smooth graphite for deep, black lines and easy blending,” and Blick Art Materials’ catalogue advertises how “This versatile pencil is great for art, sketching, and layout work.” For years, I’ve been using the General’s Layout for basic writing — as well as for drawing and bookbinding. The slightly thicker diameter (as well as graphite core) provides for an easy grip. What I’ve always found extraordinary about the Layout is how this very dark-writing, somewhat soft pencil maintains a sharp point through a lot of use. Minimal sharpening is needed, and unlike most drawing pencils, the Layout doesn’t smear. That makes this pencil ideal for Rite-in-the-Rain paper’s waxy-finished water-resistant paper (see above photo). In the photo below, I’ve used the Layout in a journal made by Field Notes. Note how expressively I can make my accents! Imagine writing with a 3B that resists dulling like an H.

An all-purpose pencil for writing, art, and any craft requiring a bold and precise marking instrument, the Layout is a time-honored favorite. The term “layout,” is a vestige from the era of graphic design done-by-hand, with angled drawing boards, tracing vellum, t-squares, and photostat-cameras. The work of a layout artist involved diagramming and sketching out the sequences of advertisements, posters, publications, signs, etc. Well-drawn lines make the difference, in this kind of work. As the pencil’s name recalls the craft of manual graphic arts, the box design does the same with a pleasantly archaic cursive typeface. In the photo below, the General’s Layout finds its place among my bookbinding and paper conservation tools. Just a few sharpening turns, and the Layout joins my lunch break journaling.

For a typical restoration project, it is vital to have a marking pencil that is as bold as it is fine. I have to measure materials as diverse as coarse bookcloth and thin kozo tissue with great care so that all the part fit precisely together. The photo below shows a before-and-after of a 19th century casebound book’s textblock, with the early stages of case (cover) restoration.

In the next photo (below), the Layout is still sharp enough after marking the replacement fabric to provide bold and easily-followed marks on bristol board (for the new spine) and on smooth Permalife paper (for the new endsheets). The first photo in this pair may remind faithful pencil-users about the ways many of us perpetuate the practice of holding a pencil behind an ear. That’s a uniquely pencil-using and ancient gesture, keeping the writing instrument instantly at the ready. The Layout’s thickness, round contour, and glossy finish make it really hold well behind my ear! There’s plenty to be said for “stick-to-it-iveness.”

There’s also plenty to be said for having the right tools for the job. Here (photo below), the Layout has helped me get the restored spine to the exact size needed, such that I can graft it beneath the original 1880s board cloth. I maintain as many of the original components as possible, so that the book maintains its intrinsic grandeur while also being strong enough for library patrons to leaf through. We archivists like to refer to “preservation and access” as principles to our work.

Layout pencil back in the tool box (or perhaps over my ear), the book is all done and ready for the drying process. Notice the original spine-titling has been adhered to the new spine (of course with acid-free PVA + methylcellulose adhesive I mix myself).

By now, you can guess that I give the General’s Layout pencil the highest marks (indeed, bold, jet-black, and thus paradoxically rigid marks), also recommending you buy a bunch of these — so that a few are left in a tool box, your desk, a pencil case, kitchens, musical instrument cases, etc. The best sharpeners I’ve found for these are the small, handheld steel pointers (I use a Staedtler), which can encompass the Layout’s contour. If you need to erase some of those bold marks, white plastic erasers work best (and are archival, too). Happy Writing! Bonne Ecriture! Think of the upcoming Spring season as a layout for new written ventures. Are your pencils sharpened?

[Text and images, Speculator.  Used with kind permission.]

March 10, 2011 | Editor | Tags: , , , , , | 19 Comments »

Review of Neko Heavy Industries Sketchbooks.

Joshua from Neko Heavy Industries (also check out the Etsy store!) sent us some very fine sketchbooks this winter — hell, he MADE us the giraffe print custom edition!  After a thorough run-through, WOW.

Vitals:
Cover Material: Faux fur-covered library book cover..
Paper: 216 g/m2 (80#) and Acid-Free.
Binding: “Patented nylon over steel cable with a steel ball and socket closure”.
Size: Assorted; Aprox. 7×10 inches.
Page Count: 50 sheets (100 pages).
Unique Characteristics: Replaceable paper, HEAVY construction, plastic internal protector sheet, custom ordering.
Origin: USA/handmade.
Availability: Neko2′s Etsy store and Neko Heavy Industries.

The flagship model of this review is a custom book made, in part, from the cover of an old book.  The giraffe material is securely and carefully glued onto the old book.  Only, unlike some others I’ve seen, these babies have brass-reinforced holes for  the rings and for the archor which holds the truly beefy elastic in place.  Don’t let the faux fur fool you; this book can take a beating.

The “rings” are actually cables with steel ball-and-socket closures that open easily and close securely.  This means that you can refill the book (Neko sells refills), remove pages, add pages (the holes are standard-spaced), and more the included plastic sheet.  This sheet is designed to protect the pages from ink, but it’s also excellent for preventing ghosting of the graphite onto other pages.

The paper is WHITE and SMOOTH as you’d ever want sketch paper to be.  Graphite glides effortlessly and wonderfully.  But — the real kicker is that it does so with pencils that are not as smooth as, say, a Palomino or soft-grade pencil.  The only other paper on which I have this kind of pencil-smoothness experience is Rhodia paper.  This paper is much thicker and stiffer.  While paper that is too smooth (like glossy paper) is practically useless for pencil, this paper remains tough/toothed enough to take on graphite and provide a smooth sketching surface for pencils.  It’s smooth enough that you can actually write with your very-soft Blackwings, while still being able to sketch and draw and get some darkness out of that famed graphite with a little pressure.  Frankly, and I don’t have a lot of experience with paper that’s this…nice.  But I’m really liking it and will certainly get more such experience filling up my Neko Heavy Industries book.

Neko Heavy Industries sketchbooks also win the day on presentation.  The giraffe book came with a custom sleeve, indicating paper type, etc.  For lack of a better phrase, this book felt like something bought from a local artisan shop while traveling, and definitely not like your run-of-the-mill “handmade sketchbook.”  Joshua tells me that he’s been making this books for over a decade, and the craftsmanship really shows.

He also sent a small, brown-covered notebook made from vintage office papers.  I would be remiss not to mention it, since I’ve wound up severely attached to it and wishing these were available long-term.

There’s something fun about writing on paper with oddly spaced lines and margins, and the alternating blank pages make this a great pocket notebook and sketchbook.

Speaking of portable sketchbooks, there are also Neko Heavy Industries spiral-bound, smaller sketchbooks, made from recycled covers.  I know, right, big deal — tons of people on Etsy make/sell these.  Having some experience with these types of books, I can say for sure that Neko’s are a [very huge] cut above the rest.

The spirals are tightly-inserted (I’d love to know how they do this), with perfectly drilled (?) holes and finely rounded corners that (sorry, guys), put Moleskines and Field Notes to shame.  Even better, this paper is hardly distinguishable from Rhodia paper by site and feel (minus the lack of graph lines, of course).  And, if you care about your paper and writing/drawing implements, you know that is very high praise indeed!  Mine has a cover from Burn After Reading, and I think my better half might steal it.

In the end, you’d do yourself favor to score yourself some goods from Neko Heavy Industries — unless supremely smooth paper, careful craftsmanship and versatility upset you.  You’d do yourself a BIG favor.  Spending your hard-earned paper/pencil/pen money on beautiful books made by hand (not some faceless corporation) and getting some of the best and most heavy duty books around is win-win, if you ask me.  I can’t decide if the mega-durable construction or the paper is what I like best about these books.  But, then again, I don’t have to decide.  They have both, and that’s what counts.  And, frankly, for what Neko charges, you can’t beat it.

March 6, 2011 | Editor | Tags: , , , , | 11 Comments »

Interview with Mr. Aaron Draplin, Draplin Design Co. and Field Notes Brand (Part 2).


(Continued from Part 1.)

4) I’ve read about your extensive bullet pencil collection, with considerable jealousy. What attracts you to this type of pencil, and how did you build your collection?

First off, it’s the compact quality. I love having a tight little drawing tool in the front pocket at all times, and I’m here to tell ya, these little sonofabitches have saved my butt many a time…on airplanes, in meetings, in a pinch, wherever. I always keep one in the front, left pocket of my 501s.

I’ve kind of given up on erasers of any sort in these little guys, as the kind you’d score from a junk store or estate sale are old, old relics and the erasers are dried way up and dead. Rock hard, usually. So, there’s this certain model that didn’t come with an eraser, and just had a plastic tipped end. I collect these ferociously, with a good 20 or so hoarded away. Now, the classic type with the erasers, shit, I’ve got a couple hundred of those bad boys.

What I love about them the most, is how banal they were back in the day. Simple, cheap advertising tools given away at local businesses. Feed-n-seed joints, car lots, insurance agents, what have you. Just crappy little promo items that packed a real wallop. I’ve got a couple old salesman sample sets. Old and beat up, and a look into what it was like to have a guy sit down and say, “Here’s what we can do for your company.” So good.

I’ve built my collection junkin’ across America—scouring the dirtiest of estate sales, garage sales, junk stores, antique malls and the occasional eBay lot. You can score them in the Midwest pretty regularly, across the rustbelt and great plains. Farmers used these things. I guess a lot of them are collector’s items. I could care less. I use the things, and never pay more than eight bucks or so for them.


5) Despite the return of the famous Blackwing, pencils in America seem to be on the decline today. Models are canceled, and most companies have moved their production out of the USA. Can you comment on the current pencil offerings available in the United States in 2011?

I’m no authority on this stuff, so I’ll tread lightly here. I know this much, it’s harder and harder to make an American Made promo pencil. And, with good imprint applications that aren’t stock type crap. I was lucky enough to get a monster order in just before Christmas and man, love these things. Hex pencils, people!


6) The Field Notes pencil is downright gorgeous. With its round shape, lack of paint and green eraser, it’s obvious that a lot of thought went into it. Can you tell us a little about the design process and what made you choose its current form?

Like all Field Notes products, we started with the direction that the thing had to be natural at all costs. Finding the source with the green eraser was a happy accident. Plus, the cedar wood just smells so nice. Those things take a beating, just like our memo books! I have a pile of them all beat to shit, still kickin’ after a couple years on the scene. Those pencils WILL NOT disappoint.

7) Are there any upcoming pencil accouterments from DDC and/or Field Notes to which Comrades might look forward? Pencil clips? Bullet pencils? Brown sharpeners with black Futura print on them?

After an exhaustive search for the perfect pencil sharpener from existing sources, we gave up on that shit and started drawing up plans with a couple Midwestern Tool & Die manufacturers to craft the ultimate hand held sharpener unit. We’re still at the point of initial CAD drawings, blade strength options and ballistic grade metal sourcing. If we can pull these little buggers off, man, they are going to rule. Just you wait. They’ll be something to marvel at. And, get the job done for the ages!

We’ve got some leather stuff coming down the pipe for Field Notes made right here in Portland by our friends at Tanner Goods. Very, very excited about this project. And yes, there’s Futura Bold on these new items. You can take that one to the bank.

MANY MANY thanks to Aaron for helping to spread writing/noting/drawing joy, the world over!

[Images, A.D. Used with permission.]

February 23, 2011 | Editor | Tags: , , , | 8 Comments »

Interview with Mr. Aaron Draplin, Draplin Design Co. and Field Notes Brand (Part 1).


Mr. Aaron Draplin, of Field Notes and design fame, was kind enough to do an interview with Pencil Revolution.  Below is Part 1 (of 2) of his answers to some very pencil-specific questions.

1) Pencils are strongly represented in the DDC “longhand” series, and the Field Notes pencil seems to follow the eponymous notebooks in adventures all over the planet.  What do you like about pencils so much?

There’s just something simple and soothing about them. I mean, I don’t want to get too existential about bonded lead or anything, but, hell, there’s just so much possibility in each one! It freaks me out. That little pencil…the tool aspect…is this little gateway to a million ideas. I think about that kind of stuff with each one I crack into. In a world where things are more and more compacted, complicated, sped up and digitized, a regular old wood pencil is always there for you. Never needing to be recharged, you know?

The more I think about it, the more pencils—on some weird level—represent “complete freedom.” Freedom from digital ubiquity and predictability. There something cool about how you feel human when using a pencil. That feeling goes away the back to guys shaping rocks into cutting tools and stuff, I’d reckon. Or, maybe only in my head!

I like feeling one with the paper. Like this odd sense of “get it down now, or it’ll be forever gone” fills my head and hands, and I just go to work. Impermanent. Graphite can be erased. Imperfect. My hands screw up all the time. Interesting. The lines vary and never come out quite like you expected them to. I hope I’m making sense, readers!

2) What are some of your favorite pencils?  Vintage, current, perhaps a great individual find?  What do you look for in a pencil?

Basically, anything that’s natural wood, and, hexagonal! Now, for the readers, who are undoubtedly “masters of the genre,” this might sound a little vague. Basically, anything that feels good in the hand. I usually go after softer leads. Just so I can sketch and keep shit freed up. Also, if the thing is “Made in the U.S.A.” that always send a little jolt up the wrist. And finally, there’s just something incredible about an old pencil that’s seen 60 years whip by. Never, ever throw out an old pencil. Respect yer elders, citizens!

To try and get brand-specific, I had a good run with a pack of pencils by Papermate called “American Naturals.” Unfinished wood, made in the States and hexagonal. Good feel to those little guys. Still using the last one of the litter.

3) What is your preferred way to sharpen a pencil?  Blade-type-manual-sharpener, crank model, Bowie knife?

Forever, I’ve simply used my pocket knife to keep things sharp. I like the little pile of shavings it makes! I grew up with a wall mount Berol that hung over the stairs down to our basement. So there was this sense of floating when you’d lean around the wall, and hang on the pencil sharpener while sharpening. I haven’t thought of that one in a long time. Awesome. That’s what I remember.

In my junkin’ over the years, I’ve amassed a healthy collection of vintage pencil sharpeners. In fact, that’s one of the first things I look for when I enter an estate sale garage or basement workshop. And shit, I just pry that thing right off the wall and put it in my pile. Rescued! Even if I don’t use it, it’ll go to a buddy who needs one. The idea of some half-ass estate sale worker tearing it off and throwing it out just makes me sick to my stomach. So I always grab them!

Stay tuned this week for the second half of the interview, and MEGA thanks to Aaron for agreeing to do this!

[Images, A.D. Used with permission.]

February 21, 2011 | Editor | Tags: , , , , , | 17 Comments »

Letters from Lauren.


I hope that Lauren doesn’t mind us stealing her photo, but I have to share this really cool website, wherein Lauren writes a letter a day in 2011.  I was lucky enough to be on the receiving end last week, and, well, it’s just nice to get a letter in the mail these days — written in pencil, no less — addressed to you as a person and not a prospective client/customer.

What’s more, Lauren features lovely photos and letters on her blog, which we can all enjoy. Thanks very much to Lauren, who shares my affection for the USA version of the Dixon Ticonderoga “Black”!

[Image, LfL.]

February 14, 2011 | Editor | Tags: , , , | No Comments »

Logan’s Pencil Box.


After the discussion of graphite dust in pencil boxes from earlier this week, we are happy to present Logan’s pencil box.

“It measures approx 4.25 x 5 x 0.5 inches.  The pencils are Prismacolor Turquoise H, B and 6B, and general 6B charcoal, cut in half to fit.”


I really like this set-up.  I have a few pencil extenders sitting around, but it never occurred to me to use them to carry shortened pencils in a box.  Usually, there’s just a very short Palomino in my Kutsuwa pencil holder, turned around backward to protect the point — and my leg.  Keeping an extender in a small sketch or writing kit can allow Comrades to carry really short pencils and even use them comfortably, no matter how big one’s hands are.

Thanks to Logan for sending us these images and sharing!  See more of Logan’s images on Flickr.

February 3, 2011 | Editor | Tags: , , , , , , | 2 Comments »

Review of Whitelines Perfect Bound Books.

A month or so ago, we received a package of books from Whitelines (see also the US site), a Swedish company who makes very fine books with a unique feature: WHITE LINES. That’s right. The lines are white, while the paper is a very light grey. Does it make a difference to this pencil user? Read on!

Vitals:
Cover Material: Coated cardstock.
Paper: 80 g acid-free; grey-tinted paper with white lines.
Binding: Sewn.
Size: Assorted; A5 and “pocket” as tested.
Page Count: 48/36 sheets (96/72 pages).
Unique Characteristics: White lines on grey paper.
Origin: Sweden.
Availability: Online, even on Amazon.

We were sent two of the Hard Bound books and two of the Perfect Bound books, one each in black and white. What’s immediately striking about Whitelines books is both the color scheme and the construction. Covers are strong. Corners are rounded precisely (even more than Moleskines and Field Notes, to tell the truth). The bindings are tight. The package containing our four review samples was actually pretty badly damaged by the mail service; the stuffing was everywhere from a large hole, etc. The A5 Hard Bound book suffered minor damage, but the A4 Hard Bound book had two corners badly crushed. I know this was not Whitelines’ fault at all. I mention it because, although the package went through hell, the large book’s binding was completely intact. Intact enough that we’ll do a second review of the Hard Bound Whitelines in the near future, featuring more of the company’s history. These books merit it, for sure.

What I’ll mention in this review of the Perfect Bound books is a little about the concept behind Whitelines.

“Whitelines® is the new generation of writing paper. The concept is patented and yet very simple: Since markings from pens are dark they interfere with the traditional dark lines of ordinary paper. On Whitelines® there is no visual interference between the lines and the pen colour. Whitelines® makes your writing and sketches stand out.” (More.)

The lines also disappear under copymachines, and the paper comes lined or with a graph print. We tried both. The graph spacing is just right, and the lines are also very well-spaced for graphite writing.

I have to admit that I was skeptical of two things. First, I didn’t think that slightly grey paper and white lines would really be easier on my eyes. On the contrary, I assumed that they would be more difficult to see (especially since my daughter broke my unbreakable titanium glasses, and I haven’t had time to go to the eye doctor yet). I was also nervous that graphite (which is grey-to-black) would not show up on grey paper very well.

I was wrong on both counts. The lines are not difficult at all to see, and the paper just seems, for lack of a better word, mellow. Rather than shining up at you, begging you to write on it, it’s just grey and relaxed. And, while I was afraid that graphite marks would be more difficult to see, the opposite was somehow true. I checked with my wife, and we both agreed that writing stood out at least as well as on white unlined paper – perhaps more. (If more, don’t ask me how that works. My degrees are in philosophy, not physics or physiology.) In my own experience, the claims of the benefits of Whitelines’ paper prove wonderfully true.

But how does the paper handle graphite? Ghosting is not perfect, but it’s on the better side of standard, that is, very good. Graphite ghosts less than Field Notes (way less than Moleskines) and us up there with much thicker paper like EcoJot‘s recycled paper. To be clear, I’ve never found anything (even cardstock) that doesn’t ghost at least a little with some of my favorite softer pencils. The texture of the paper is similar to a Field Notes book, which is to say smooth, but with a nice tooth. Writing in a Whitelines book is as easy on one’s hands as on the eyes. Aside from Whitelines’ own special features, where this paper really shines is its smearability, which is on par with Rhodia paper – paper that lots of us know is very very smear-proof. It took some very soft leads and hard rubbing to product any smearing at all. In short, Whitelines books have nice paper that resists ghosting and smearing much better than most papers, with gentle white lines and grey paper to boot. You can’t lose.

Add to this the tight and durable binding of the Perfect Bound book (which spent no less than two weeks in my backpack) and the thoughtful sizing, and you’ve got a very nice book. The A5 we tested fits well for meeting and reading notes; that’s what I used it for during the test period. The “pocket” size is similar to a Moleskine or Field Notes, only thicker. The pocket version is no less durable than the A5 version. As we promised Whitelines, I beat them up quite a bit. And they survived, looking pretty new, too. And stylish.

In our up-coming review of the Hard Bound books, we’ll talk about Whitelines’ environmental commitment also. Stay tuned.

February 1, 2011 | Editor | Tags: , , , , , | 13 Comments »

Graphite Dust: On the Avoidance Thereof.


A few weeks ago, Ana Claudia from Brazil wrote in to Pencil Revolution asking about graphite dust solutions. I was in the process of cleaning out my pencil box that week myself, faced with the same issue, and I suggested that we pose the problem to all Comrades:

“I found this site about two months ago, and it was a pleasure to know that there are more crazy people like me that love pencils and discuss them!!!! At that moment I was hoping that someone could help me to solve the biggest problem I face using wood pencils and that even causes me to avoid using them more often: the dust! I don’t know about you guys, but I always have all my pens and pencils and everything else in the pencil case completely dirty from graphite dust. Actually it’s become a bit better after I’ve begun to use a vertical case, but even then the stuff becomes dark. And it’s hard to clean everything, especially because I know they won’t last clean for so long…So, I ask for help!!!!!! Please! I don’t want to move again to mechanical pencils! How can I avoid this?”

So, what do you do when graphite dust covers everything like a layer of shiny grey snow?

[Photos and text, A.C. Used with permission.]

January 31, 2011 | Editor | Tags: , , , | 12 Comments »

Review of 2011 Daycraft Planners.


Today’s review comes from Frankie in Baltimore, who reviewed the Ecosystem Architect book for us last month.  Mr. Lee sent these three to PR HQ this autumn, with other very nice notebooks.

It’s the end of January, which makes it the perfect time to report back from test driving a trio of 2011 planners from Daycraft. Should you decide to make one of these your constant companion in 2011, you’ll still have eleven months of pages to fill with your appointments, birthdays, (hopefully) vacation time, and other reminders.

What with this being the New Millennium and all, there are any number of electronic ways to keep yourself on time and on schedule. If you’re like me, you probably have a combination of both paper and virtual methods. I have a wall calendar at home and at work to lay out the month at a glance, followed by my work calendar on Microsoft Outlook (partly required because it is also shared with my boss). But I can’t part with the old-school romance of a paper-and-pencil weekly planner that goes with me wherever I do. Because I need something I can carry with me, portability is a must –- which leads to the conundrum of allowing enough space to write without making the planner the size of a phone book (remember those?). Each of the Daycraft planners I tried achieves a balance between space to write and compactness. And each of them comes with particular designs and features that you can select to fit your personal and professional needs.

Daycraft Vogue Diary

Vitals:
Cover Material: Stitched quilted polyurethane.
Binding: Case.
Size: Assorted; 4.5 ” x 7.5” (pocket size) as tested.
Page Count: 248.
Colors: Ivory (tested), Blue, Black.

Unique Characteristics: International guides featuring holidays, telephone codes, airports, taxes, even driving conventions; list of international golf courses; vintage chart for the wine lover.
Origin: China.
Availability: Asia, Europe, and Australia. But Yanks can buy them online with international shipping here.

With its fashionable quilted cover and slender profile, the Vogue diary would look right at home inside my (or your) girlfriend’s evening bag. But don’t let the slightly Sex and the City look fool you – the Vogue diary is a hard worker. Mine has been in heavy rotation lately -– in and out of my bag, tossed across my desk, shoved in between other notebooks -– and I can attest to its durability. Its format covers one week in two pages, with each month distinguished by a sheet in a different color. You can keep your place with the red-orange velvet bookmark. Within the week, there are about 1.5 inches of space to write (less for Saturday and Sunday). The week-to-week format is great for plotting out appointments and distributing your workload. I’ve often found that with a page-a-day planner, items I don’t get around to on one day tend not to make it to my to-do list on another day. For all three planners under review here, the paper is smooth and takes to pencil well with no issues with ghosting or smearing. That has held true for the variety of pencils I’ve used so far, including the Palomino, Golden Bear, and Mirado. The international guide at the front of the planner is helpful for the global traveler. I appreciate that Daycraft acknowledges that not all of us have — or want — smart phones.

There are definitely days when I could use a little more space to write, and sometimes I resort to post-its for an extended to-do list. But the portability of the Vogue is tough to beat, and it remains my planner of choice for 2011.

Daycraft Chromatic Days Diary

Vitals:
Cover Material: Fine Italian polyurethane.
Binding: Case.
Size: Assorted; approx. 5 ” x 7”
Page Count: 128.
Colors: Orange (tested), Green, Yellow, Blue, Red.

Unique Characteristics: Four-color printed edges.
Origin: China.
Availability: Asia, Europe, and Australia. But Yanks can buy them online with international shipping here.

The Chromatic Days Diary was serious competition with the Vogue Diary to be my lieutenant for 2011. It’s slim and sophisticated, with a smooth, flexible cover and a modern look. The four-color printing on the edges also makes it colorful without being garish or obnoxious. The orange cover and orange ribbon bookmark are especially aesthetically pleasing. The Chromatic Days Diary lays out one week per page (not per spread), beginning at the end of August 2010 and carrying its user all the way through 2011. It contains fewer additional features than the Vogue but includes international holidays, a year at a glance planner, and pages for notes and a venue list. Its week-per-page layout makes space to write a bit smaller in the Chromatic Days diary -– only about three quarters of an inch. But if you don’t tend to write copious amounts of information in your planner or only need it to track certain things, Chromatic Days is a terrific option.

Daycraft Make My Day Diary

Vitals:
Cover Material: Cloth.
Binding: Case.
Size: Assorted; approx. 6.25 ” x 7.25”
Page Count: 216.
Colors: Black (tested), Black/Yellow, Blue, Blue/Yellow, Red, Red/Yellow.

Unique Characteristics: Black printed edges, perforated memo pages
Origin: China.
Availability: Asia, Europe, and Australia. But Yanks can buy them online with international shipping here.

Somewhat weightier than the Vogue or Chromatic Days Diaries, thanks to its cloth hard cover, the Make My Day Diary is similarly slender and portable. Squared in shape, it displays one week over two pages with a vertical layout that reminds me of the weekly vertical planner from Moleskine that I had a few years ago, but without the hourly markers that I found rather constricting (if I don’t have a meeting at 9 a.m., may I still write something on the 9 a.m. line?). The color palette inside the journal is cream rather than bright white. Each month is introduced by a sheet declaring “Make My Day” in different fonts, spelled out with different materials (including light, vegetables, and computer keys). While this planner wouldn’t look out of place on your bookshelf with your other hardcovers, the “Make My Day” pages lend a bit of subtle whimsy. Like other vertical planners, this one poses some challenge to fit your daily to-do list within its 1.25 inch-wide column. But it’s a trade-off between writing space and portability, and in leaning toward the latter, I think Daycraft makes the right choice, And any one of these three planners may just be the right choice for you in 2011.

[Text, F.G.  Used with permission.  Images, J.G.]

January 27, 2011 | Editor | Tags: , , , , , | 2 Comments »

Pencil Art from Sarah Melling.


Sarah Melling sent us some of her wonderful pencil art, which is featured below with some prose from the artist.

“As a former interior/graphic designer with grown children, I have found time to return to something I love – drawing. After spending so much time at the computer as a graphic designer, digital drawing does not interest me at all. I love being ‘unplugged’ and using just pencils and paper. Most of my work is botanical subject matter – I’m quite taken with the art forms and patterns found in nature. My colored pencil work is done using Prismacolor pencils, and for graphite work, I use Derwent Graphic pencils.

I love the simplicity of using pencils and colored pencils; they’re not messy and they’re perfectly portable. Pencils are a humble instrument, to be sure, but they have such a long history and are capable of so much. Some of my favorite works of any artist, even the Great Masters, are their pencil sketches.”

We used to feature artists’ work fairly frequently, and we’d definitely like to do this more. If anyone has some art they’d like to submit, please use the CONTACT form, and we’ll get in touch!

(All images copyright Sarah Melling 2011. Used here with permission.)

January 26, 2011 | Editor | Tags: , , , , | 2 Comments »

More Kits from Rad & Hungry.


Hen sent us some press releases that we’re a little late in posting.  Check out the January kit (France) and the February kit (Mexico) for some pencil goodies from around the world.  And, if Comrades have some of these kits, please let the rest of us know what  you think of them!

[Images, R&H.]

January 19, 2011 | Editor | Tags: , , , | 2 Comments »

From the Mailbox: Testing Pencils.


Comrade Ted wrote in last month about a question for which I’m certain he can find lots of advice from our community members:

Hello!  I have enjoyed your website and wonder If I might ask you an opinion on a question I have been looking to answer.

I am looking to find the ideal testing pencil. While this may sound fairly dull, I have taken a great interest in discovering this dream pencil. You see, I am preparing to take the LSAT. Only wooden pencils may be used, and time is a crucial make-or-break factor on the test. When you’re only given 1.29 minutes to answer every question, suddenly the effectiveness of the eraser you are using and the degree to which you work to fill in a bubble come into effect substantially. I am trained in art, however, so I can appreciate the finer qualities in a well-made pencil. Here is what I’m looking for. I’m hoping the experts out there can help point me in the direction of something I have not tried yet (something exotic perhaps?).

I need to find two different pencils, but one requirement stands the same for both.  Both need to have a really fantastic eraser. I mean top notch. If I could find a pencil with a Mars eraser attached to it, I would be a pretty happy camper.  But alas, I have not found such. The best erasing pencils I have found as of yet are the Staedtler Tradition and, a close second, the Faber-Castell 9000.

The last two features are where the two pencils need to differ.  Feature 1 is a need for a long lasting point, firm enough to make small narrow marks but soft enough still to fill in the bubble of a Scantron pretty fast.  Feature 2 is sort of the opposite. I need just enough lead to make a few small marks, but it needs to be as soft as I can get away with to do so, so as to fill in Scantron bubbles as fast and effectively as possible.

I have come across several which have worked pretty well, but I wonder if anyone has any other suggestions.  Here is what I have already tried:

Staedtler Tradition – (far too lightly colored lead and too hard, but great eraser)

Staedtler Norica – (lead quality is pretty good, but maybe a bit softer and not as crumbly would be preferred; sadly, the eraser on this is not the same high-quality as the one used on the Tradition)

Faber-Castel 9000 B and HB, with eraser attached – (good eraser, but a bit too hard even in the B variety; I wish they made it in a 2B)

Rhodia – (good eraser;  but the lead just does not last long enough; it’s either too soft or just crumbles a bit too much — not sure which)
Palomino HB, with eraser – (the lead is great to write with but perhaps just a bit too soft for my purposes; it wears a little too quickly; but more importantly is that the eraser is not effective enough)

Musgrave HB – (good lead, however the eraser cannot handle the leads richness)

Musgrave Test Scoring 100 – (perhaps the closest I have come to the second variety I described; good eraser and good lead quality; would love something like this only with slightly harder lead and perhaps with an eraser like the one on the Staedtler)

I’m very curious about many of the Japanese pencils I have been reading about but wonder if any are offered with an eraser (I realize this is not preferred when the pencil is of high quality most of the time).  Any advice/info would be much appreciated!!!

Thanks very much!

Please leave any and all aid you might be able to offer Ted as he advances in the law school application process!

January 12, 2011 | Editor | Tags: , , | 22 Comments »

Review of Classroom Friendly Pencil Sharpener.


A few months ago, Troy contacted us about reviewing the Classroom Friendly Pencil Sharpener, a burr-type sharpener that boasts smooth and quiet sharpening and quality construction. We took delivery of this heavy-duty green sharpener this fall and have put it through lots of tests with lots of pencils. And, golly, we have not reviewed a sharpener in ages! This is a very worthy harbinger of further sharpener reviews.  This machine is great.

Vitals:
Type: Single burr, 8mm hole.
Material: Metal body, mechanics and handle, with plastic tray and small parts.
Shavings Receptacle: Large, clear plastic tray.
Point Type: Very long.
Markings: “Pencil Sharpener”.
Place of Manufacture: ???
Availability: Official website and Ebay store..

This is, frankly, a big and heavy sharpener. I’ve heard tell of devoted Comrades carrying burr sharpeners around with them for their daily writing needs. I never do that myself. What I look for in a crank/burr sharpener is metal construction and heft, frankly. I like that this sharpener is burly and solid. It comes with mounting hardware, but I’ve never used it. Since the clips hold your pencil in place, you only need one hand to hold the body still while you crank out a nice, long (LONG) point.  You can even hold the machine in your hand (or on your lap) with one hand, while the other cranks the handle.

Watch a video of the sharpener in action.

One of the best features of this sharpener is its auto-stop. The teeth/clamp feed the pencil into the burr mechanism. You turn the crank. The pencil gets sharpened. If you are my age and remember the old sharpeners we had in school that would just eat your pencil if you didn’t stop turning the crank, you might be relieved with this sharpener. When the point is achieved, the feeder stops, and turning the crank doesn’t engage the blade any longer. I put this to the test with some completely new pencils. The auto-stop kept the pencils from getting shorter at all. On very close inspection, the graphite at the point still retains the flatness of its unsharpened state just enough to see with very good eyes. It’s sharp like a pencil, not like a pin — there are no minuscule points that will crumble immediately.  This sharpener does not eat pencils.

Speaking of the point, it makes a KUM Longpoint look…stubby.  If you like a really, really long point but are not particularly adept at whittling your pencils with a blade/knife, this might be just the sharpener for you.  Below, from left to right, are unfinished “sample” pencils with points from: Classroom Friendly Sharpener; KUM 2-step Longpoint; KUM brass wedge.  (Note the pin points on the KUMs which are ready to break off.

The smooth cranking action and sharp burrs really place this in the realm of very quiet sharpeners. When I think of the wall-mounted, decades-old behemoths that used to eat my pencils in grade school, I wish heartily that the good sisters of St. Thomas had one of these green beauties around.  The wall-mounted monstrosities were loud enough to silence even very loud math lessons from Sr. Teresa Mary.

This machine is not flawless. If there’s one thing that bothers me, it’s the teeth that grip your pencil for sharpening. This sharpener might not eat pencils the way that some burr machines do, but it does bite them a bit. This varied from indentations in thickly lacquered pencils to mini-holes in old Mirados. However, since a pencil is a tool that, by its very design, gets sharpened away anyway, these bite marks are overshadowed by what a great point you can get and how nicely this sharpener is built. I showed this to my good pal, and he said the same thing as me: So what?  It’s a pencil for writing/drawing.  And, for the record, he sharpened his pocket pencil with it and immediately wanted to know where to get one.

As it stands, it’s my favorite crank/burr sharpener to date.  I really like the vaguely retro looks of the chrome and green paint, and the metal body and heavy construction leave me thinking that my 8 1/2-month old daughter will wind up using this for school at some point.  I keep mine out in the open because it’s a handsome piece, and I definitely intend to pick up a second unit for my office.

January 3, 2011 | Editor | Tags: , , , , , , , , | 41 Comments »

“Buy one, give one” from EcoJot.


Mark sent us a video of his trip to Africa this fall, on EcoJot’s Kinderkits mission.  I really like EcoJot books largely because they’re well-made and a pleasure to use.  But you’re also buying something both green and socially conscious.  You’re getting a great book, and you’re helping to do, well, Good. You can’t beat that.

View the video here.

December 29, 2010 | Editor | Tags: , , , | No Comments »

EcoSystem and Rhodia 2011 Planners.


In the packages from Rhodia and EcoSystem that we were lucky enough to receive this fall, there were two semi-large/medium black planners.  These are both the variety that start in the summer; so I have given these 6-8 weeks of testing (each!) personally.  And now, I am having trouble deciding which to use for 2011(and the Daycraft models we’ll look at tomorrow don’t help the decision).

EcoSystem 2011 “Advisor“, flexible black cover.

This is a great (and green!) EcoSystem notebook, printed with the days of the week on the left and lined note pages on the right.  The paper and binding are top-notch, and the entire book is eco-friendly to boot, featuring 100% post-consumer recycled paper, organic cotton elastic and bookmark, etc.  There’s the usual information one finds in the beginning of a planner and a nice pocket in the back to boot.  I’ve actually beat the heck out of this thing since early November, and it’s come out looking practically new.  If you’ve had a Moleskine in the soft-cover variety that’s had the “moleskin” and cardstock cover materials separate, fear not.  In my own experience at least, this flexible and matte cover is as tough as a hardcover.  And I really like the tacky material of which it’s made.

The printing is nice and unobtrusive, and the binding is tight.  Maybe I need to just crack it, but the binding was tight enough that this book’s biggest flaw (which is, to be sure, slight) is that it doesn’t sit quite as flatly on one’s desk as some other books do.  Still, the elastic is snappy, and the bookmark is beefy.  “2011″ is debossed in the upper right of the cover, and it’s classy-looking.  This is definitely a planner that will last through the year intact.

In some ways, EcoSystem’s planner functions like a Moleskine, only, well, better.  (I’ll talk more about that when we review the pocket “kiwi” EcoSystem book in the new year.)  This might be worth mentioning for some Comrades: this book has the best moon cycle symbols I’ve seen.  If you follow the moon (like I do), you might appreciate this.  The fonts and inks are definitely a plush for this book.

Rhodia 2010-2011 Academic “Weekly Notebook“, black flexible cover.

This book is actually an academic (summer-summer) planner, but the 2011 model seems to have the same features.  This Rhodia planner has the week on the left, and heavy graph lines on the right, on very very very white paper.  The 6 x 9 inch dimensions render it rather large, but it’s actually very thin and carries well.  It opens completely flatly on the table, all by itself.  The elastic even “closes” into a straight line along the back cover when it’s open, helping it to both stay out of the way and help the book lay down well.

If there’s something I wasn’t crazy about regarding this book it’s that all the printing and graph lines are a little obtrusive and darkly-printed.  One thing I always appreciated about Moleskines was that the printing inside was grey and out of the way.  Using pencil, the heavy lines took some getting used to.  This is probably a person thing, though.  The colorful inks and well-planned fonts make up for it.

The Rhodia planner has great information about holidays around the world, not merely a mention that there is a holiday in a certain country on a certain day.  It also has the best maps I have seen in a planner.  We usually find one global map with timezones on it, sometimes even country outlines/labels.  But the Rhodia has a total of seven pages of detailed maps!  If maps and/or geography interest you, you might agree with me that this is a great thing.  With the holiday listings and detailed maps, one might expect this planner to be unwieldy.  But, as I mentioned, it’s thin and light and very portable.  With the nice paper and great contents, don’t ask me how Rhodia pulled this off.

December 28, 2010 | Editor | Tags: , , , , , , , , , , | 8 Comments »

Review of EcoSystem Architect Notebook.


[Today's review comes from Frankie in Baltimore. She is the coordinator of the Community Art Corps (AmeriCorps) program at Maryland Institute College of Art. This and two other lovely books were sent to the Pencil Revolution HQ for review this fall from the good folks at EcoSystem. As always, opinions are those of the reviewer.]

I’ve kept a journal off and on since elementary school. Now that I’m nearing (gulp) thirty, I’ve graduated from the lock-and-key kind to a more minimalist style: a plain notebook, no spirals, easy to stack and store upon completion. About three years ago, my journal of choice became the squared Moleskine. Writing within those gridlines allowed me to fit a good-sized weekly journal entry in the space of two pages – which meant a single journal could cover an impressive timespan, usually more than a year. I love to go back through the same journal and see what I was thinking (or obsessing) about that time a year ago. It reminds me that things can, and do, and must change, and that always gives me hope.

Vitals:
Cover Material: Acrylic-coated paper.
Paper: 100% post-consumer recycled.
Binding: Sewn.
Size: Assorted; 5.25 ” x 8.25” as tested.
Page Count: 192.
Unique Characteristics: Register-able identification number that coordinates with several features on the Ecosystem website.
Origin: USA.
Availability: Barnes and Noble, Amazon, etc.


I dove into EcoSystem‘s Architect notebook, the graph paper variety produced by Ecosystem, looking forward to a similar experience. I should say that I don’t think the Architect is designed to serve as a journal for narrative writing. The company produces four kinds of notebooks: the Advisor, a planner; the Artist, with blank pages; the Author, with lined pages; and the Architect, which Ecosystem describes as meant for “an environmentally aware person who creates strength and order with lines.” Each is available in one of six hip colors: onyx, watermelon, kiwi, lagoon, grape, and the one I chose, clementine. The gridlines are much narrower and darker than those in the squared Moleskine, and so using the Architect as a journal is daunting at first.

But I got an opportunity to battle-test the Architect one night when my eight month-old daughter had her first fever. The late-night answering service at our doctor’s office called back with advice, and I grabbed my Architect to write down their instructions. My pencil of choice, an orange Palomino, looks even more luscious than usual on the Architect’s smooth pages. The Palomino Blackwing is also a good choice. I would definitely recommend a darker pencil to show up against the Architect’s gridlines. But their tight assembly encouraged me to abandon the compulsiveness with which I am accustomed to writing in squared notebooks. Rather than scrunching my writing to fit between the horizontal gridlines, my pencil ventured beyond its usual boundaries. One sentence took up two gridlines, then three. The flights of freedom were good for the soul. In addition to its surprising potential as a journal, I can foresee using the Architect to sketch knitting patterns and transcribe the free ones I find on the internet. The grid translates nicely to knitting gauges.

Ecosystem stands out among manufacturers for its green practices. “Every component that makes up an ecosystem book has been researched to ensure the most environmentally friendly materials or production methods are being used,” the website explains. Each notebook has a unique identification code that can be entered on the company’s website. What follows is a detailed list of the origin of the materials used for each part of the journal, from the paper (Park Falls, Wisconsin) to the organic cotton ribbon bookmark (from Philadelphia). You can also register your notebook on the site and post to the Lost and Found page for the notebook that goes wandering.

At 192 pages, the Architect feels a bit heavier than other comparably-sized notebooks. But you’ll get your money’s worth. This is a welcome and colorful new addition to my library of journals.

(Text, F.G. Photos, J.G. Used with permission.)

December 21, 2010 | Editor | Tags: , , , , , , | 5 Comments »

Rad and Hungry Colombian Pack Contents.


My daughter (eight months old now!) loves pencils. She reaches for them constantly. This can be, of course, a bit of a terror, when the pencils are sharp. She even seemed to know what was in this box.


The contents spread out.


Charlotte scooted around seven feet to chase the box of goodies.


Packaged lovingly.


The pencils are painted brightly.


The pencils are unsharpened. However, unlike any Dixon or Mirado I’ve bought in the last, say, five years, the paint is not overlapping the wood at the end and making it look like it got dropped into something unsavory.


Don’t know what kind of wood this is, but it’s not cedar. Smells nice, though, and sharpens fine.


Okay. I sharpened the blue HB pencil first. It’s really, really smooth! I even asked someone else to verify this because, frankly, I wasn’t expecting such a buttery experience. I’ll get the others sharpened and tested in the near future. The yellow and red ones are very attractive, with the painted bands on the ferrules. I can’t wait to give them a run!

December 16, 2010 | Editor | Tags: , , , , , | 6 Comments »

Review of General’s Cedar Pointe.


Today’s review comes from Comrade Elizabeth, from Little Flower Petals! (Many thanks to Liz!)

Vitals:
Material: Genuine Incense Cedar.
Shape: Hexagonal.
Finish: Raw cedar with black lettering.
Ferrule: Aluminum — black painted band.
Eraser: Black [rubber?].
Core: Ceramic/graphite composite. Available in B, HB and H.
Markings: “USA — GENERAL’S CEDAR POINTE — #333-2 HB”.
Origin: USA.
Availability: Cedar Pointes can be a little tricky to find. All grades are available at General Pencil’s website. Dick Blick sells HBs in their on-line store, but shipping costs are steep. If you have a Dick Blick in your neighborhood, they may be worth a look, along with any other art stores that sell General’s more sketching-oriented pencils. Also, for the Northwesterners in the US, I serendipitously found Cedar Pointes in the art supplies section (not with the regular pencils) at my local Fred Meyer. They came in a package of ten along with a plastic, but quite decent, pencil sharpener.

General’s Cedar Pointe pencils are made of raw, unfinished natural wood: incense cedar, funnily enough. Some natural finish pencils have a coating or seal — the Forest Choice, for example, seems to have a very thin coat of sealant. The Cedar Pointe does not. The smooth unfinished wood has a pleasantly grippy feel, and it has a tendency to become…seasoned with time. I swear, I do wash my hands, but still, you can see how this particular example has darkened with use, while the well-used Forest Choice remains as it has always been:

I actually rather like the make-your-own-patina aspect of these pencils. Gives them character.

Fit and finish aren’t up to Palomino standards, but it’s decent. There are a a few less-than-perfect ferrules with wood chips overlapping at the at the edges, but it’s minimal. The text imprint is clear. No glittery, glossy writing here: it’s no-nonsense black and bare wood for the Cedar Pointe. I find the austere look very appealing. I’m a big fan of the understated: for example, on the fountain pen side of the fence, I love the stealth greatness of the Lamy 2000 over some of the more flashy pens. The Cedar Pointe is quietly handsome.


Few wood chips at the edge of this ferrule…

The Cedar Pointe writes a nice dark line, not as dark as a Palomino, but blacker than your average Ticonderoga. Taking pictures or scanning such things is always tricky, but hopefully you can glimpse the subtleties. It also falls somewhere between the two on the smoothness scale: more chalky than waxy, and though there aren’t any major inclusions in the lead, it does give you a bit of feedback. Point retention is a little above average for its class, making it a good choice for general writing.

(Click to enlarge.)

The eraser works quite well. It’s not a Mars Plastic, but it’s a decent size, and it does the job.

One last note, which should probably be kept to myself since it reveals just how obsessive I can be: naked pencils sound different on the page. I swear, it’s true! It’s always a little disconcerting for just a moment when I first pick one of these up.

Overall, I really like these. They make my top ten due to the darkness of the lead, the nice feel, and their all-natural good looks.

[Images and text, EH, used with permission.]

December 15, 2010 | Editor | Tags: , , , , , , | 7 Comments »

Rad & Hungry Winner!


A nice Quorum of Comrades got the answer correct and had their names written on little papers (with a Faber-Castell 9000, as it were).  The names were drawn from a black Jansport this morning by my better half, and we have a winner!

The show ran during the previous decade on a national American network, possibly in other countries.  It’s set in a small town.  The character in question is usually found with flannel, a ball cap and a pencil.  He will give you coffee if you ask for it.  He is curmudgeonly and enjoys stick-shifts.  He is a good guy and seems to hate razors.

Who is the character (his name)?

Luke Danes from “Gilmore Girls” (played by Scott Patterson)! Also, on a personal note, I’m glad I’m not the only one who knows so much about Stars Hallow or, ahem, owns all seven seasons on DVD.

Our winner has been contacted: Mimi Ng!

December 9, 2010 | Editor | 1 Comment »

RAD & HUNGRY Contest Trivia Question.


As promised, here is the pencil trivia question for the RAD & HUNGRY Colombia pack give away.  This contest is open to anyone with a mailing address, the world over (with thanks to R&H).  I was very tempted to include something from literature as the trivia question.  But.  Well.  I can’t resist a good television character with a love of  pencils and flannel.

Clues:

The show ran during the previous decade on a national American network, possibly in other countries.  It’s set in a small town.  The character in question is usually found with flannel, a ball cap and a pencil.  He will give you coffee if you ask for it.  He is curmudgeonly and enjoys stick-shifts.  He is a good guy and seems to hate razors.

Who is the character (his name)?

The contest will close at 11:59pm Eastern US Standard Time on this Wednesday, December 8th.  To enter, please use the CONTACT FORM (CLICK) to send your name, email address and your one guess.  All correct Comrades will have their names written down and put into a black backpack.  One person who is not me will draw one paper, and the winner will be announced Thursday.  Hen at RAD & HUNGRY is kind enough to handle the shipping of this awesome and exciting pack!

Good luck!

December 6, 2010 | Editor | Tags: , , , | 2 Comments »

Review of Rhodia Dot Pad.


Karen was kind enough to send us a nice package of goodies to review this fall, and it’s time we publish some more reviews! I thought we’d go with a pad I’ve been especially enjoying: the Dot Pad — especially after the announcement of the Dot Webbie, which might be one of the greatest notebooks available.

Vitals:
Cover Material: Coated cardstock.
Paper: 80 g acid-free; light lilac grid with 5mm intervals between dots.
Binding: Stapled.
Size: Assorted; 6 ” x 8 ¼ ” as tested.
Page Count: 80.
Unique Characteristics: Foldable cover; dot=grid.
Origin: France.
Availability: Everywhere!

As you can guess, the Dot Pad has dots in place of the squared lines regular Rhodia paper has. While this might seem like a small deal at first, I think this means several things. First, this paper photocopies better. Second, one can more easily ignore the dots, easier than ignoring purple lines, anyway. Third — and most important to pencil users — it makes what you write or draw easier to see! I have long loved Rhodia pads, but I have usually felt compelled to use a dark/soft pencil because the graph lines are a little heavy. It never bothered me enough to steer me away from Rhodia pads — to be sure — but the Dot Pad is still refreshing and, well, fun. While I appreciate the orange of Rhodia pads, I like the departure for black, and I really like the graphic/logo work for the Dot Pad.

As as always the case with Rhodia, the construction and design are both solid. The way the cover folds over and the extra cardboard backing are just intelligent and functional. Period. The paper is smooth and wonderful. While Rhodia paper usually wins praise from Comrades who love fountain pens, the pads are also excellent for graphite. (It’s no accident that the first post on Pencil Talk was about Rhodia pads.)  Smearability on Rhodia paper has never been a problem for me at all.  What’s more, strangely, the Dot Pad seems somehow extraordinarily smear-resistant.  Ghosting is not an issue with a Rhodia pad because of the construction of the pad itself. I mean, I suppose one could write on the back. But it would be pretty difficult, at least if you have meaty hands like I do.

Another thing I always like about Rhodia pads are that they are easy to find in person and relatively inexpensive.  I’m willing to bet that if you live in even a medium-sized city, you can find them at an art shop or even Target.  I can walk to several shops from my office in midtown Baltimore and find them, for instance (though none of these locations sell the pencils).

I’ve been using this particular pad as a bedside reading notebook, and I definitely plan to get more when I fill this one up.  Right now, it’s recording all the pencil mentions in For Whom the Bell Tolls.

December 3, 2010 | Editor | Tags: , , , , , , , | 8 Comments »

RAD AND HUNGRY.


RAD AND HUNGRY reached out to a number of stationery blogs, and we’re happy to be able to participate in a drawing for a really sweet kit from Colombia, which will ship directly from R&H.  Essentially, you get a package of local stationery sourced from the same country, on a monthly basis.  How awesome is that?  You get:

A – Writing Instrument
B – Paper Goods
C – Mystery Item
D – The Low Down

The office supplies within each kit (A, B, C) are straight up, no fuss exports – everyday items hand picked from a local dealer in the featured country. A random narrative from the trip (D) accompanies the goods. The kit is shipped out to subscribers’ homes on the first Tuesday of each month.

Now.  How do we decide who wins this package?  Do we randomly select from commenters, from our Facebook group, or subscribers?  Do we have a contest?  A pencil-themed contest?  But, what should it look like?  The contest, that is?  Any suggestions?  (Seriously.  I’m only coming up with Hemingway trivia.)

In the meantime, check out RAD AND HUNGRY’s blog.  To paraphrase The Dude, I dig their style, man.

December 1, 2010 | Editor | Tags: , , , | 6 Comments »
« Older Entries