In Defense of Doodling.

[This wonderful post is both written and illustrated by Pencil Hero Vivian Wagner. Many thanks to Vivian for allowing us to publish this fantastic piece!]

I doodle. I admit it. I doodle a lot. In fact, around a third of what fills my notebooks when I’m presumably writing is actually doodling. Drawing circles, squares, wine bottles, flowers, scribbles, bird silhouettes, random buildings, peculiar faces. Sometimes I just use whatever I’m writing with – often, lately, a pencil – to fill in an area with cross-hatching. It’s what I do. I can’t imagine writing longhand without doodling.

What I’m finding is that though doodling might seem secondary to the work of writing, it’s actually central to my process. It gives my brain a chance to pull away from whatever I’m focusing on, become a little daydreamy. And in that liminal, relaxed, seemingly unfocused space, I make connections. I have new thoughts. I imagine different directions. And I return to my writing refreshed, calm, and ready to think about it anew. Doodling is like a little vacation, but without all the hassle.

I’m realizing, too, that my affection for doodling is one of the main reasons I like to write longhand. Sure, there are ways to doodle on a screen. There are apps for that, and I’ve experimented with them, especially on my iPad. But there’s something vital about the visceral laying down of graphite, ink, or pigment. This, too, is part of the process. The physicality of writing and doodling on paper keeps me grounded and helps me remember that I inhabit a body, that I live on a planet. My hand’s movements across the page link me to the electricity firing in my brain, to the sound of rain and wind, to the feel of my chair sliding on the floor.

Usually, even when I’m composing on my MacBook Air – which I’m doing with this essay, in fact – I’ll have an open notebook next to my keyboard, along with a few sharpened graphite and colored pencils and pens. Every few minutes, I’ll stop typing, turn to my notebook – in this case Baron Fig’s Metamorphosis, which, by the way, has wonderful paper for both doodling and writing – and absentmindedly scratch out a few lines and shadings. Sometimes, too, I’ll flip back to earlier doodles in my notebook, looking for pencil drawings that I can fill in with color. In this way, my doodles become my own self-created, anxiety-relieving coloring pages.

I usually don’t show anyone my doodles. They’re not art, really. They’re not meant for any outside audience, any more than my unedited handwritten pages are. But they’re a record of a mind at work, and an integral part of my creative process. Nothing that I write and publish is ever done without the shadow world of my doodles behind it, and I’m grateful for all the analog tools that allow me to experiment, to assay my way through my thoughts and world.

Probably most people doodle, secretly, on the corners of to-do lists or the backs of envelopes. I’d like to just give all of us permission and encouragement to keep doodling. Keep making marks. Doodling is like doing yoga, meditating, vacationing, brainstorming, improvising, daydreaming, and even sleeping. It’s not secondary to our real work. It is our real work.

And, besides, it’s fun.


Vivian Wagner writes and doodles in New Concord, Ohio, where she teaches English at Muskingum University. She’s the author of a memoir, Fiddle: One Woman, Four Strings, and 8,000 Miles of Music (Citadel-Kensington), and a poetry collection, The Village (Kelsay Books). Visit her website at www.vivianwagner.net.

The Fitzgerald Pencil Collection.

[This article comes from Jan Jeffrey Hoover, who recently visited The Fitzgerald Collection at Jackson, Mississippi. Many thanks for letting us share this piece and these photos!]

For more than 40 years, from the 1930s until the 1970s, Frank Stanley Fitzgerald and his wife Erva Mae Fitzgerald collected Americana, now housed in a single rustic building at the Mississippi Agriculture and Forestry Museum in Jackson, Mississippi. Their “collection of collections” includes arrowheads, flatirons, guns, glass insulators, hand tools…..and pencils. According to the museum, their collection of more than 7,000 pencils was once cited in the Guinness Book of world records.

The Fitzgerald pencils are displayed in a single glass-fronted case in the middle of the exhibit. There are no labels or information cards, but specimens are arranged in broad categories and are turned so that their imprints are clearly visible for enthusiasts. The top shelf is a hodgepodge of writing implements obscured by the upper surface of the cabinet, but the lower shelves are easily observed. Extemporaneous cell phone photography can be challenging, but a low conveniently-situated rail encourages visitors to try pictures from various angles.

Many of the pencils, and most of those of those on the second shelf, are promotional, principally from Mississippi-based businesses and officials, particularly those of the Delta which was home territory for the Fitzgeralds. They represent the diverse commerce of the region. Numerous pencils promote agriculture- and forestry-based interests, while others promote products available in feed and general stores. Oversized pencils are well-represented. One appropriately colored pink-and-black pencil bears the imprint “Sincerely Yours Elvis Presley” but is sub-titled with the name of a business.


The third shelf contains specialized material. There is a collection of “hammers and nails” – mallet-shaped with perpendicular double erasers and metallic-colored with flat-caps and lacking ferrules. Not surprisingly, some of these advertise lumber companies. Also pictured above is a collection of “bullets” – always appealing to the pencil connoisseur.

The bottom of the case functions as a bin – holding a voluminous, colorful scatter of pencils. Some are familiar national brands, but, like the bulk of the collection, are largely representative of Mississippi Delta business and industry that thrived during the mid-20th century. The Fitzgerald’s pencils then are not just a testament to a couple’s unusual hobby. They represent a tangible and enduring historical record of the Delta economy.

[Text and images, Jan Jeffrey Hoover, 2017. Used with kind permission.]

Pencil for Long-Term Writing, Part 4: Accoutrements.


(Continued from 2010, Part 2: Pencils, and Part 3: Paper, and the original post in 2010.)

We will conclude our series of posts about maximizing the performance of pencils for long-term writing with a short look at pencil accessories.

Sharpeners
For journaling, I almost always prefer a long point. I like a point that starts sharp and is able to continue making neat lines without having to stop and sharpen every paragraph, or even every page. And the concave point produced by a crank sharpener like the Classroom Friendly model fits the bill perfectly. On the go (or if you prefer more control of your point), the KUM Masterpiece makes an insanely long point/longpoint and does not draw as much attention in a cafe’ as cranking a large metal contraption might.

Erasers
The best erasers for preserving pencil writing will not smear, will erase completely, and they will not mar the paper. Generally speaking, some kind of plastic eraser fits the bill for all three of these requirements. This blog is lacking in eraser reviews, but I generally reach for the Staedtler Mars plastic eraser or the Faber-Castell version for journaling.

Blotters
As mentioned earlier, I prefer a piece of an old map, a cut sheet from a Rhodia pad, or some other smooth and flexible paper for my blotter sheets. This helps to keep your journal neat in the first place, and stationery nerds seem to gravitate toward maps. Win-win.

Do Comrades have other tips or pieces of gear they use for keeping pencil writing safe for future Revolutionaries?

Pencil for Long-Term Writing, Part 3: Paper.


(Continued from 2010 and also Part 1: Pencils.)

We have established that pencil is the perfect medium for preserving your writing for the future. We recently examined what to look for in a pencil for journaling and/or long-term writing and some examples thereof. Today we will look at paper for keeping your pencil writing safe.

There are several details on which to reflect when selecting a notebook or journal if you plan to fill it with pencil, and this is even more true when one wants to preserve the writing forever.

Binding
Spiral bindings  can allow pages to rub against other other, creating smearing and thereby affecting the legibility of your writing for the future. Write Notepads & Co. solves this with an enormous rubber band. Generally, if I am going to carry a notebook around for more than a week, I prefer something with an elastic closure like this or like a Moleskine. A staple-bound Field  Notes book lasts only a week; so there’s little time to smear. The Write Notepads pocket books are tightly-bound with the PUR spine, and they do not rub much either. Also, consider that an notebook crammed into  your pocket will not move very much against other paper, that the fabric of your pocket (and your butt/leg/etc.) will likely keep the pages together anyway. For bouncing around in a bag, I never use a book that can open a even a little on its own, allowing the pages to mingle. Graphite is not to be trusted in the open like that!

Tooth
I avoid papers with too little or too much tooth. For instance, anything with more tooth than (and sometimes even including) a Scout Books pocket notebook will collect more graphite from the point of the pencil than the marks which one seeks to preserve. This results in dust and smearing and a generally untidy notebook. This is fine sometimes; pencil is not always tidy. But for writing which we seek to protect, smearing can render words, lines — even pages — illegible. Even worse is paper which is too smooth. The writing never even has much of a chance to stay put. The paper on Rhodia pads, for instance, is a lovely and smooth surface on which to skate a piece of graphite. However, I would not trust words meant for future generations to such glassy paper.

Ruling
An overly-tight graph or narrow lines can cause one’s writing to bunch up, resulting in less crisp lines. Something around the line-spacing of a Moleskine and 1/4 inch is my own preference, though I often just forgo any guide whatsoever too. Try to go line-free with pencil and the intention that your writing with last forever. Be bold!

Archival Quality of the Paper
These days, most major-branded books (Moleskine, Field Notes, etc.) are bound with acid-free paper. Since graphite does not react with paper anyway, this is, I assume, slightly less of a issue than when using ink. However, brittle and yellow paper can cause an issue for any writing medium.

Balance
As in pencils, the key is balance. I like a paper with a medium tooth, light (or no) lines, and a binding that will not allow the paper to rub against itself. As with pencils, this is harder to explain than it is to give examples of.

Write Notepads & Co. – This is probably my favorite notebook paper right now. The 70# stock takes graphite wonderfully, and the minor stiffness of the paper combines with the PUR binding to hold the pages still. The texture is nearly perfect, and they use a nice 1/4 inch line-spacing which is a great balance of efficiency and comfort. Plus they are made in my hometown, and Chris is a friend IRL. But I still claim not to be biased. Their books really are that good.

Moleskine – I swear that Moleskine has been quietly (because loudly would be admitting the paper was inferior before?) improving their paper. The texture is lovely for your less soft pencils, and the elastic keeps everything in place. If you hit Target at the right time of year, you can steal one for a few bucks from the clearance section. I like to remember that a Moleskine in 2002 led me to being lucky enough to co-host a really fun podcast.

Paperblanks – I have not used one of these in a while, but the paper is very stiff for nice pencil lines. Some of the covers get a little…LOOK AT ME for my taste, but the subtly-designed ones work well. Ghosting/graphite transfer is very low on this paper, even without a blotter.

Baron Fig – In speaking with Joey and Adam, I learned that this paper was designed, in part, for pencil, and it shows. The texture is lovely, and the themes and special editions they produce appeal to me greatly.

Field Notes – The newer 60#T version of the Finch Paper Opaque Smooth is lovely for pencil. I’m not sure why it works so much better than the 50# version, which I find to border on too smooth. These do fall open and allow pages to rub together in a bag. I generally get only a week of pocket carry out of them, however; so I do not experience this issue.

What are some papers/books Comrades like to use for long-term writing and/or journaling in pencil?

Pencil for Long-Term Writing, Part 2: Pencils.


According to this blog’s stats, the post from 2010 about long-term writing and pencils is one of the most visited posts on this site. While we are behind in answering mail, we recently, we heard from Don, who asked

“I am wondering if you have any suggestions as to what kind of pencil lead to use for a high quality, long lasting journal?”

I think this is something to explore further, since some pencils (and some papers) perform better than others at keeping your writing safe for the future. Today, let us take a look at what makes a pencil effective for long-term writing, since (as we all know) Pencil is Forever. We’ll cover paper and accessories in two subsequent posts.

When I think of  good Journaling Pencil, there are some considerations I like to, er, consider. In re-reading this list, it could also serve as a Guide to Selecting the Write (!) Pencil in general, in some ways, though the models on that list might be somewhat, or even very, different if that was my intention here.

Darkness
While a German 4H will lend itself to an extreme degree of smear-resistance, it will not make a suitably dark mark for most users’ readability. While a hard pencil’s marks might actually be there on the page, I’d prefer to read them with the naked eye. And as I quickly approach Middle Age, that naked eyesight is not getting better.

Point Durability
A pencil is more likely to continue to make crisp lines if the point is durable and keeps its sharpness without crumbling and making a mess on the paper. I seldom go for the softest option. I like a point that stays crisp and clean for journaling.

Smoothness
A smooth pencil requires less pressure to make a mark. It indents the paper less, and that is always a good thing if you are being careful about your writing — not to mention fighting hand fatigue.

Smear-Resistance
Hard pencils resist smearing, but they can indent the paper due to the pressure required to make marks with them. However, some soft and/or dark pencils resist smearing more than others. This is a sort of Grail to which a lot of individual pencil models seem to aspire, along with a blend of darkness and point retention (a term I do not like).

Ghosting/Graphite Transfer
Almost all pencils and almost all bound books I have used involve the transfer of graphite between pages to some degree — at least when writing on a page which has writing on the other side. I always use a sheet of smooth paper between pages in such instances. A custom-cut piece of an outdated map (a method I’ve used for years) will last through several notebooks, and paper from a Rhodia pad cut to size works very well, too. Please note that cleaning the “blotter” sheet periodically with an eraser will yield maximum results.

Balance
What I look for is a pencil that is a good balance of darkness, smear-resistance, and smoothness. This is difficult to quantify or even to qualify. So I will list some examples of pencils which I personally find to be useful for long-term writing.

Staedtler Wopex – While there are many Comrades who eschew this extruded piece of weaponry, none can deny that the damned thing just won’t smear. It is also difficult to erase (possibly marring a journal full of mistakes, but maybe we shouldn’t run from our mistakes). You cannot have it all. But you can have this fantastic pencil in more colors if you buy from European sellers on eBay.

Blackwing (Firm or Extra-Firm cores only) – For some reason, the Balanced core in the Pearl (and 725) seems to smear more than the others. It has become my least favorite core for journaling. The MMX is lovely, but you can kill a quarter of a pencil writing about a good camping trip. The Firm core in the 602 (and 211, 56, and 344) and the Extra Firm in the 24 and 530 are both smooth and do not smear readily on good paper, though I learn more toward the smoother side of the spectrum of acceptable papers for long-term pencil writing.

General’s Layout – This pencil is oddly smear-resistant, with a durable point, for a pencil which produces such black marks. The slightly wider, round body is a bonus for True Writing Comfort.

Camel “Natural” HB – There’s not much to not like about this pencil. It definitely makes a much lighter  line than most Japanese HB pencils I use, but the point durability and aesthetics are top-notch. And I don’t always want something so soft and/or dark.

Faber-Castell Castell (9000 in the B-4B range) – This pencil can run easily through the 4B range without becoming a blunted, smeary mess. The exact grade you might enjoy will depend on how much darkness you demand and what paper on which you are writing. Try a 4B on Moleskine or Field Notes paper (see the next post), and you will understand that of which I speak.

General’s Cedar Pointe HB – This is a great all-around pencil. When I first tried them circa 2005, the leads were too hard for journaling. But they have softened the formula since then, and this is one of the most balanced cores I can think of. This certainly extends to long-term writing.

Premium Japanese HB – I cannot decide between the Tombow Mono 100 or the Mitsubishi Hi-Uni. Both make smooth, dark marks that stay put.

I am sure that I am forgetting some, and I know I am leaning heavily on pencils I have used recently. What are some things Comrades consider and some favorite journaling pencils among us friends?

Best Pencils for Field Notes Utility Edition.


I received my subscription pack of Field Notes’ spring release about two weeks ago, the Field Notes Brand Utility Edition. I had been pretty excited about the design from the start, and the books are the colors of the Maryland state flag to boot. The quality control issues were a bit of a let-down when my books came actually torn on the spine, and there were a few spirited exchanges going on over the weekend on social media. Of course, Brian at Field Notes sent me replacement books right away. Seems that the thick paper causes trouble with cutting/trimming. Some blamed the size of this release, the contractor, postage. I think a lot of the books just came out very badly. Field Notes made a bit of a mistake, and they (as they always do) have been making it right where necessary. I’d be happy with their now standard 60# paper myself. It’s wonderful for pencil and still works in a pocket.

With all of the…talk about the quality control of the Utility, I forgot about the paper being so very different from the usually smooth paper Field Notes uses. The paper in Utility is Mohawk Via Vellum 70#T “Pure White,” and it’s toothy as all get out. With the fall 2012 Traveling Salesman release, it took me until my fifth (of six) notebooks to identify the perfect pencil for that toothy green paper. The Mitsubishi Hi-Uni in HB was perfect on that Mohawk Via 70#T “Light Green” paper. I suspect that list would be longer now, but those books are gone anyway.

Just as I do not enjoy soft pencils for very smooth paper (think Rhodia), I really do not like soft pencils for toothy paper — crumbly pencils doubly so. Being on a bit of a Blackwing kick lately, I had to put these aside when I set about to write in my new Utility edition books.

Some pencils that worked very poorly were immediately:

All Blackwings
Natarag Deep Dark
General’s Layout
Anything soft

I certainly haven’t tested more than a few dozen pencils, but this is a short list of pencils that have worked extremely well on this paper for me so far:

Viking Element 1
General’s Draughting
General’s Cedar Pointe #2/HB
Staedtler Wopex*
Faber-Castell Castell 9008 Steno 2B**
Mitsubishi 9000 HB
Apsara Beauty
America’s Pencil (USA Gold) Natural
Camel Natural HB

When looking at this toothy paper, I thought right away about harder pencils, but this was not ideal. The Castell 9000 in HB writes even more like a nail than it usually does, for instance, and the Mexican Ticonderoga (Target exclusive, 2014, blue) I tried was even worse. There is something successful in the target of a pencil which is smooth but generally leaves something to be desired in the darkness column (Element 1, Wopex, Draughting) and even a few that just seem to perform well on most papers (USA Gold, Cedar Pointe, Camel). Your mileage may vary, but I’ve been enjoying the Viking Element 1 the most, largely because it matches the covers of these lovely books so well.

And, if you’re feeling inky, the Uniball AIR is amazing and does not bleed through this paper.

* (If you make jokes about this evolved pencil, you might try one on this paper. It’s actually the smoothest on this list, and it won’t smear.)
** (I need a source for more of these F-C Steno pencils. Anyone know any?)

Review of Baron Fig Askew.


This unapologetically blue notebook has been making the rounds for the last week on social media and The Stationery Blogosphere. Baron Fig was kind enough to send a review copy over; so I thought I’d weigh in. Let’s take a look at the Askew Edition.

First, what is it?

“A ruled notebook unlike any you’ve ever used.
Every line is hand drawn, and while some cooperate—others are downright unruly. This limited edition is designed to inspire thinkers to bend the rules and follow even their most meandering ideas.”

This is more than a Baron Fig Confidant in a different color. This notebook challenges the definition of blank/lined journal to some extent.

The cover is Blue Pen Blue and looks like someone painted the fabric with the ink from a Bic Cristal. The color caught my attention first when it came out. The box looks like someone tried to color it in with a Cristal, and the bookmark must be Red Pen Red. It’s a beautiful book. I don’t think I need to elaborate on the paper quality for pencil again. (Check out our take on Baron Fig paper here. tl;dr: it’s awesome.)

There are good number of folks who…don’t like this edition. If a subscriber expected to get a different Confidant each quarter that worked basically like a regular one (lined, dot, blank paper), I can certainly understand the frustration. They are not getting what they paid for under that set of expectations. But did Baron Fig actually promise four different versions of the same, or were they vague? (I have no idea.)

I think the question comes down to whether or not this book does what it’s supposed to do. Can you write in it? Most of the pages come with relatively parallel lines and could be used like a regular notebook for the most part. Some pages are nutso. I can imagine using these to doodle, to test pencils, or even to paste things onto. But they are also “lost” pages if you’re after lined paper on which to write.

But that’s asking if the Askew does what the Confidant does. Does the Askew do what the Askew is supposed to do?

Wait: What IS this notebook supposed to do? It’s supposed to get you to try something different. I don’t want to say “think out of the box” — but maybe write off of the line. And in this regard, I think it’s successful and a hell of a lot of fun.

This book got me to pull out some pens (Bic Cristal Bolds, sign pens, bold Uniball Airs) and go nuts because I write with pencil so much that it can be stifling. And writing mostly in pencil also has the effect of inviting me to over-analyze each piece of graphite I write with. Pens were a welcome change, and I wrote some…different stuff than I usually do so far in this book.

I think this is the Nice Stationery version of Wreck This Journal, a book I enjoyed enough to get the expanded edition when it came out. If nothing else, it is an invitation to have some colorful fun during this dim time of year. I can certainly get behind that.

(We received this notebook free for review purposes, but the opinions expressed do not reflect that we scored it gratis.)

Blackwing Volume 344: A Peek.

I know not everyone has them already. So I won’t put a picture until after the jump.

Continue reading “Blackwing Volume 344: A Peek.”

Some Whimsy.

Thought I’d lighten the mood a bit, after the last week of…I don’t know. Despite surprising backlash, we received a bevy of encouraging and warm private messages, which are very much appreciated. 

We never meant to start such a stir, though we stand by our post. It was merely a list of suggestions for how to diversify the Blackwing Volumes line. Being smart and thoughtful folks, I assumed that Blackwing was thinking along these lines anyway. If I really thought they were sexist and/or racist, I would not contribute to the considerable airtime we devoteto them on Erasable. We make suggestions all the time for Volumes. I am confounded that the various lists of suggestions got so many people so upset and provoked such nastiness in/on various channels.

If you would like purchase the sharpener in the picture, head over to Papernery. I bought this one for my wife, and it came today.