Dandelion Wine is a whole lot of summer in less than two hundred pages. It tells the story of young Douglas Spaulding, who lives in Green Town, Illinois. At the beginning of one summer, he and his brother decide to record the things they do in the summer, in order to keep track off the regular activites and experiences of children during that season — from buying a new pair of tennis shoes, to making dandelion wine — whose taste brings a bit of summer to even the longest and most dreary of winters and coldest of hearts.

Just why this little novel by Ray Bradbury is of interest to Comrades and Pencil People lies in lines like these:

He brought out a yellow nickel tablet. He brought out a yellow Ticonderoga pencil. He opened the tablet. He licked the pencil.

Douglas licked the yellow Ticonderoga pencil whose name he dearly loved.

For, you see, the main character’s pencil of choice is the Ticonderoga. Pencils figure strongly in this little book of wonder, even near the end of the story and the end of summer:

And then, quite suddenly, summer was over.
He knew it first while walking downtown. Tom grabbed his arm and pointed gasping, at the dime-store window. They stood there, unable to move because of the things from another world displayed so neatly, so innocently, so frighteningly, there.
“Pencils, Doug, ten thousand pencils!”
“Oh, my gosh!”
“Nickel tablets, dime tablets, notebooks, erasers, water colors, rulers, compasses, a hundred thousand of them!”
“Don’t look. Maybe it’s just a mirage.”

Dandelion Wine is a splendid read for anyone who remembers being a child in the summer and all of the little things we all did to stay cool and not bored — or for those who want to remember.

[Images, J.G. Special thanks to Matt Le Claire who recommended this book in a comment on Tom’s review of the Ticonderoda.]

Professor Henry Petroski is the author of the monumental The Pencil: A History of Design and Circumstance and Vesic Professor, Department of Civil and Environmental Engineering, Duke University. He was kind enough to submit to a short email interview about pencils, which we post here for the benefit of all Comrades the world over:

PR: Do you use pencils frequently? If so, what do you usually use them for?

HP: I use pencils all the time. I do not feel full dressed if I do not have a pencil in my pocket. I use pencils for writing notes and reminders to myself, for underlining and making annotations in books, for editing manuscripts, and for virtually all writing that does not explicitly require a pen.

PR: What is your favorite pencil, or some of your favorite models, types or manufacturers?

HP: The pencil I carry with me is a Pentel, Model P205, using 0.5 mm lead. This mechanical pencil has a well-balanced feel, not unlike that of a good-size wood-cased pencil. Because it does not have to be sharpened and carries a good supply of lead in its barrel, I am always ready to write, no matter where I find myself. I like the thinness of the lead and the fact that I do not need a sharpener. When working at my desk, I usually have a variety of soft-lead wood-cased pencils handy. I have no particular favorite—any quality pencil will do. But I do not like to write with inferior pencils—those with scratchy lead or poor quality finishes.

PR: Given its rich history – of which you are certainly the expert – what do you think the future of the pencil will be?

HP: The future of the pencil will be much like its past. It will remain a basic writing implement. I am always encouraged when I check into a nice hotel and find a high-quality pencil rather than a cheap ball-point pen placed beside a notepad. I have also attended many meetings where pencils rather than pens have been provided.

PR: Do you have any words of wisdom for budding pencil enthusiasts?

HP: Look carefully at the pencils you encounter. The best made ones are examples of quality manufacturing that approaches fine craftsmanship. Just because something is mass produced does not mean that it does not have high aesthetic values.

Many thanks go out to Professor Petroski, and we renew the urge for anyone who loves the pencil to check out his very fine volume on our favorite implement of expression.

This is the first post about what we will call “Revolutionary Reading,” i.e., books that have some bearing on pencils and the Revolution. All Revolutions need their pamphlets, chapbooks and other volumes, even if such poetry or prose is not necessarily akin to some sort of doctrine.

It is only appropriate that the first such post be on Professor Henry Petroski’s The Pencil: A History of Design and Circumstance. This book is widely available in trade paperback, and the current edition is actually a very well-designed book itself, with a durable cover with very nice graphics. The height is actually longer relavtive to the width than more books, and this gives it a pleasing grip and span.

The Pencil is a book about engineering told through the sustained example of the pencil. What you get is the story of the pencil, from its origins in England in the sixteenth century to the pencil industry of the late twentieth century and everything in between. Professor Petroski covers graphite discoveries, the production of pencil “leads,” wood, erasers — and there is even an entire chapter devoted to my personal gadget, the pencil sharpener.

The text is extremely engaging, even though we non-engineers might be tempted to be wary of reading a book about engineering. In my own field (philosophy), I can certainly spot a boring book. But take my word for it: this is an exciting book for anyone who uses, likes or admires pencils. Far from being boring, it reads like an epic novel, with the protagonist and hero being the pencil, with other heroes that help the pencil along the way.

While it seems that pencils are simple objects at first glance, Professor Petroski shows that they are anything but simple, as he details the technological advances and engineering geniuses who have brought us our wooden warrior. Do you know why, for instance, Incense Cedar is the preferred wood for making quality pencils? Do you know what people used for erasers prior to rubber ones? Or just how long it took for sharpeners (as we know them) to appear on the scene? If you give The Pencil a good read, you will know all this and more.

Certainly, having some understanding of what forces, minds and inventions have brought us pencils affords us a much greater appreciation for the humble tool that many us take for granted. If you are intersted in learning more about our graphite champion and/or in reading an enlightening and entertaining book, then The Pencil is for you.

[Photos, J.G.]