Below the break, because the announcement didn’t go out yet.
The John Dickerson-inspired Field Notes Byline edition is the summer 2016 release. Subscribers also received a laptop sticker of the Byline logo. These books contain 35 sheets (70 pages) of Cougar Natural 70#T vellum, with college-ruled [0.28 inch] lines in the usual Field Notes innards color. There is a pocket in the rear and a concealed spiral binding. The notebooks come in at 3.75 inches by 8 inches — a little more narrow than traditional reporter’s notebooks.
Write Notepads & Co.’s reporter pads are something I’ve been needling Chris to make for a good two years, after I saw the first Ledger prototypes. These contain the new paperstock Write Pads will be using: 60 sheets, “120 pages of 1/4″ ruled paper printed in our trademark subtle non-reproducible blue-green.” (This paper will be in their own summer release, unveiled this weekend and coming soon to lucky mailboxes near you.) This book is the traditional 4 inches by 8 inches.
The Byline’s cover is made of Neenah Environment 120#DTC “Wrought Iron”. There is a pocket in the rear of the book and Field Notes-style information all over the cover. I love the cheeky data, and the pocket is a great idea. In practice, things keep falling out of mine. This book is very flexible and surfs a pocket well. However, the odd concealed binding means that the cover material has to flex both when opening and closing the book, and the covers take a beating in your pocket. If this book had more paper, I am not sure that the cover/seams would survive life in a pocket. On the flip side, like most of my favorite offerings from Field Notes, the beat-on patina of this book looks amazing, especially with the grey cover.
The Write Notepads & Co. book is beefy. It’s the same recycled kraft coverstock we’ve come to expect, with the same bulletproof spiral. The cover is even oriented with the grain such that the book will flex vertically but not horizontally. There are few frills, in keeping with the Write Pads aesthetic. The included (and removable) rubber band is a welcome addition and kept my pages from getting bent up.
These two books have not been in existence long enough for me to fill them up completely and to really see how they will look/feel after the last page is full of dumb things from my head. But I suspect that the Write Pads book will survive intact longer because it is made of stronger materials and because the spiral is naked. The Byline’s cover doubles as part of the binding, and I wonder if it is up to the task.
These books have different strengths in their forms. The Field Notes book is easier to carry, but the Write Pads book is easier to write in and to read. I’ve been using them each accordingly.
Write Notepads & Co., while departing for their subscription series, has an aesthetic that is part of their branding. The reporter’s pad, ledger, and stenography pad (which I keep trying to get WNP to rename The Tablet) all have similar looks. On the other hand, the Byline is a complete departure for Field Notes. I feel stuck deciding which I enjoy more: the dependable gumption of the Write Pads book or the new-for-them look of the Byline.
These books both perform extremely well for graphite, and I think they serve to illustrate the difference that paper makes for the performance of a given pencil. I’m going to utilize my scanner to look at this more closely.
Interestingly (and I’m not sure if this comes out in the scans), I think that the Write Pads paper brings out lighter pencils, while the Byline brings out darker pencils. Both really shine in the way that they add an extra touch of contrast to mid-range pencils (think Cedar Pointe HB; Ticonderoga; Noris HB…). These are both papers that are a pleasure for pencils.
The Bylines has noticeably smoother paper, since it’s stocked with a nice, cream-colored vellum. I really like this paper, especially for the larger page of a Byline. Pencil still makes its mark, though, and the results are really surprising on such smooth paper. Even a Wopex leaves a nice mark on this paper. The tooth in the Write Pads book still renders it smoother than a lot of papers, and it is sized such that it certainly does not sand down a pencil point. To repeat myself a bit: these are both two very enjoyable papers to write on, and I am not going to call one better on texture alone.
Erasing is almost equal on these two papers. The Byline’s vellum has sizing that seems to make the pencil’s point leave a deeper indentation, and this affects the real erasure abilities here, just a touch.
Graphite stability is also close, but I think that Write Pads edges ahead of the Field Notes here. Vellum’s smoothness usually leads to smearing and ghosting (use a Blackwing MMX on Rhodia paper, and you’ll see what I mean). While the Byline’s paper is definitely better than Rhodia’s at preventing Graphite Soup (TM), it does smear a little. It is no worse than other papers, however, which surprises me for vellum. So the Write Pad’s paper is not more smear resistant than the paper in the Byline because of the vellum; it’s because the Write Pad’s paper is amazing for graphite. I’ll avoid waxing poetic, but Chris took graphite (not just fountain pens) into consideration when deciding on a new paperstock. Pencil stays put. Period.
Which Should You Buy?
Uh, both. For $13, you get two Field Notes Brand Bylines (70 sheets/140 pages total). For $12, you get one Write Pads reporter’s pad (60 sheets/120 pages total), and both are amazing books. If you’re looking for something to stick in your pocket, I’d lean toward the thinner profile of the Byline, though I am not sure how long the cover will stick together. For a bag or for your desk, the Write Notepads & Co. reporter’s pad is a heavy-duty notebook. In fact, I have had a “thing” for reporter’s books for a few years, and this is by far the beefiest I’ve seen (the Bob State “Harvard Square Reporter” comes in second and deserves its own post).
I’m happy to see two great new offerings from my two favorite notebook companies in an oft-neglected format that I enjoy and use more often than, say, a six by nine nook or a legal pad.
Gary at Papernery wrote up his review last week, after we discussed co-posting. I both dropped the ball and received damaged Bylines and am a week late. Apologies for the delay!
[Disclaimer: While the Byline books were part of my subscription and paid for with my own money, I received the Write Notepads & Co. reporter pad for free via messenger on the day it was released.]
Go and get yourself a membership before they sell out. Tell ’em #007 sent you.
Back in November, Word. sent us a back of their new Dot Grid notebooks. And, hell, I feel badly that it took so long to review them — especially since I used one up right away.
So, usually, we conclude last. Today, at the start of a new year, we conclude first (which really challenges the definition of what a conclusion is, no?). Should you buy a set of these? Yes.
From what I can tell, we’ve got the same page and cover weight (see our 2013 review) as the usual Word. notebooks. This is a good thing. I love their paper, and they offer a chance to break out your Wopexen and really go to town. You don’t have to be ashamed to enjoy that odd, plastic beast. (Go here, and proclaim it even.)
Instead of the reminder/tracking/note system that I always ignore, there are 5 mm dots on the page. If you’re reading this far into a review on a pencil blog, you probably know what dot grid paper is for. You get the “blankness” of a plain page, with a gentler version of the rigid guides of graph paper.
That makes them great for the mean cartoons you’re working on, drawing maps to your favorite pencil shops and making lists of books to read in 2016.
I really like that the cover is also Dot-Gridded (can we make that a verb?). I often draw on my blankish Word. books, and this one was extra fun to mark up. My only gripe is that the dots themselves are a little too dark on the page for my liking. But I’ve recently used a notebook whose dots were faint enough to be essentially useless. I imagine this is a fine mark to hit, and I expect that if Word. hears that the dots are too dark enough times, the dots will get a little lighter. Of course, I could be off the mark, and folks might like them fine.
If I can dig up another gripe, it’s that I used these books up too quickly because they felt good in my pocket and made me want to draw a lot. But that’s really a plus.
Order yours directly from Word.
(Also, check our Gary’s more timely review on Papernery.)
The new Word. Blue Mountain and Black Mountain books had me talking before I ever had them in hand. It’s been a while since they released a new cover on their “regular” books, and these are impressive. Word. says:
The Mountain series of Word. Notebooks puts a modern spin on the great outdoors. Think less rolling hills and more sharp cliffs. Both Black Mountain and Blue Mountain are designed for the adventurous and the bold, those who strive for summits, and they look as clean on your desk as they do at a campsite under the stars.
I love this design, and I’m not alone. Half an hour after taking a few photos, I am down to only one blue version, as members of HQ have absconded with the first two. I have hidden the black ones and made marks in the remaining blue one.
We’ve written about Word. books before, and we’ve even been lucky enough to do a giveaway.* I simply love this paper for graphite. I don’t actually use the note system Word. has developed, but I use the lines, which are nicely-spaced. I’d love a dotgrid or blank version of these books, to be sure.
One thing that may not be entirely new (we missed the last edition and the Adventure edition) is the cover stock. Up until now, every Word. book I have had has been printed on Kraft paper. These covers are printed on white, though the feel is similar enough that I didn’t realize the paper was different until I opened the books. I do prefer this stock for writing on the insider covers.
Unlike our last paper review, where we teased you with goods you couldn’t get, you can order these books right now. Tell ’em we sent you.
[Many thanks to Michelle at Word. Notebooks for sending these out to HQ for free! We also received a bunch of stickers, and the first three people to ask (in the USA) get one free in the mail.]
I almost feel badly for posting this, since the books have sold out while this post has sat in the queue, as I was busy moving over the last couple of weeks. But I think that exhibiting the interesting books the folks at Baron Fig keep coming up with justifies what probably amounts to a Teasing Post.
The Work/Play edition has the same features as the regular Confidant (which I still don’t own for some reason). I love the paper in Baron Fig books for pencil, and I am especially fond of the spacing/darkness of their dotgrid.
And this book has it. On the left, you have dotgrid paper. On the right, you have a blank page. The Maker edition came in a darker grey than the regular Confidant, and the natural move is to black here.* The bookmark is white, and the effect is striking.
Keeping in line with the other hardcover offerings from Baron Fig, the box is really a part of the product. While I enjoyed the Juggler’s box, this one takes the proverbial (coconut) cake. The graphics are so fantastic that I might have thought twice about opening the box if I had to destroy this artwork to get to the book inside.
Sorry to tease, but you never know if you might find another stationery fan to trade with — maybe we can even talk Adam and Joey into printing another run of these. I’m not sure about the size of printing, but these went very quickly. If you find one somewhere, snatch it up! (Caroline might have some IRL.)
(We were sent this book for review for free — thanks to Adam and Joey for keeping us in the loop!)
The good folks at Baron Fig sent a set of their new Maker edition books to HQ recently, and this is just perfect, since I am staring down the last two dozen pages of my current journal.
I’ve ranted about this paper being Super Graphite Friendly on the Erasable Podcast on more than one occasion. The soft white paper is wonderful on the eyes and fits well with grey writing. While I enjoy the contrast of a very white page, sometimes the soothing paper fits well with the fainter grey of a pencil (vs. a very black pen). The texture is perfect for less-soft pencils. My German HB pencils get more use with this book, and when your humble blogger here grabs a pen first, the paper loves gel pen as much as it loves the Better Angel of graphite.
I find these books to be extremely relaxing. I have a Pandora station called “pencils and flannel” which revolves around mellow music I enjoy while writing in my journal at night. I curl up on my graphite colored couch with headphones and something caffeinated, with an assortment of pencils, and I just write for a spell. I am finishing up the Three-Legged Juggler Confidant that I received for Christmas. The soft paper and tactile cover fit perfectly with a wind-down session at the end of the day, and I imagine these books would be friendly companions for morning pages as well.
The covers are fabric-covered, with the fabric being super tight. The lack of stiff backing in the spine really does allow these books to open fully. Completing the Lap Effect, the backing that is in the covers is extremely stiff. I often sit and write on one of those large clipboards used by Comrades with actual Artistic Talent, and this is unnecessary with a Confidant. The Maker edition is several shades darker than the “regular” Confidant. I don’t own a regular one; so I can’t take a comparison photo. But this is a similarly mellow grew, just more…Pencilicious.
The new Maker Apprentice is darker also, coming in with a nice, warm grey. These put me in mind of a muggy, rainy day. They make me want some strong iced coffee with condensed milk. These little books are handy for toting around, and they have a lot of pages. This makes Charlotte happy, when she forgot to bring something to color in and mooches Daddy’s supplies. I have beaten one of the Lightbulb edition books up pretty badly, and it stayed Healthy and Strong. I enjoy the contrasting stitching.
A lot. The gold bookmark on the Confidant got me when it came out. These are some of the touches that set Baron Fig apart.
Many thanks to Baron Fig for the review samples! Get one of these while the getting is good. These don’t last forever.
All of my fellow Paper Fiends now know about the latest offering from Field Notes: Unexposed. I will admit that I was less than excited when I learned that I would not get all six, even as a subscriber. I ordered two more packs from [upcominggreatstorefront] before I saw my subscription packs. So I was not completely undone when I got two sets of doubles — only four of the six. Two more packs were on the way, and odds were on my side.
But I checked out my two packs, nonetheless, even as An Incomplete Set. Look at this cool sleeve! It’s very well-executed, with the FN logo inside. I imagine that coating this in heavy packing tape could produce a pretty durable cover/case for carrying Field Notes.
Out of the sleeve, these books kind of smell like chemicals. I imagine it will go away, however. Being packed into a Secret Box would probably make me stink a little, too. The texture feels like the Drink Local edition from last fall, which is a good thing. I like when my Field Notes get cracked and show wear, and I mean that. However, unlike the Drink Local, I would have rather seen these colors in the summer. Even if you don’t like beer, the Drink Local colors were sweetly autumnal. And imagine how great Arts and Sciences would have been for back-to-school!
The inside covers feature contrasting ink — they are the Color Shadow of the outside covers. The paper is the usual, which is friendly to everything it makes sense for a pocket notebook to be friendly to. It has the reticle grid; I was not crazy about this pattern in the Night Sky edition. It was dark enough to really distract me from graphite, especially since it did not “disappear” the way that lines or a grid might. My one pack of NS that I used is in my Big Box of Used Field Notes, and I can’t compare them just now. These do not *look* as dark. But everything is a little Chromatically Crazy after looking at these books for a while.
I had to get four packs to get all six. I was terrifically…irked by this before I actually had my set of six, to be sure. Of course, when I had them all in hand Monday, I sung like a — I don’t know, a happy guy? We talked a lot about what this might mean to collectors in our Erasable Facebook Group. All four of my packs are open. The only sealed Field Notes in my possession are not really mine; they are my kids’ Birth Notes (Spring 2010 and Summer 2013). The folks at Field Notes print so many books of each edition now that I can’t imagine that the Stationery Trend is going to last long enough in its current zeal for these huge-run recent editions to be very valuable. But I certainly don’t want to start a fight. I am too busy filling my Field Notes.
Now, being a Good Comrade, how could I not pair these up with the Neon Wopexen??
(I bought these myself. Ain’t not messin with my opinions, man.)
Gallery Leather contacted HQ a few weeks ago asking us if we’d review one of their made-in-maine leather journals. We received the Oporto Journal free of charge, and here is the skinny. Gallery’s description:
Modern Italian design in a journal constructed true to Old World book making tradition. Flush-cut, supported bonded leather cover.
I think there’s much more to say than that, especially with the very graphite-friendly paper in this book.
This is a Desk Journal. I don’t know why, but I really like the idea of a desk journal, a ledger or book for sitting at one’s desk. For this purpose, this notebook is great. It measures 8×5.5 inches, with 192 lined pages. The lines are spaced at 1/4 of an inch, which is identical to the Field Notes Shelterwood. The lines feel less wide than they do in the Shelterwood, though, since they are spread over a larger area with the increased page size.
The binding on this book is solid. Upon opening the book for the first time, both the leather and the binding were stiff. However, with time spent with this book for review purposes, it’s softened and loosened up nicely. I imagine that a week of desk use would render this book able to open fairly flatly.
The leather is smooth, with a subtle texture and sheen. It smells great, but is not over-powering, and the raw/rough edges are a very nice touch (and keep the book more flexible). The spine is especially attractive, with a nice semi-boxed shape that neither sits too loosely nor refuses to budge for opening the book.
My favorite thing about this book is the paper. It’s got a tooth that makes using harder pencils not only possible, but enjoyable. Certainly, this paper is not rough, and I imagine that pens that don’t like rough paper would work well. But the tooth does have certain consequences.
Pencils which are as soft as the 2010 Palomino Blackwing* are out of the question, unless you like a smeary mess in your journal. Middling darkness HB pencils performed well, as did high-end but relatively dark Japanese HB pencils like the Hi-Uni and Mono 100. Some German HB pencils which I love but which are unloved by smooth papers (like Field Notes’ regular paper) were a true pleasure on this paper, producing a distinct line and showing great smear resistance. In general, I found this paper to be a little on the messier side in smearability, but erasability was excellent. Castell 9000 and Mars Lumograph HB pencils are dreamy on this paper, and I had good luck with the Grip 2001 also. Because the paper is stiff (not necessarily thick), ghosting is very good with this paper. The German HB pencils I used retained much of their point retention, smoothness and smear resistance, while appearing much more darkly on the page.
If you’re on the lookout for a nice Sitting Still Journal, take a hard-but-smooth HB pencil with this book, and journal to your heart’s content.
* I think they should adopt this coinage of mine and send me a dozen to boot, don’t you?
The good folks at Rhodia Drive were kind enough to include me on a list of folks to provide feedback about the yellow Rhodia pad.
Shameful admission: I did not even know it existed.
Early conclusion: This is the nicest yellow paper I have ever written on!
Despite the reviews on this site for less-than-cheap papers, I actually like legal pads for the yellow paper and the format. Problem is, the paper often has a combination of too much tooth (soft pencils get eaten) and too much dye (lighter pencils don’t show up). As a result, I usually resort to white paper legal pads, even though I’m not sure they are still technically legal pads.
I have used the No. 19 lined pads of white and yellow paper for podcast notes over the last two weeks, to really get a feel. Backtracking: the Cold Horizon from Field Notes was, I think, a lovely notebook. But I hated the paper for pencil. The subtle dye in the pages repelled graphite enough that a quarter of mine are filled with…INK.* I tested the yellow Rhodia pad a lot before concluding anything because I was suspicious that my first impressions could not be true, that this dyed paper performed just like it’s bright-white counterpart.
But it does. I have never used yellow paper like this, and I will be a repeat user of this book for sure. I’d mention the smoothness of the paper and the solid construction of the Rhodia pads themselves. But, well, we all know this already. I really like the No. 19, coming in at 8.25 X 12.5 inches, with perfectly spaced lines, generous margins and printing on both sides.
My only qualm, and it is minor, is that the orange of the cover clashes with the yellow, chromatically. I understand that this orange is part of the Rhodia identity. But maybe using their black covers would be workable. Or, better yet: white covers with black printing? (Swoon.)
Thanks to Stephanie and Karen for the great notebooks to review, and definitely pick one of these up if you are even a remote fan of yellow paper.
*[Don’t tell anyone.]
Last week, we looked at the company who makes Write Notepads and at the large notebooks. In this review, we will take a look at the pocket notebooks and the pencils. Chris sent us over a pocket notebook in the regular and Paul Smith formats, both unlined. As much as I really liked the large notebooks, I find myself enjoying the pocket versions even more.
For one, these pages are not perforated for tearing out. While I can live with this feature in a larger notebook, I really don’t like the pages to fall out of my pocket notebooks, which I use most of all sizes. There’s precious [to me] stuff in there! It was also nice to find that the unlined paper performed just as well as the lined versions. These would make great sketchbooks, to be sure.
These do actually fit well into a pocket, though not a side jeans pocket. There is more flex than I’d expect from something that feels so durable. But spirals don’t do it for me in the front pocket of my Levis. I have not subjected the spiral to a week under my posterior, in a back pocket, but the spiral feels like it would handle the test and stay together. While I could take the big rubberband or leave it on the large books, I use them all of the time on my pocket versions, to keep the pages closed in my puffy vest pocket or, ahem, diaper bag. These are also much less terrifyingly-sized. I will hide the larger ones when my brothers come to HQ this weekend for a little shindig.
For size comparison purposes, the Write Notepads & Co pocket notebook with the Standard Memorandum from Word. and the current Field Notes edition. The WN&C book is slightly wider than the Field Notes with the spiral. This size is just about perfect for what this book is, and in the end, I can’t put my finger on what I like about these semi-chunky, semi-small notebooks full of really nice paper so much. But I can’t get enough of them, certainly.
Chris also sent over some of Write Notepads’ pencils. These wooden implements are available in packs of five, for five smackers. They come in a nicely fitting resealable bag which feels heavy-duty enough that I’ll use it for something else when the pencils are gone. They are made in the USA by Musgrave and are very attractive.
They are listed as cedar, though they don’t smell like any of my other cedar pencils. They smell familiar somehow, and the grain looks to Mr. Dan and I both like cedar. They certainly have a light weight, and they sharpen with ridiculous ease; seriously, even on sharpeners needing new blades, these were easily brought to a point. The printing is on a clear sticker of some sort. I really like the typography, though I’d like it much more if it were printed on the wood like the Field Notes pencil.
What I think the Write Notepads & Co pencil has over the Field Notes pencil the most is the design. I am a sucker for a naturally-finished pencil with a pink eraser – doubly so with a gold ferrule. (See the older Prospector, of which I have only a precious few with pink erasers left.) The eraser on this pencil is soft and performs as well as the Field Notes version – pretty well, not great, not smeary. I have long suspected the Musgrave makes Field Notes’ pencils. So maybe this is the reason?
The lead feels a lot to me like the Field Notes pencil, though a touch smoother, darker and harder to erase. The eraser is crimped on (rather than glued), which I usually think looks better. The leads in our packs are well-centered, and these pencils are a pleasure to use. I’ll cop to using them 80% of the time I am writing/drawing in Write Notepads gear.
Thanks again to Chris at Write Notepads & Co for the generous samples and for manufacturing stationery in Baltimore! I can’t say enough now much I enjoy these books, and I hope that we see more limited Baltimore editions soon! (I bought half of their run of the first limited edition as holiday gifts this year after testing these books in December — Okay, not exactly half of the run; you can still get ’em.) Definitely get yourself some of these notebooks, and if you’re in Baltimore, hit up Trohv on The Avenue (Hon). And if you’re in Baltimore, hell, let’s all do a meet-up in the spring at one of our many good coffeeshops.
We received a generous box of goodies from the new stationery company Write Notepads & Co, based right here in Baltimore. Hometown pride aside, these are great books, and I have to say upfront that this review will glow like a new LED desklamp. In this review, we will cover the large lined notebooks in the regular and Paul Smith left-handed versions (the review of the pocket notebooks and pencils will come next week; it’s already written and ready).
First, a bit about the company:
“We still make things here. It may be a Rust Belt town, but Baltimore’s charm is its stubborn vitality. We feel it in this century-old warehouse in South Baltimore, where I’ve teamed up with skilled, local workers to make these notepads. We have two goals: to help others in need and to make something that reflects the love and hard work we invest in our respective trades.
I’m a book-binder, third generation. So I’ve seen the new technologies moving in on print’s old territory. As I see it, change has pushed to the foreground the hand-crafted quality of a tangible good. And that motivates us. We won’t ignore a renewed taste for physical, textural charm if it justifies our devotion to an old trade. Nor do we take for granted simple utility. So with each note pad purchased, another will go to a Baltimore City student. You may have heard of this outreach model. It works. And you can help, even if you’ve forgotten what your handwriting looks like. Here’s a hint: it’s that unmistakably human font.”
Chris tells me that the books are printed and assembled in Baltimore from US-sources components. What’s more: the company gives away one book for every book sold to a Baltimore City schools student. This hits close to home for me, since my better-half works at a middle/high school in our neighborhood.
We are reviewing the large “regular” and Paul Smith editions today. The books are 5.5 inches by 8.5 inches and contain 120 pages of “premium brass-ruled paper.” The Paul Smith edition is left-handed, and the spiral binding is on the right of the page. I kept opening mine at the wrong end, but I enjoyed the graphic on the front enough to use this one first. I use both sides of spiral notebooks (pencils don’t exactly bleed). So any spiral notebook I use is ½ right-handed and ½ left-handed anyway.
The spiral itself is a stiff, brass-colored, double-O binding that is about as perfect as a spiral can be. By that I mean that it’s just the right amount of circle. More and the spiral would annoy my hand while writing and make the book feel…loose (which I think is where a lot of anti-spiral feelings come from). If the spiral were smaller, the pages would be difficult to turn.
The corners on all five of our test books are precisely cut. That means a lot to me, and it’s something a good quarter to a third of my usual stapled pocket notebooks lack in sometimes serious ways. The books are held closed with a huge rubberband that would have gotten my two brothers and I into trouble as kids. You could probably rig a slingshot that would shoot 2x4s with these things. I use mine when I carry my books and don’t like having to put it somewhere while I write. But, since they are removable, they make archiving the books easier. Plus, I like the option to ditch the band when I feel like it. The covers are thick but pliable enough to give the books some “give” in a bag or pocket. Folded back upon itself, the nbook’s two covers made it more than stiff enough to support writing mid-air (which pencils and Space Pens also make possible). The branding is slight and tasteful. I like the ink color on the regular edition, which reminds me of the Bob Slate notebooks I like to buy when I’m in Cambridge (this summer!). Inside of the front cover, you’ll find information to identify the notebook as yours, in case you lose it.*
The paper in the lined notebooks is brass ruled, which I had never heard of. So I asked Chris what that meant: “So we came up with brass-ruled paper as a way to describe the traditional means of ruling papers. This process has been employed by printers for well over a century. It’s name, pen-ruling, left a lot to be desired and was a bit confusing. The process itself involves long shafts that are fitted with brass wheels and spacers. These shafts move over a pool of ink that is then transferred to the paper.” As we might say in Hampden, That ain’t no lazer-printin, Hon.
This is very graphite-friendly paper! I have to confess to becoming a little more picky about which papers I really truly lovingly enjoy covering with graphite lately, though I am attempting to resist such snobbery. Pencil is that writing medium which is only more picky than a ballpoint pen. But some papers are two slick; some too toothy; etc. This paper is fantastic, taking both hard and soft pencils with similar smoothness, though the paper is certainly not slick in any way. It feels a bit like writing on Rhodia paper, though the pencil lines come out darker and don’t smear as much. It’s nearly ideal for pencil.
We were also lucky enough to receive a limited-edition Baltimore print. I have a similar print hanging in my dining room, next to where I am writing this review. (We gave several of these Baltimore Books as holiday gifts this year, honestly.) If you can find one of these, get it.
Of course, I have to name some qualms, lest it be assumed that I am entirely biased toward two of my favorite things (stationery and Baltimore) coming together. I almost never like perforated pages, which these books contain. The rubber bands are interesting, but I could do without them. I want to say that the books are expensive. But these are in league with Finer Stationer, not campus-store spiral notebooks. $16 for the large versions is higher than your usual spiral notebook. But your usual spiral notebook this is not. And if Comrades are Readers of stationery blogs, this price is probably not outlandish at all.
Thanks again to Chris for the samples and for the help with my questions! And stay tuned next week for the second part of the review, featuring the pocket notebooks and pencils.
* I’ve become so used to this since using my first Moleskine, uh, 11 years ago for my MA comprehensive exams that I miss it when manufacturers exclude it.
A long-time friend and Comrade of mine has started making/selling custom notebooks on Etsy at Blue Cats’ Quirks. These are standard pocket-sized notebooks in packs of four (not three!). What I like best is that the paper is missing until you order them. You get to pick what kind of paper you want in your covers.
“Individually handmade pocket sized notebooks made to order. Each notebook is 32 pages, approximately 3.5″x 5.5”, features a cardstock paper cover with rounded corners and a stapled spine. Sold in sets of 4 notebooks. (Please select which set you want. RANDOM includes 4 random covers on your choice of inside paper). Buyer choice of page type (once choice per set): blank, grid or ‘two-faced’ (when opened, each pair of two pages alternates between grid and blank) all of aprox. 16lb paper. Perfect size to slip in your back pocket or purse for those times when you just have to write things down. Great holiday or birthday gift! “
I was lucky enough to receive a pack of these last Christmas, and I tore through them. They stood up to Pocket and Toddler abuse as well as any of my “branded” notebooks. Plus, they are made in Baltimore! Jenn put a special Hello Kitty-covered book in my latest pack for Charlotte, who, ahem, cutes (if I can make that a verb) her way into acquiring my notebooks and pencils. This prompted the statement, “Aunt Jenn is a nice lady.” Too true. So go and buy her notebooks! Through January 1, 2014, Jenn is offering a discount to Comrades, good for 10% off purchase if coupon is entered at time of purchase. Code: PENCILREVOLUTION1
The folks at Shoplet sent over a box of office supplies for review, and we’ve been a little behind. In the Days of Yore (Okay, 2001), your fresh-faced Editor was a new college grad and living in Boston, where I worked in the Development Office at the university for a short time while I was at work on my MA in philosophy. Among my myriad duties was labeling the hanging folders for two big-time Gift Officers. I preferred using the vast amount of information we had on our graduates and their parents to help win over large financial contributions. To my Eternal Shame, I foisted labeling hanging folders onto the heads of some undergraduates in my and my officemate’s care. I wonder if one young lady in particular still thinks badly of me when she sees green cardstock. And, to this day, I refuse to label those heavy green hangers.
So you can imagine how much I would have liked to have these hanging file folders with built-in labels, similar to the tabs on a regular file folder. These hanging folders are, frankly, killer. Made in the USA, they are lighter green than I am used to. Think Retro Mint. They are also a little more flexible and a lot more reinforced. And if you read this website – and have read this far into this review – then you probably appreciate little things like folders that don’t require filling out tiny slips of paper which are then stuck into sharp plastic tabs and bent onto the whole thing (no, thank you).
The Super Tab file folders look like regular manila folders. Except that the tabs are larger and they are much much much heavier. Ever had the spine/crease of a folder give out on you on a rainy day? You need these. We would have fought one another in AmeriCorps for these babies.
The Expanding Pocket is something I’ve never seen before. I usually think of these as a means to carry a lot of papers. But this one is designed to fit into a hanging folder. It features a grippy area to pull it out of the hanging folder in one piece. This is basically a Super Folder, for use where a regular folder just won’t cut it.
Finally, more TMI (more too?). My father was an officer in the military whose duty was to manage supplies. He oversaw the transition from paper-based to digital systems. I mentioned having to write this review on a recent visit. He said, “Well, hanging folders are pretty much worthless unless they’re the good kind.” “Which as those? I have to write about Smead,” I said. And then he asked what I was doing with them after the review.
Word. sent us a pack of their new limited-edition Bandana edition books last week. You’ll remember that I loved Word. books, especially their paper. These are very cool notebooks, with a wonderful printing job. I like the vintage feel of this design, being a Bandana/Hanky Carrying Man myself. While Word. says that they don’t recommend wiping one’s brow with these books, I did spill coffee all over one. It was fine, and now it smells like French Roast!
Long associated with tireless work, devilish deeds and classic American style, the bandana is entrenched in U.S. history. Despite its global popularity, the paisley accessory is perhaps most strongly linked to the cowboys out West during the 19th century who wore them to protect against dirt and dust on the trail.
The latest Word. Notebook is inspired by the classic Western staple. It’s an ode to hard work and sharp design. Sporting a unique paisley pattern, each is perfect for tossing in your pocket to keep track of all the things you have to get done even if a cattle drive isn’t on your list.
While we wouldn’t recommend wiping your brow with it after a day in the sun, you’ll be glad you have it by your side.
We have the black version here, and there is also a red version that looks very Autumnal and attractive.
And have you seen The Standard Memorandum? I have added one of these to my Christmas List. Check out the video, which features vintage diaries written in pencil. And I have to repeat that I love this paper for graphite. Everything feels particularly…crisp on this stock.
Thanks again to Word. for the review samples, which were a very nice surprise to find at HQ one grey day last week.