My oldest daughter calls my youngest daughter Pig Wrecker. Here is one instance of why.
My oldest daughter calls my youngest daughter Pig Wrecker. Here is one instance of why.
In the last year or so, Andy (from Woodclinched and my co-host of Erasable) has been spear-heading a stationery-centric magazine, Plumbago. Started as a Zine in the first issue, the second issue was so polished that I think it became a magazine. The upcoming third release is the fiction and poetry issue, and, this time, it has the heft and gravitas of a literary journal. You’ll find:
Father Kyle Sanders writes a story from the perspective of an Eberhard Faber American Naturals pencil
A collaboration between poet Judy Wilson and fine graphite artist Diane Wright
Harky Jewett presents a type-written science-fiction story about the fate of mankind
A big, bright graffiti-style portrait of some of our favorite pencils
The 5 winners of the six-word story contest, illustrated by Becky Aiken
Original artwork by Ana Reinert of The Well-Appointed Desk
And lots, lots more
There’s even a bad poem by yours truly that ends in gore/a goring.
Comrades can pre-order the issue to be sure to get a copy. These have sold out quickly both times before, and this one will likely go just as fast. You’ll even save $2 off of the $10 cover price.
Lest one might think it’s all about the funds, “Revenue from this zine go directly to printing, assembly and mailing costs, and leftover revenue will be donated to [Heart to Heart International], an organization dedicated to providing door-to-door medical aid to victims of Hurricane Maria in Puerto Rico.”
Why are you still here and not ordering this amazing publication?!
Joe Gans was the first African-American to hold a world boxing title. When he took home $11,000 from 1906’s Match of the Century in Goldfield, Nevada, he opened the Goldfield Hotel in Baltimore, where the main USPS center now sits near the Shot Tower. Gans was a legend in Baltimore, along with The Goldfield, where Eubie Blake played regular gigs and where Jack Johnson liked to hang out. Today, Gans is largely unsung in his native Baltimore, and Chris Rothe from Write Notepads & Co. has been part of an effort to change that for years. I hope I’m not giving away privileged information, but I know that this edition has been in the works for at least over a year, and I think the care that went into this edition shows.
The details from Write Notepads’ site:
Our winter 2017 pocket notebooks take users on a journey to the turn-of-the-century jazz club at The Goldfield, the exquisite hotel in Baltimore owned by boxing legend Joe Gans. The outer box is foil-stamped in 24kt gold on a spot-UV pattern. Each notebook echoes this Victorian-era pattern in a spot-varnish and features letter-pressed gold ink on an 80# black cover. Inside of the books, you will find 70#, bi-color ruled stock. These sets are proudly made in Baltimore, hometown of Joe Gans.
The box of these books is very stiff, and they arrived in perfect shape. The gloss of the varnish is difficult to photograph (not that I know anything about photography anyway), and the image of the boxer is perfect. The flap to open the box is improved in this model, too.
Inside, you are greeted by a card featuring Gans in front of the notebooks. This is a lovely touch, reminiscent of Lenore.
The notebooks have a subtle echo of the varnish on the covers and a heavily letter-pressed image stamped in gold on the front. I really like the choice of 80# stock here. Write Notepads pocket books have an initially stiff PUR binding and have more pages than other pocket notebooks. The 80# paper provides some flexibility and avoids over-killing the beefiness of the notebook.
Inside, Comrades will find a new paper: cream-colored with two colors. The horizontal lines are blue, while the vertical margins are red. The effect is lovely here, where bright white paper might be jarring.
The pencils are bridge pencils, which are thinner and shorter than regular pencils. Made in the USA by Musgrave, they sharpen well in a crank sharpener prone to producing longer points and also in the KUM Masterpiece (shown). These came out beautifully, and the tiny ferrules are as bright as holiday lights.
The extra in the deluxe pack (which also ships to members) is something you might spot, but I won’t comment on it. I was tickled when I got it though.
There’s something very…BALTIMORE about this release. We are not a city that gets a lot of positive attention, when we get noticed at all. Crime statistics and TV shows skew what it’s really like here on the ground. We live in a place full of hidden gems (like Blackwing beer) and fascinating stories. Poe is buried here, and we have the most literary of any name for a sports team. If Comrades ever pass through, you might find someone (ahem) very happy to share a coffee/tea/beer/water with you over some pencil chat.
*I feel like it at least deserves a footnote to mention that this is the first release from the major subscription/seasonal/membership models that is dedicated to a person of color. We’ve had two Blackwing Volumes dedicated to women, which is fantastic. I hope the trend continues toward honoring folks of all identities.
(These products are part of a membership paid for from PR funds, not a sample from Write Notepads & Co.)
Drawing shapes with my little engineer, while his big sister is at a sleepover.
Rosie really likes the new Blackwing. She stole one and went to town in my Moleskine.
Dedicated to Ada Lovelace, the Blackwing Volume 16.2 honors a mathematician whom many credit with creating the first computer program while writing about Charles Babbage’s Analytical Machine. These pencils feature a completely matte finish and the “firm” graphite from the Blackwing 602 (and 211, 56, 344, 205). The imprint is grey, and the erasers are white. On the flip side of the imprinted side of the hex is a faint binary pattern representing AAL, the initials Lovelace used when signing her work. The Volume number, according to the box, is “a nod to the Analytical Engine’s storage capacity of 16.2 kB.”
Last time around, I really liked the aesthetics of the pencil but not so much the tribute. It’s fantastic that Blackwing has honored another woman with a Volumes release. Having a daughter who is into both art and science, I like where there is/could be going.
Aesthetics-wise, I like this pencil for two reasons and am “eh” about it for one. Let’s sandwich them. First, I really like the tactile result of a totally matte finish. It’s like the opposite of the gloss we often see/feel with pencils, and I really like the grip I can get. The paint feels a little thicker than most matte finishes I’ve encountered, too, thicker than Volume 1 even.
On the “eh” side, the pencil is deliberately understated, i.e., boring. It’s all black and white without even the gold ferrule from the original Pearl (before they changed the stamp to gold). The looks are “inspired by the simple styling of early personal computers,” but Blackwing did not go All In and just make these in beige (thankfully). But stark might be a better word, and it leads me to think of the incoming season — which brings me to the other positive about the aesthetics of this pencil.
I think that, like Volume 1, these function as Accidentally Seasonal Pencils. They are seriously wintry, more so than any other Blackwing Volumes release to date. The matte white evokes snow, and the matte ferrule has exactly the look of a glossy one that’s come in from the cold (seriously; try it). In that respect, I think some of my favorite quarterly releases from my various subscriptions/memberships are the ones that evoke their seasons. Blackwing has done a pleasing job of this each fall, and I’m glad that they have, even accidentally, given us a pencil that feels like the winter too. (Do I smell something grass green for spring? A Rachel Carson edition? Walt Whitman?)
Also, these look fantastic with the new Pearl editions of the lovely notebooks from Blackwing. This cannot be an accident.
Finally, subscribers got a really cool pencil in a tube honoring Cal Cedar’s 100th anniversary, and subscribers can purchase boxes later. These feature a natural finish and the Extra Firm graphite we found in Volumes 24 and 530.
Folks surrounding The Erasable Podcast have been calling for such a pencil for some time, and we hope that there’s a non-anniversary one (with silver ferrule and pink eraser) coming for everyone who wants to give Blackwing money in exchange for them (and for me, a gross, thanks).
Henry wants to color, with all blue supplies.
Not seen: more blunt pencils. But I assume that might be too much for some Comrades to see.
This paper likes harder pencils.
I used a gel pen yesterday and didn’t have the flow I was hoping for. While I’m afraid that I might get hung up on which pencil to use, pencils need to be explored today. Plus I was writing too damned small in gel pen.