Johnny writes about childhood pencils in MungBeing magazine:

“When I first arrived at Kindergarten, we all had little boxes that we put onto the top shelf of our cubbies, standing on five-year-old tiptoes. In my little blue box that day was a Faber-Castell GOLIATH – a thick, red pencil with soft-feeling lead and a nice pink eraser on the end. Of all the goodies in my blue box – scissors, paste, a ruler, etc. – I was most excited about my big pencil. There were boxes and boxes of markers and wax crayons at the pre-school and even more at home that my parents provided for my brothers and I.. But one pencil, only one. And so grown-up looking! I had just turned five and suddenly felt immensely important that I had been given a single pencil that would allow me to do so much. My introduction to pencils was thus to a quality German pencil, and the rest of my childhood pencilship was tainted by this….

….But I think that what people love about pencils is not necessarily something akin to childhood innocence. I don’t think it’s possible to recover the naivety of the sandbox, nor is it desirable to do so. The responsibility that comes with knowing what we know that we did not know as children – whether we know it from education or worldly experience – is not something that we can shirk off just by using pencils or any other magical tools. The reason pencils resonate with adults is that they remind us of the sense of wonder that we had as children. Only, as adults, this wonder is armed with some degree of practical wisdom in that pencils put us into a position of wonder that is coupled with power and freedom. We look at the world differently when we remember being kids, and we have the freedom to explore our world that we might not have had as school children with homework and parents and curfews. Most importantly, we have the power through what we already know to look in the right places for what we still wonder about as adults.”

Read the rest of the article here.

[Image, J.G.]

Leo Burnett.

Visit the home of the Big Black Pencil for one of the coolest-designed websites around.

“Big black pencils are as much a part of Leo Burnett as that ever-present bowl of crisp apples. Why? Because Leo believed big ideas come out of big pencils.”

I sat here for a half hour playing with the pencil and the links. Who is Leo Burnett? Check out the Wikipedia article about him:

“Leo Burnett (October 21, 1891 – June 7, 1971) was an advertising executive famous for creating such icons as the Jolly Green Giant, the Marlboro Man, the Pillsbury Doughboy and Tony the Tiger.”

[Thanks for the link, Armand!]

Have a terrific weekend! Hopefully, we’ll be able to review the new Dixon Tri-Conderoga next week sometime.


We have Faber-Castell’s GRIP 2001 for a nicely-made, comfortably grib-able pencil. There is also the Staedtler Egosoft, which is covered in sticky stuff. Not as popular is the Dixon Ticonderogo Tri-Write, which is a triangular-shaped version of the popular yellow Dixon.

I was talking online with a good friend of mine last night about why the Ticonderago is called such. On visiting the company webpage to find where they give Fort Ticonderago as an explanation, I found something that kept me up a little last night.

Dixon has a new pencil that they are billing as “The World’s Most Comfortable Pencil” — the Tri-Conderoga! Dixon gives its features:

* Larger, more control
* Cushy ‘Soft-Touch’ finish
* Triangular-shaped

And it’s made of delicious Incense Cedar, too. As soon as I can find some, I’ll put up a review. I’m really excited about this pencil. The pen world is getting the Pilot G2 Mini, and we get a sleek new Dixon!

Pencil confessions, i.

If I may wax personal, I want to admit being more than a little upset to learn that a certain pencil I previously enjoyed is made of rainforest wood, not Incense Cedar. I know, this should make no difference. It was hard to sharpen and had no smell before I knew what it was made of, too, and I ignored it. I think I’m upset that it’s maker flaunts it as a great quality pencil (and charges a lot for it) but then won’t pony up and make it out of cedar. There are probably even reasons for this, like a $3 a pencil price tag result, etc. I won’t pretend that I know much about wood or about what works best for what.

But it’s weird that something so small can shake my faith in a pencil. It’s like when you have a pencil you love but then realize that it’s core smears all over or that you have a near-perfect pencil that comes with a terrible eraser that ruins the whole affair. Or, worse, that you have a pencil you love above all others but cannot obtain anywhere.

Is there some implicit search for the perfect pencil, or do we just get jolted when we learn that our favorites could use some evolving? Or do we delude ourselves into thinking we’ve already perched on the perfect pencil and then find out that there’s a glaring design flaw, upon which we get shaken up again?

Review of Faber-Castell Grip 2001.

We’ve reviewed pencils made in the United States and Asia so far, but we’ve not yet talked much about European pencils. It’s only fitting, then, that we review something from Faber-Castell, specifically the Grip 2001. We are very happy to have Frank C. — who works in research in the Garden State — write the review of this award-winning pencil.

According to Faber-Castell, “For centuries there was no change with the pencil. Faber-Castell has proven that there is still potential for improvement with this apparently simple product. Shortly after its launch the GRIP 2001 pencil was prized with several important design awards. For the magazine Business Week it was the best ‘Product of the Year’,” and several other accolates to boot.

First, some technical info:

Material: Jelutong, a rainforest wood that grows in Indonesia.
Shape: Triangular, with grip zone.
Finish: Water-based lacquer in metallic grey.
Ferrule: None, capped end in grey or black, depending on lead grade; black triangular ferrule on eraser-topped version.
Eraser: (On ferruled version) Soft black rubber.
Core: 2B, B, HB, H, 2H (B reviewed), specially-bonded and break-resistant graphite.
Markings: Black Gloss. “GRIP 2001 Faber-Castell” with company logo of jousting knights.
Packaging: Varies. Usually sold in open-stock or dozens. Fine stationers and art supply shops are the best bets.
Origin: Stein, Germany.

Now, for Frank’s review:

“Let me state up front that the Grip 2001 by Faber-Castell is my favorite currently-available pencil (the Blackwing 602 is my all-time favorite, but I’m sticking to currently-available pencils). Why? Because I like pencils that write a dark line but can be used for day-to-day writing (only 2B and 4B for me), and the Grip 2001 fits the bill, for me, better than any pencil around.

The other factor that cements its position as my top pencil is the way the Grip 2001 is designed to never slip in your hand. Using what Faber-Castell calls the ‘Patented Soft-Grip-Zone’ (what looks like to me little raised black dots) makes it easy to grip the pencil without it slipping up and down your fingers. I’ve also found that I don’t have to grip it as tightly to write, which means that I can write with it for longer periods of time than other pencils. One downside—when you store the Grip 2001 next to other pencils it has a tendency to stick to them!

The Grip 2001 has a triangular shape, another excellent ergonomic factor in its favor. I’ve found that the triangular shape fits flush between my fingers, meaning that I never find myself rotating the pencil like I do other traditionally-shaped pencils. Again, this is another ergonomic detail that makes the Grip 2001 stand head and shoulders above the other current pencils that I’ve tried.

While it’s great to have the attention to design detail that the Grip 2001 provides, it would mean nothing if the pencil didn’t deliver a great writing experience. And this it does, with a dark line that never smears. It’s also extremely easy to sharpen, even with the triangular shape.

So, given the great writing experience, excellent design, and ergonomic features, it’s easy to see why the Grip 2001 is an excellent pencil and my current favorite. It may be a bit more expensive than average (I purchased mine from Pen City, although I have seen them in a local Office Depot), but it is worth it. I cannot recommend it highly enough.”

Many thanks to Frank for the review and the photos!

[Images Frank C. and J.G., used with kind permission.]

Holiday pencils.

With the start of the various holiday seasons, we see countless pencils with pumpkins, ghosts, and goblins all around. Some have giant erasers, fuzzy tops or sparkly paint. But what are the People to do when we want a festive pencil that does not write like a black rock and smell like dirty old wood? With Halloween and the winter holidays almost upon us, what are we to write with?

Fear not! There are some respectable pencil manufacturers who can rescue us junky holiday pencils! Just to name a few:

Musgrave Pencil Company has several holiday-themed lines, including Halloween.

Dixon makes reward pencils, including some for Halloween. You can never go wrong with Dixon.

And Californian Republic makes holiday-themed pencils in their Spangle line which are available through the Pencil World Creativity Store. You can even score a free set of Halloween pencils with the purchase of Palomino artist pencils (which are great pencils) for a limited time.

As a friend of ours pointed out, pencils would make a healthy alternative to candy for handing out to trick-or-treaters, while promoting education and children’s creativity at the same time.

And for us grown-ups, they are a nice way to celebrate the holidays we still love.

[Image CalRep.]

The sad affair of the pencil.

Our friend Alcarwen at That Shadow My Likeness writes about the terror of being without a pencil sharpener:

“This was going along quite well until I realized I had stranded myself in the fourth floor office on the top of the highest hill with a single color pencil and no pencil sharpener to be found. I searched through the entire department. I knocked on doors. I had other pens offered to me, but no. The Rhetoric book is not to be touched with anything other than my particular box of color pencils. (Yes, I’m obsessive. I know.)

I sat there in despair, Rhetoric book in one hand, sadly un-sharpened color pencil in the other and was completely unable to continue reading. Until… until I remembered the lovely pocket-knife on my key ring. I sharpened the damn thing old school style. I was so proud of myself.

However, I think my Department head now thinks I’m a nut-case since he walked into my office to find me whittling away at a pencil with a pocket-knife while grinning maniacally.”

This is a disaster that I’ve known a few times myself, and I would not wish it on anyone. Pulling out a blade is the bravest way to handle such a situation, to be sure. It’s downright heroic!

Many thanks, Alcarwen!

No. 4: The Pencil.

Forbes ranked the “20 Most Important Tools” recently, and the pencil scored #4!

“Writing may be one of the most important discoveries in human history. But it was easy-to-use writing implements–including the pencil, pen and brush–that made mass education and literacy possible. Cheap, reliable and convenient, the pencil represents these tools at their best. And because the sword came in at No. 8 on our list (more about the sword), we can now say for sure that the pen is mightier than the sword…

….In 1662, the first mass-produced pencils were made in Nuremberg, Germany, and in 1795, a French Chemist named Nicolas Conté invented a technique to make pencil leads out of powdered graphite and clay. In 1770, Edward Naime, an English engineer, created and began selling the first rubber erasers. The practice of painting pencils yellow began in the 1890s. Pencil manufacturers wanted to advertise that they were using high-quality Chinese graphite, so they painted them a color associated with Chinese royalty. Today, 75% of the pencils sold in the U.S. are still painted yellow. “

Thanks for the link, Doug!

[Image Dave Klug.]

Writing in color (i).

If I ever step into ink, I usually like to use something a little seasonal, especially in the autumn. Pilot makes a new burgundy G2 now, and the brown Le Pen is an equally great color — sepia with a purple-wine tinge.

But Ashley writes in with a very good question: What are we pencil folk to do when we are bored with graphite grey?

“I love the Pencil Revolution! I am still happily scribbling away with my awesome Cretacolor Monolith woodless graphite pencils, but I have a new urge to write in color. Can someone at the Revolution suggest any colored pencils that are suitable to write with? I have a lovely Stabilo aquarelleo in blue. This has a thick waxy core and is meant for glass, plastic, etc. I enjoy writing with it because it is smooth and fluid, but the thickness has two problems if you just want to writ. It makes it hard to get a nice point on it, and needs too frequent sharpening to keep any point. That said, I would appreciate any new reviews or ideas about colored pencils specifically for writing. Thanks! Vive la Revolution!”

I have some All-Stabilos that are water-soluble china markers, but Ashely’s right. They are not good for writing on paper unless you want to sharpen an already dull point every other line. And trying to write with an artist-type colored pencil will only waste a nice tool.

Some companies used to make indelible pencils in different colors — non-erasable pencils that contained aniline dyes in different hues. But, with the advent of portable pens that don’t make a mess in one’s pocket, those went the way of the manual typewriter. The only ones I can find for sale in the United States are the NoBlot ink pencils, “A Bottle of Ink in a Pencil.” (We’d greatly appreciate info about any others!)

Prismacolor makes Verithins: colored pencils with a very fine core. However, the lead is the same soft formula (?) as the Primacolor colored pencils, so they will probably dull extremely quickly.

Another item to try might be something in the new line of Erasable Checking pencils that Dixon has out. I have only tried the red, but I can vouch that they are very nice checking pencils and that you might be able to write with them as well.

Does anyone else have any ideas?