Robb Scott Drawings.

“The Mirage”

We have recently been fortunate enough to experience some work from pencil artist Robb Scott. Jeff wrote in to tell us about Robb’s drawings. Jeff says, “Everyone that sees them thinks they are black and white photos….when he sells on the waterfront in the summer, he’s actually had to put of a sign that says ‘These are not photographs, but pencil drawings’….he’s quite amazing.” He most certainly is!

“The attention garnered by the artwork of Nova Scotian artist Robb Scott has spread from one side of the globe to the other. International recognition from Japan, Russia, Britain and the United States have raised Robb’s profile from struggling young artist, to one of the most promising artists today. A mix of patience, technical ability and a desire for self-expression all go into the making of a Robb Scott drawing.”

It turns out that some of the drawings take more than two hundred hours (!!) to complete. If you think that’s phenomenal, you should take a look at more of Robb’s drawings in the gallery, including some new full-color drawings. Robb even has tips for aspiring artists on his site, and it’s sent me to my sketch book with some soft pencils to sketch a little myself recently. The detailed life-like-ness of Robb’s drawings is truly inspiring.

[Images copyright Robb Scott, used with kind permission.]

Revolutionary photos.

We are pleased to announce the arrival of the Pencil Revolution group on Flickr, started because of some good advice from a friend and blogging champion.

In case you are not sure what Flickr is, it is a place where one can upload one’s photos to the internet and then share them with other people. Flickr Groups are communities that one joins and can then participate in the group photo pool. Photos submitted to the pool are still part of one’s own photostream. The pool is really a grouping, not any sort of proprietary selection. You keep the right to edit, delete and own your photos.

For the time being, membership is open to anyone with a Flickr account, and these accounts are both free and easy to set up. All you have to do is sign up, sign in, and join up.

Let’s stick to photos that are actually pencil-themed: ones that are of pencils or related pencil gear, of sketches or finished work done in pencil, etc. Let’s not include photos of fountain pens and vintage Mustangs. There are tons of other pools for that.

Fine Print: Anyone engaging in hate speech, pornography, posting photos to the pool that have nothing to do with pencils or generally being a jerk to other members in the group will have his or her membership in the Pencil Revolution Flickr group cancelled without warning. We have no intention to censor things, so please use your best judgment.

Review of KUM metal wedge sharpener.

This is our first review of a sharpener, and this is the sharpener that I currently always have in my pocket. Several people have asked me lately what kind of sharpener I would recommend to them for sharpening quality pencils, so I thought a review of a sharpener (finally!) would be highly appropriate. There are many brands who make the exact (almost) same sharpener, but we are going to stick to this one for today. Just as there are many subtle differences and not-to-subtle differences between different brands of hexagonal yellow pencils, there are, too, such variations on the metal wedge theme.

I have not been able to find this model for sale online, but here is some information about it, in case you can locate it in a local shop. I found them at Plaza Artist Supply in Towson, Maryland, where I stock up on them whenever I am on the East Coast. Rumor has it that KUM New York will sometimes sell to individual customers, and we’ll be sure to ammend if we find out for sure.

Technical Information
Type: Blade.
Material: Magnesium-alloy.
Shavings Receptacle: None.
Point Type: Medium.
Markings: “KUM Precision” (blade); “KUM Made in Germany” (body).
Place of Manufacture: Germany.
Availability: Physical shops, i.e., real stores; possibly from KUM New York (?).

This little gadget is a powerhouse! Not only is it light, durable, compact and comfortable to hold; it sharpens hard and soft pencils alike to a terrific point. As you can see from the photo, the point you can get with this sharpener is somewhere between the very short “factory point” and what KUM calls a “long point.” As such, you can really use this sharpener for both art pencils and writing pencils, since you can carefully stop sharpening once you have the point you want. If you push the sharpener to its apex, you can achieve an extremely sharp point, albeit one that is likely to be too short for drafting or engineering purposes.

Performing the actual sharpening is a breeze, resulting in a fluid motion whereby long strands of pencil shavings fall into the trash can or coffee cup saucer (a la Hemingway) in various geometric designs. Of couse, one of the drawbacks of this sharpener is that it does not have an on-board receptacle for shavings. But one of the advantages is that you can see the point as you are sharpening it, so you know when you’ve achieved your desired point. Even if you do mind that this sharpener makes a mess, that gentle cedar smell wafting from the fresh — and very smooth and clean — cut makes it all worth it.

What makes the KUM model different from some of the others I have tried is the smoothness and ease of sharpening, and the perfectly-designed hole that keeps the leads both centered and safe during sharpening. You will not need a lot of effort or pressure to use this little powerhouse. And, to boot, the blades last longer than one is likely to be able to hold onto this sharpener. Being small, they tend to get lost, so I have yet to actually wear out the blades on one myself. And the brand-new blades do not show any noticeable difference in performance than ones that have sharpened dozens of pencils. The KUM wedge is definitely a nice companion for premium quality pencils.

As for availability, we will keep the Revolution posted about places one can purchase these, if we can locate an online source. But I suspect that these little guys are easier to find in art shops than I think, along with other nice sharpeners that are hard to find online. So it can’t hurt to check your local art supplier.

[Photos copyright J.G. 2005.]

FiftyTwoThousand.

“Cabinetmaker”

“I’d rather create a one-liner than infuse my work with intentional ambiguity,” writes designer Mark Moskovitz about his piece, “Cabinetmaker.”

He tells us:

“I’ve always been a big fan of simple, chunky objects that work well and have more than one purpose. For a carpenter, these pencils are more than just a pencil, they’re a tool, including jamming a saw guard, a scribe, and many more uses. I just wanted to pay a small homage to a ‘free’ object I like a lot. I can’t resist a visual pun.”

Check out more of Mark’s work at his site, FiftyTwoThousand.com. Be sure to check out the Writer’s Cabin (under Bio), a creation that would make Thoreau proud.

[Image and quotation Mark Moskovitz, used with permission of the artist.]

Tom Friedman.

Amy sent in this link to sculptures by artist Tom Friedman which are actually made from pencils. One made of shavings can be viewed here. Thanks, Amy!

[Image by Oren Slor, courtesy of Feature Inc. Artwork by Tom Friedman, all rights reserved ©1996.]

Highlighting pencils.

We have been looking for highlighting pencils at the Revolution, only to find out that Faber-Castell no longer makes their dry textliners. You can still find some on eBay, but that’s all you’re going to find as far as we can tell. Here they are in yellow and in pink.

Levenger used to sell something similar, but now all they have are these mechanical versions, which are nice but are not the wood we’re looking for.

On the other hand, Lyra is selling something very similar, pictured above. Here is the availability we can find for these, with the second site being in German. At Pen City. At Schulanfang.

If anyone knows of other wooden dry highlighters (especially if one can get them online), please let us know!

Cliff Clavin and Dixon.

Seems there was a program on television lately about companies that have not out-sourced much of their production and still make their gear in the USA, including the Dixon Ticonderoga company. The show is called “Made in America.” Seeing as how I’m sitting here chewing on a Tri-Write, I wish I could have caught it.

Making pencils (and other products) over-seas is a hot topic, certainly, but we pass no judgment here at Pencil Revolution. There are certainly foreign-made pencils that are much better than some American pencils, and vice versa. We’ve found both gems and junk from the US, from Europe and from Asia.

Still, given that making pencils in America has always been a part of Dixon’s approach and that this approach was certainly instrumental in strengthening the American pencil industry during the first World War (when good German pencils were getting hard to come by), this is still something admirable. The American pencil industry was and is beneficial to the industry as a whole, if for no other reason, then for the mechanizations made standard here.

(Thanks, Armand and Ronin1516 for the link!)

Happy Labor Day!

Two more pencil buildings.

Halib sends us information about “Le Crayon” in Lyons, France: “Here is another ‘pencil building’….The “Crédit Lyonnais” tower in the Part Dieu neoghbourhood of Lyon, France. Its local nickname is ‘Le crayon’, the pencil.” (View original photo here.)

And Luca writes in: “Hi, Just to let you know that in Genova (Italy) there is a Building called ‘Matitone;’ that means ‘big pencil’. (View original image here.)


Many thanks to Halib and Luca and everyone else who sends us suggestions and posts. Keep ’em coming!

[Photos copyright Coolfrog and Foto.It.]

Loftgeeks.

Rob Harrison of Loftgeeks submitted this post this week:

The more that I type and use my computer, the worse my writing gets with pencils or any other implement. I don’t even own a pencil sharpener anymore, and have great difficulty finding pens. Whenever I’m on the phone and say “wait, let me grab a piece of paper” I actually am rushing to my laptop to open NotePad and type up a quick note. Even I can barely understand my own handwritten print, and my cursive is quickly going down the tubes as well. Yet my typing speed has soared over 150 words per minute and since my PDA (a Sony Clie) joined the daily contents of my pocket, the need to write by hand diminishes more rapidly each day. Only my PDA need recognize my attempted scrawls in the Grafiti 2.0 language, and I’ve begun to handwrite printed letters in the Grafiti style instead of my own. In the digital age, I wonder if pencils are quickly becoming a dying breed and will soon be replaced by smart paper technologies.

We certainly hope not. You’d be amazed at the technology that actually goes into making pencils, from developing non-toxic paint to getting ferrules on more effficiently. There is a veritable plethora of information at Timberlines about pencil manufacturing and the pencil industry, and we cannot recommend our friend Woodchuck enough as a source of amazing information and great pencil stories.

Treasure desk.


This was sent it this week from Dave in Virginia:

“Greetings — My Wife was cleaning around a homemade desk that was left in a home we recently purchased and found a box of pencils. The pencils were in pristine condition and never used. We thought it was pretty cool and decided to contact Faber-Castell. They responded quickly:

You have found a very old pencil box. It dates back to about 1860 and was produced by A.W.Faber in Stein near Nuremberg. The combination of pencils in different degrees was a very successful idea of Lothar von Faber, the owner and manager of the factory.

Sincerely

Renate Hilsenbeck, Faber-Castell, Archives

I hope that those who enjoy pencils, enjoy this brief post. Remember, always dig deep in ’empty’ drawers, you never know what will turn up.

-Dave — Richmond,VA”

Thanks are due to Dave, and we certainly encourage The People to send us your stories and pictures. We cannot guarantee that we can publish everything, but we can try.

[Photo copyright Dave N. 2005. Used with permission.]