Mr. Vero Ricci wrote to us recently, telling us about rediscovering pencils and asking about a good electric sharpener for use with colored pencils. Alas, I only own one, and I don’t think I’d recommend it. But I had to share this essay on a life in pencil. If you grew up in the 80s, you almost certainly encountered Vero’s designs of such things as coffin candy (which a semi-creepy kid like I was couldn’t get enough of) and burger boxes, which I really enjoyed as well. Below, please find Vero’s essay (and be sure to check out the site devoted to his designs set up by his son Steve here).
Pencils, I guess we can go back to early childhood, say about 4 years old. I’d watch my aunt Gilda sketch while she played cards with my folks. She had a way of making amazing things appear on paper. With my eyes reaching just above the kitchen table, I copied her every move. She taught me how to make a straight line without the aid of a straight edge. This aside, I became attached to pencil and paper. God’s gift of allowing me to draw was evident when we replaced wallpaper in my home. My parents constructed the house in 1938-39. I was then 5 years old. I couldn’t resist the fresh plastered walls that took a year to dry. I sketched a 1939 Dodge automobile in all its splendor with my trusty soft lead pencil, 4 feet above the floor, smack in the middle of the wall. Evidence of this act came when the old wallpaper was stripped off some 50 years later. There it was in all its splendor, for anyone to see, my 1939 Dodge. The most amazing thing to me was the wonderfully accurate detail made by a 5 year old. God’s gift came when I was very young.
From that day on I sketched quite a bit, but it wasn’t the most important thing in my life. Baseball, football, basketball and the Cowboys and Indians lead the way. In High School my teacher pulled me aside and taught me to paint with oils. She taught well because I won 1st prize two years straight in the Philadelphia Gimble’s Art Exhibit.
Most of my work was done when it was expected from me. While in the Army they nabbed me and I ended up drawing and painting just about everything imaginable. By profession I became an Industrial Designer. The tools that earned hundreds of thousands of dollars for me were my creative mind, a soft pencil, an eraser, a 3-inch triangle and a white 8 ½ X 11 pad of white bond paper. I prefer, to this day, soft lead. Most of the time I used the No. 2 Dixon Yellow Boy pencil with the endless aid of a rubber eraser. I enjoy simplicity and well-thought-out drawings that possess intelligent use of line.
In recent days I joined an elderly group of artists that holds drawing classes every Friday afternoon. I embarked on the use of colored pencils and have not yet come to terms with it. The points break too often, and sharpening the things breaks the points just as well. I know there are good answers out there and I’ll eventfully find the solution. Great pieces of fine art have been made with colored pencil. So hopefully there is a chance for me to enter the arena. Unfortunately, colored pencils don’t result with the contrast I seek. The black pencils are not dark enough. As a result, I started to use a 6B lead pencil to achieve the desired darkness. Unfortunately, the soft dark lead smears the soft pastel color work.
My life can be defined by drawing, painting and product design. All being inter-connected into a single 80-year-old human, and distinguishing one from the other is not possible.
Read more about Vero Ricci on the website created by his son here. If those little plastic coffins are a design by Mr. Ricci, then I have eaten my own weight in sugar from one of his creations.