This was a few weeks ago. I took advantage of the house being empty for an hour or two and watched Hemingway & Gellhorn. It wasn’t great.
Prompted by both a thread on the Field Nuts group and a great post on The Finer Point, here are my pocket notebooks from late 2010 to the present, not counting the ones I am still using. Pictured above, 114 Full Field Notes. Below, other branded books, including the number/alphabet books that might be too large/thick to qualify for this category.
I have been meaning to do something like this for a while. But:
1) It feels like bragging.
2) It feels like confessing to a problem.
3) I am lazy.
I have a small stash of empty Field Notes and assorted other pocket notebooks around, but they will soon move to the full pile. I keep them in a Sam Adams box that is literally splitting because I am a creature of habit and have stuffed way more into that space than really fit.
All of my fellow Paper Fiends now know about the latest offering from Field Notes: Unexposed. I will admit that I was less than excited when I learned that I would not get all six, even as a subscriber. I ordered two more packs from [upcominggreatstorefront] before I saw my subscription packs. So I was not completely undone when I got two sets of doubles — only four of the six. Two more packs were on the way, and odds were on my side.
But I checked out my two packs, nonetheless, even as An Incomplete Set. Look at this cool sleeve! It’s very well-executed, with the FN logo inside. I imagine that coating this in heavy packing tape could produce a pretty durable cover/case for carrying Field Notes.
Out of the sleeve, these books kind of smell like chemicals. I imagine it will go away, however. Being packed into a Secret Box would probably make me stink a little, too. The texture feels like the Drink Local edition from last fall, which is a good thing. I like when my Field Notes get cracked and show wear, and I mean that. However, unlike the Drink Local, I would have rather seen these colors in the summer. Even if you don’t like beer, the Drink Local colors were sweetly autumnal. And imagine how great Arts and Sciences would have been for back-to-school!
The inside covers feature contrasting ink — they are the Color Shadow of the outside covers. The paper is the usual, which is friendly to everything it makes sense for a pocket notebook to be friendly to. It has the reticle grid; I was not crazy about this pattern in the Night Sky edition. It was dark enough to really distract me from graphite, especially since it did not “disappear” the way that lines or a grid might. My one pack of NS that I used is in my Big Box of Used Field Notes, and I can’t compare them just now. These do not *look* as dark. But everything is a little Chromatically Crazy after looking at these books for a while.
I had to get four packs to get all six. I was terrifically…irked by this before I actually had my set of six, to be sure. Of course, when I had them all in hand Monday, I sung like a — I don’t know, a happy guy? We talked a lot about what this might mean to collectors in our Erasable Facebook Group. All four of my packs are open. The only sealed Field Notes in my possession are not really mine; they are my kids’ Birth Notes (Spring 2010 and Summer 2013). The folks at Field Notes print so many books of each edition now that I can’t imagine that the Stationery Trend is going to last long enough in its current zeal for these huge-run recent editions to be very valuable. But I certainly don’t want to start a fight. I am too busy filling my Field Notes.
Now, being a Good Comrade, how could I not pair these up with the Neon Wopexen??
(I bought these myself. Ain’t not messin with my opinions, man.)
Gallery Leather contacted HQ a few weeks ago asking us if we’d review one of their made-in-maine leather journals. We received the Oporto Journal free of charge, and here is the skinny. Gallery’s description:
Modern Italian design in a journal constructed true to Old World book making tradition. Flush-cut, supported bonded leather cover.
I think there’s much more to say than that, especially with the very graphite-friendly paper in this book.
This is a Desk Journal. I don’t know why, but I really like the idea of a desk journal, a ledger or book for sitting at one’s desk. For this purpose, this notebook is great. It measures 8×5.5 inches, with 192 lined pages. The lines are spaced at 1/4 of an inch, which is identical to the Field Notes Shelterwood. The lines feel less wide than they do in the Shelterwood, though, since they are spread over a larger area with the increased page size.
The binding on this book is solid. Upon opening the book for the first time, both the leather and the binding were stiff. However, with time spent with this book for review purposes, it’s softened and loosened up nicely. I imagine that a week of desk use would render this book able to open fairly flatly.
The leather is smooth, with a subtle texture and sheen. It smells great, but is not over-powering, and the raw/rough edges are a very nice touch (and keep the book more flexible). The spine is especially attractive, with a nice semi-boxed shape that neither sits too loosely nor refuses to budge for opening the book.
My favorite thing about this book is the paper. It’s got a tooth that makes using harder pencils not only possible, but enjoyable. Certainly, this paper is not rough, and I imagine that pens that don’t like rough paper would work well. But the tooth does have certain consequences.
Pencils which are as soft as the 2010 Palomino Blackwing* are out of the question, unless you like a smeary mess in your journal. Middling darkness HB pencils performed well, as did high-end but relatively dark Japanese HB pencils like the Hi-Uni and Mono 100. Some German HB pencils which I love but which are unloved by smooth papers (like Field Notes’ regular paper) were a true pleasure on this paper, producing a distinct line and showing great smear resistance. In general, I found this paper to be a little on the messier side in smearability, but erasability was excellent. Castell 9000 and Mars Lumograph HB pencils are dreamy on this paper, and I had good luck with the Grip 2001 also. Because the paper is stiff (not necessarily thick), ghosting is very good with this paper. The German HB pencils I used retained much of their point retention, smoothness and smear resistance, while appearing much more darkly on the page.
If you’re on the lookout for a nice Sitting Still Journal, take a hard-but-smooth HB pencil with this book, and journal to your heart’s content.
* I think they should adopt this coinage of mine and send me a dozen to boot, don’t you?
(A spring 2011 pocket notebook that served me well when I left working at the university for being a full-time SAHD.)
Via Paperblanks’ blog.
Last week, we looked at the company who makes Write Notepads and at the large notebooks. In this review, we will take a look at the pocket notebooks and the pencils. Chris sent us over a pocket notebook in the regular and Paul Smith formats, both unlined. As much as I really liked the large notebooks, I find myself enjoying the pocket versions even more.
For one, these pages are not perforated for tearing out. While I can live with this feature in a larger notebook, I really don’t like the pages to fall out of my pocket notebooks, which I use most of all sizes. There’s precious [to me] stuff in there! It was also nice to find that the unlined paper performed just as well as the lined versions. These would make great sketchbooks, to be sure.
These do actually fit well into a pocket, though not a side jeans pocket. There is more flex than I’d expect from something that feels so durable. But spirals don’t do it for me in the front pocket of my Levis. I have not subjected the spiral to a week under my posterior, in a back pocket, but the spiral feels like it would handle the test and stay together. While I could take the big rubberband or leave it on the large books, I use them all of the time on my pocket versions, to keep the pages closed in my puffy vest pocket or, ahem, diaper bag. These are also much less terrifyingly-sized. I will hide the larger ones when my brothers come to HQ this weekend for a little shindig.
For size comparison purposes, the Write Notepads & Co pocket notebook with the Standard Memorandum from Word. and the current Field Notes edition. The WN&C book is slightly wider than the Field Notes with the spiral. This size is just about perfect for what this book is, and in the end, I can’t put my finger on what I like about these semi-chunky, semi-small notebooks full of really nice paper so much. But I can’t get enough of them, certainly.
Chris also sent over some of Write Notepads’ pencils. These wooden implements are available in packs of five, for five smackers. They come in a nicely fitting resealable bag which feels heavy-duty enough that I’ll use it for something else when the pencils are gone. They are made in the USA by Musgrave and are very attractive.
They are listed as cedar, though they don’t smell like any of my other cedar pencils. They smell familiar somehow, and the grain looks to Mr. Dan and I both like cedar. They certainly have a light weight, and they sharpen with ridiculous ease; seriously, even on sharpeners needing new blades, these were easily brought to a point. The printing is on a clear sticker of some sort. I really like the typography, though I’d like it much more if it were printed on the wood like the Field Notes pencil.
What I think the Write Notepads & Co pencil has over the Field Notes pencil the most is the design. I am a sucker for a naturally-finished pencil with a pink eraser – doubly so with a gold ferrule. (See the older Prospector, of which I have only a precious few with pink erasers left.) The eraser on this pencil is soft and performs as well as the Field Notes version – pretty well, not great, not smeary. I have long suspected the Musgrave makes Field Notes’ pencils. So maybe this is the reason?
The lead feels a lot to me like the Field Notes pencil, though a touch smoother, darker and harder to erase. The eraser is crimped on (rather than glued), which I usually think looks better. The leads in our packs are well-centered, and these pencils are a pleasure to use. I’ll cop to using them 80% of the time I am writing/drawing in Write Notepads gear.
Thanks again to Chris at Write Notepads & Co for the generous samples and for manufacturing stationery in Baltimore! I can’t say enough now much I enjoy these books, and I hope that we see more limited Baltimore editions soon! (I bought half of their run of the first limited edition as holiday gifts this year after testing these books in December — Okay, not exactly half of the run; you can still get ‘em.) Definitely get yourself some of these notebooks, and if you’re in Baltimore, hit up Trohv on The Avenue (Hon). And if you’re in Baltimore, hell, let’s all do a meet-up in the spring at one of our many good coffeeshops.
One of the projects of my summer has involved putting in a new laminate floor at my parents’ house with one of my brothers. This is a frame house in Baltimore that dates back to at least 1880 and didn’t have plumbing, electricity or heat when it was built. Having houses of our own, it is difficult for Joe and I to find time (and energy) for this project. But it did provide a great opportunity to try my Field Notes Carpenter Pencil in The Field.
We also tried a promotion carpenter pencil we found in my mother’s antique desk (that’s been there since for nearly two decades, I’d imagine) and a USA-made Home Depot carpenter pencil with the date 2003 (bought in 2006).
The promotional pencil is now two inches long. Nothing would sharpen the porous wood and crumbly lead. My brother was attempting to use this on the first day before I got there with better pencils. He was relieved that it was not his sharpening efforts but, rather, a truly junky pencil that was frustrating him. The naturally-finished Home Depot pencil was actually very good, the best “commercial” carpenter pencil I’ve used. The wood (not cedar; I doubt it) was very…waxy from a successful treatment to make it easy to sharpener with a knife or utility blade. The lead left a bit of a light line, but it didn’t crumble or break. It was smeary though, leaving graphite all over the sharpened wood of the pencil. This surprised me for a pencil that made such a light mark.
I might have been biased because the Field Notes pencil was the most expensive and the one I wanted to work best. But it performed very well. The wood sharpened as well as the Home Depot pencil, and the lead was very strong. Even better, the lead was darker and didn’t seem to stain the wood and our project. The line stayed put. It performed on wood like a soft Castell 9000 does on paper, producing a sharp, dark line. The wood is not cedar, but the finish of the pencil is pretty nice. The black paint and white lettering are sharp, though we did lose it a few times because it was dark on the opposite side and hid itself in shadows while we had the ceiling fan and light down (before installing the new one).
Finally, I gave sharpening a carpenter pencil with an oscillating tool a shot, just to see what it was like. Don’t do it! In addition to doing an even worse job of sharpening the pencil than I thought I would, I am probably lucky to still have all of my digits. This could largely be because I do not have a lot of skill with this tool. But I don’t think this is a good way to practice to perfection skills with a tool I do not actually like.
The Field Notes carpenter pencils are available in three packs for $4.95. I bought these the first time I saw them this winter. (There are white and red ones floating around, for the collectors out there.) While you’re there, could someone please explain to me how there are still America the Beautiful editions left? That edition has probably the most graphite-friendly paper Field Notes has ever used. I am down to my last notebook from my last set of those, which I have been using very sparingly. Try one! This is one of my three favorite editions, I think.
Not mine! Gracious, I have at least 60-70 full from the last 2 1/2 years in a Beer Box* upstairs that I need to find, so that I can archive my last three notebooks since mid-July. Santa brought my daughter a set of the Summer Camp Field Notes books and pencils for Christmas 2011. She scored one when she started Serious Potty Training a while back. We carry it with us when we go to the coffeeshop, BMA, etc. She finished it last week.
Full! It’s stocked with drawings and is covered with stickers. She started to eraser pictures so that she could draw more when we were out two weeks ago, prompting the introduction of the next book for her drawing adventures. At 3, she can draw recognizable pictures. Seriously. I don’t have a picture of it yet, but a recent drawing session went something like this:
Charlotte: Daddy, what do you want me to draw for you?
Daddy: A lion. And trees.
Charlotte: (two minutes later) Daddy! Here you go.
Whereupon she presented me with a two-page spread featuring a lion. And trees. And here I was thinking we didn’t get to the zoo often enough.
She’s always had a fondness for drawing and writing tools. It’s almost like our house has pencils,pens, paper and accessories everywhere. Eh…
She stole my wife’s Balsam Fir Field Notes when she was about 9 months old and spilled coffee on it somehow, and she claimed a green Mongol HB pencil from me around the same time.
At the risk of offending some of my Fellow Field Notes Fans, I joked that, with one full notebook, Charlotte probably has finished more than a lot of people who own an entire Archival Box of limited editions. For myself, I enjoy the photos folks put online of their notebooks that are beaten up badly and full of Good Stuff.
I have enough “rare” Field Notes editions that I could fund at least a decade of subscriptions by selling them — if I hadn’t filled them up. Like pencils, I think of them and treat them as tools. I use them. I use the hell out of them. I have had a few people ask to trade for my Fab.Com edition. I had to break it to these good folks that I filled them within 3 weeks of getting them.
Certainly, Charlotte has other notebooks. She has a serious fondness for Composition Books, sometimes asks for her pink Moleskine, not to mention her Fairies books. I gave her a new pink pocket notebook last night, and she stole an old Golden Bear from my cup, claimed it as her own, and drew 3-4 pictures before I had to drag her off to bed.
*[Box in which 12 bottles of Excellent Beer arrived, before their cheerful departure.]
I took Baby Henry to his first trip to Staples this evening after supper. He stayed awake the whole time, oddly enough. Came home with a three-dozen pack of Staedtler Norica pencils in black. When I emptied my pocket, I realized that everything in it matched these pencils. (Review coming soon; I like ‘em!)
I mentioned that a couple of us at Pencil Revolution HQ went camping early last month. I learned a few things about pencils and about camping.
First, if you are prone to cracking fingers (and if you have no idea what I’m talking about, count yourself lucky!), take a fat pencil with you. My pocket-knife sharpened My First Ticonderoga came in handy when I was bandaged one night.
Also: pencil shavings are way way way more flammable than I thought. Comrade Dan shaved magnesium from a block designed for the purpose of making fire. There was too much wind Friday night (and we were hungry) to get it to light. We resorted to matches. Saturday, just for fun, he shaved a nice pile of magnesium shards into a box of a few months’ worth of pencil shavings from my house. Despite fierce sparking, none of the magnesium lit. But the pencil shavings did, and we lit a fine fire that way — which burned for about 20 hours until we thoroughly extinguished it.
Finally, (and I think I knew this), naturally finished pencils are perfect for camping. They grip well, get nice and dirty, and when you get home, they smell like fire forever.
I am off to the woods for the weekend, for some spring temperatures, shortwave radio, fire and hiking with Comrade Dan. Sans pencil sharpener or sharpeners. I’ve got my knife sharp enough to have made a nice, clean, little cut on my finger that healed in twelve hours. I think it can handle some cedar.
How many pencil aficionados does it take to have an excellent camping trip in Central Maryland? Hopefully just two.
We’ll be back this coming week with a review of USA Silver pencils and a report from the National Cherry Blossom Festival in Washington DC.
[That’s a 1990, USA-made Camillus BSA “Official” knife I won for selling the most popcorn.]
The Revolution would never have had more than five readers without Armand’s help back in 2005. I’m ecstatic! I really am.
[Image, Jfg. Note: those Field Notes have all been filled, with many others, since this photo was taken in 2011.]